(Modern Creative, Avant-garde, Experimental, Drone ) Nate Wooley - The Almond - 2011, FLAC (tracks), lossless

Nate Wooley / The Almond Жанр: Modern Creative, Avant-garde, Experimental Страна-производитель диска: US Год издания диска: 2011 Издатель (лейбл): Pogus Productions Номер по каталогу: 21061-2 Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 72:02 Источник (релизер): whatcd/nhennies Наличие сканов в содержимом раздачи: нет Треклист: 1 The Almond 72:02  Лог создания рипа X Lossless Decoder version 20120226 (139.1)XLD extraction logfile from 2012-03-05 19:08:31 -0600Nate Wooley / The AlmondUsed drive : PIONEER DVD-RW DVR-K06A (revision Q624)Ripper mode : XLD Secure RipperDisable audio cache : OK for the drive with a cache less than 1375KiBMake use of C2 pointers : NORead offset correction : 48Max retry count : 20Gap status : Analyzed, AppendedTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 72:02:41 | 0 | 324190AccurateRip Summary Disc not found in AccurateRip DB.All Tracks Album gain : -1.97 dB Peak : 0.985168 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 01 Filename : /Users/nhennies/Desktop/The Almond-FLAC/01 Nate Wooley - The Almond.flac Pre-gap length : 00:02:00 Track gain : -1.97 dB Peak : 0.985168 CRC32 hash (test run) : 501382E2 CRC32 hash : 501382E2 CRC32 hash (skip zero) : 88545596 AccurateRip signature : D17C778C ->Track not present in AccurateRip database. Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0No errors occurredEnd of status report  Об альбоме (сборнике)Nate Wooley, trumpet and voiceI was really only familiar with Nate's jazz/improv work, so when he asked if he could submit something, I must admit I was curious. Well, hot damn, this a great piece of experimental/drone music. You have got to get your hands (and ears) on this one.The Almond started as a short study for trumpet for the British website Compost and Height. Wooley, a rising young composer known mostly for his radical recontextualization of the trumpet in improvisation and jazz music, was, at the time, feeling constricted by the sound based language he had been using up to that point in both his live solo playing and his earlier solo records. His goal was to make a true solo trumpet record, using only the trumpet as it was intended to be played with no extended techniques. This challenge spawned a 20-minute piece that, at the surface level, was a quick, arcing narrative made up glacially shifting textures of pure pitched sound.The process behind the piece was much more complex, however, as each pitch heard in the piece was made up of anywhere from three to ten different recordings of the trumpet recorded in different mutes, tunings, with different microphones, and in different rooms. The result was each note of the piece, now expanded to 70 minutes in its final version, takes on a synthesized aspect, sometimes sounding like a voice, others like an organ, but always maintaining some timbral tie to the trumpet. With the exception of one very low pedal tone, all the pitches are played on a regular embouchure, again a far cry from Wooley's usual work.The piece grew to 70 minutes as a formal construction for the presentation of materials became clear to the composer. What is on the recording, The Almond, is a much different piece of work from the early, raw 20-minute study that spawned it. Now the materials appear and return in the same relaxed pace, but they seem to grow out of each other, spatialized in a way that suggests a more organic movement than the tedious tape preparation outlined above would suggest. Groups of pitches appear and recede, creating phantom overtones of ghostly singing as they interact with other harmonies already present in the work. In the original sketch, posted on Compost and Height, Wooley suggests that The Almond should be listened to at a high volume or better yet in headphones. The extended version of the work, here presented for the first time, is better experienced loud on speakers with time to listen in a relaxed way to the complete 70 minutes, allowing the listener to follow the entrance and exit of each new harmony. This is an excerpt of a longer piece for trumpet. It is dedicated to Noemi Matilda Vuletic, Owen Eric Eisenstadt, Chelsea Isabelle Lopez, Zosia Nell Sinton, Zadie Bustion Moran, and Joshua Kevin Harrington. The piece is made only of trumpet tones, no extended technique, no processing. Funded in part through a grant from the Aaron Copeland Fund for Music, Inc. Special Thanks to Al Margolis, Tom Hamilton, Sarah Spears, Jeremiah Cymerman, and all the parents of the children listed above. Recorded and mixed April 24, 2010 at the Convent, Jersey City, NJ. Mastered on August 26, 2011.  СоставNate Wooley, trumpet and voice