(Modern Creative,Avant-Garde,Free Improvisation) The Clarinet Trio(Gebhard Ullmann,Jurgen Kupke,Theo Nabicht) - Oct.1,'98 - 1999, APE (image+.cue), lossless

The Clarinet Trio (Gebhard Ullmann,Jurgen Kupke,Theo Nabicht) - Oct.1,'98 Жанр: Modern Creative,Avant-Garde,Free Improvisation Год выпуска диска: 1999 Производитель диска: с & p Leo Records Laboratory Аудио кодек: APE Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 73:25 Трэклист: 1 Mouthpieces- Kupke, Nabicht, Ullmann 2:14 2 Klezmer . . . Flower . . . Tag- Ullmann 3:28 3 Moments/Collective One- Kupke, Nabicht, Ullmann 21:16 4 Heaven No. 2.7- Ullmann 3:34 5 Fur Bassklarinette Alleine- Ullmann 2:14 6 Gospel- Ullmann 2:38 7 Blaues Lied- Ullmann 3:25 8 Clarinet- Kupke 2:48 9 Scratch/Collective Two- Kupke, Nabicht, Ullmann 4:40 10 Tea for Two- Caesar, Youmans 3:20 11 Brywzc (Fur Zwei Bassklarinetten Zusammen)- Nabicht, Ullmann 3:49 12 Blues/Collective Three- Kupke, Nabicht, Ullmann 1:42 13 Meltema- Ullmann 5:13 14 Variationen Uber "Rauch und Moder"- Ullmann 3:07 15 Flutist With Hat and Shoe- Ullmann 2:07 16 Think Tank (Shooting in Black and White)- Ullmann 1:33 17 Fur Die Andere Bassklarinette Alleine- Nabicht 2:05 18 Walzer/Collective Four- Kupke, Nabicht, Ullmann 1:55 19 Palami Di Me- Rota 2:17Jurgen Kupke- сlarinet Theo Nabicht- сlarinet, сlarinet (bass) Gebhard Ullmann- clarinet (bass), producer, liner notes Доп. информация: Рип сделан собственноручно,сканы обложки внутри.  Отчёт EAC об извлечении, выполненном 12. сентября 2008Exact Audio Copy V0.99 prebeta 3 from 28. July 2007Отчёт EAC об извлечении, выполненном 12. сентября 2008, 18:07Ullmann/Kupke/Nabicht / Oct.1,'98Дисковод: Optiarc DVD RW AD-7203A Adapter: 0 ID: 1Режим чтения : Достоверность Использование точного потока : Да Отключение кэша аудио : Да Использование указателей C2 : НетКоррекция смещения при чтении : 48 Способность читать области Lead-in и Lead-out : Нет Заполнение пропущенных сэмплов тишиной : Да Удаление блоков с тишиной в начале и конце : Нет При вычислениях CRC использовались нулевые сэмплы : Да Интерфейс : Установленный внешний ASPI-интерфейсВыходной формат : Monkey's Audio Lossless Encoder v3.99 DLL Формат сэмплов : Normal Lossless CompressionTOC извлечённого CD Трек | Старт | Длительность | Начальный сектор | Конечный сектор --------------------------------------------------------------------- 1 | 0:00.00 | 2:14.70 | 0 | 10119 2 | 2:14.70 | 3:27.65 | 10120 | 25709 3 | 5:42.60 | 2:16.00 | 25710 | 35909 4 | 7:58.60 | 3:33.40 | 35910 | 51924 5 | 11:32.25 | 2:13.32 | 51925 | 61931 6 | 13:45.57 | 2:37.43 | 61932 | 73749 7 | 16:23.25 | 3:25.05 | 73750 | 89129 8 | 19:48.30 | 2:47.55 | 89130 | 101709 9 | 22:36.10 | 4:40.22 | 101710 | 122731 10 | 27:16.32 | 3:19.30 | 122732 | 137686 11 | 30:35.62 | 3:48.60 | 137687 | 154846 12 | 34:24.47 | 1:41.73 | 154847 | 162494 13 | 36:06.45 | 5:12.62 | 162495 | 185956 14 | 41:19.32 | 3:06.30 | 185957 | 199936 15 | 44:25.62 | 2:06.63 | 199937 | 209449 16 | 46:32.50 | 1:32.67 | 209450 | 216416 17 | 48:05.42 | 2:05.05 | 216417 | 225796 18 | 50:10.47 | 1:54.35 | 225797 | 234381 19 | 52:05.07 | 2:17.00 | 234382 | 244656Характеристики диапазона извлечения и сообщения об ошибкахВыбранный диапазон Имя файла C:\Documents and Settings\1\Рабочий стол\Ullmann Kupke Nabicht - Oct.1,'98.ape Пиковый уровень 99.9 % Качество диапазона 99.9 % CRC теста 274834FA CRC копии 274834FA Копирование... OKОшибок не произошлоAccurateRip: сводкаТрек 1 нет в базе данных Трек 2 нет в базе данных Трек 3 нет в базе данных Трек 4 нет в базе данных Трек 5 нет в базе данных Трек 6 нет в базе данных Трек 7 нет в базе данных Трек 8 нет в базе данных Трек 9 нет в базе данных Трек 10 нет в базе данных Трек 11 нет в базе данных Трек 12 нет в базе данных Трек 13 нет в базе данных Трек 14 нет в базе данных Трек 15 нет в базе данных Трек 16 нет в базе данных Трек 17 нет в базе данных Трек 18 нет в базе данных Трек 19 нет в базе данныхНи одного трека нет в базе AccurateRipКонец отчёта  AllmusicReview by Steve LoewyAt first blush, the prospect of three clarinets performing abstract, avant-garde improvisations for nearly an hour may seem daunting. Somehow, though, Gebhard Ullmann, Jurgen Kupke, & Theo Nabicht pull it off, creating nineteen miniatures of alluring sounds. All are unrecognizable tunes, with the wonderful "Tea for Two" and Nino Rota's "Pariami di me" the exceptions. Ullmann succeeds by writing for the unique sonorities of the instrument. Actually, two of the three (including Ullmann) play bass clarinets, adding additional colors. Even with plenty of melody, there is plenty of scratch and sniff to satisfy the most adventuresome. Ultimately, it is the stunning arranging that wins the day, the tunes reaching back decades sometimes for inspiration. The lines are often jagged, the harmonies outrageous, and the soloing superb.  AllaboutjazzBy Budd KopmanSaying that Oct. 1, '98 is Moritat (99 Records, 1994) meets Trad Corrosion (Nabel, 1997) would not be too far wrong. Nineteen miniatures are fit into fifty-four minutes like the latter album, but using only pure reed sounds like the former. Mixing pure improvisation, a truly wonderful version of “Tea for Two” and new and old compositions of bass clarinetist Gebhard Ullmann, this release has something for everyone.Clarinetist Jurgen Kupke is part of the Moritat Ta Lam Acht band, and bass clarinetist Theo Nabicht would ultimately end up in Ullmann's Ta Lam Zehn version of that band. Kupke's musical interests range from the contemporary to New Orleans, while Nabicht is a modernist who also writes music for theater. The meeting of these three minds on this particular day produced music which is balanced between the composed and the improvised.The emotions and images vary widely, ranging from the direct to the abstract. There is a real sense of intense concentration, mixed with freedom and levity that binds the various tracks together and allows the listener to get to know both the music and the players. While there is much experimentation and many extra-musical sounds, there is also much melody and euphony to balance things out.The three musicians are grouped differently in number and function for the various tracks. There are five group improvisations (”Mouthpieces,” “Moments/Collective One,” “Scratch/Collective Two,” “Blues/Collective Three” and “Walzer/Collective Four”) whose sound worlds relate, more or less to the titles (”Blues” deals with the color or emotion and not the musical style).Kupke and Nabicht each contribute a solo piece that maintains interest for every second, as instrumental sounds intersect with melodic gestures. Ullmann also add a solo piece and the difference between it and Nabicht's is interesting.The rest of the CD consists primarily up of Ullmann compositions old and new, played by the trio, with some overdubbing. “Gospel,” first introduced on Trad Corrosion, is the ideal vehicle for Kupke's clarinet as he wails. One can almost see him leaning back and playing to the ceiling. “Blaues Lied,” from Suite Noire (Nabel, 1992), slithers and slinks around the edges of blueness deliciously, while from Moritat comes a radically revised “Think Tank,” with its ominous theme.That “Tea for Two” is the central track is as telling as its treatment. The trio stays in touch with the tune's identity while pulling and stretching it every which way, creating serious smiles all around.Oct. 1 '98, while most definitely a thinking listener's record, will evoke many deep emotions and reward attentiveness immensely.Style: Modern Jazz | Published: October 13, 2007