(Modern Creative, Avant-Garde) Anna Webber - Simple (with Matt Mitchell, John Hollenbeck) - 2014, MP3, V0

Anna Webber / Simple (with Matt Mitchell, John Hollenbeck) Жанр: Modern Creative, Avant-Garde Страна исполнителя (группы): USA Год издания: 2014 Аудиокодек: MP3 Тип рипа: tracks Битрейт аудио: V0 Продолжительность: 1:10:13 Наличие сканов в содержимом раздачи: нет Треклист: 01 Carnophobia 02 Emoticon 03 1994 04 Simplify Simplify 05 Washington 06 I Don't Want To Be Happy 07 Zigzag 08 Invisible Propulsion 09 For Erik  Об исполнителе (группе)http://fullyaltered.com/fa/2014/07/01/multi-instrumentalist-composer-anna-webber-...k-matt-mitchell/ Anna Webber is a musician who strives for the unexpected. An integral part of the Brooklyn avant-garde jazz scene, she has established herself as a forward-thinking composer with her album Percussive Mechanics, featured in The New York Timesand NPR.Webber is a member of the collaborative band Jagged Spheres with Devin Gray and Elias Stemeseder and she plays with the Adam Hopkins Quartet; Noah Garabedian’s Big Butter and the Eggmen; the Erik Hove Large Ensemble; the Marike van Dijk Large Ensemble; the Martin Krümmling Quartet and Fabian Almazan’s Biophilia wind sextet, among many others. She also plays on Stefon Harris’ Grammy-nominated album Urbanus (Concord Records, 2009). Webber has toured throughout the USA, Canada, and Europe. She was nominated for the BMI’s Charlie Parker Award/Manny Alban Comission in 2013 and is the winner of the 2010 Prix François-Marcaurelle at the Montreal OFF Jazz Festival. Webber is originally from British Columbia.  Об альбоме (сборнике)http://www.downbeat.com/digitaledition/2014/DB1411/single_page_view/60.html DOWNBEAT, NOVEMBER 2014 3½ The name of New York-based composer and woodwind player Anna Webber’s second CD declares an intention, not an outcome. There’s too much happening in the music to call it simple, even when she strips things back to barely there breaths and plucked piano strings. Listen closely and you’ll hear complexity in the individual sounds; hang on a spell and the music will turn a corner. Simplification, it seems, is more of a process than a result. Webber has cut back on the number of players involved, from six accompanists on her previous CD, Percussive Mechanics, to two on this one. And this music does feel stripped of excess; as active as percussionist John Hollenbeck gets, as concentrated as Matt Mitchell’s piano figures are and as changeable as Webber’s attack may be, each gesture articulates a structural essential. There’s a lot to admire about this record, and it expresses one command with unarguable clarity—to pay attention to Webber, both in the moment and in the future. However, there is also something rather inward-looking about it, as though the players are so busy sorting out how to get things right that they have left the task of figuring out how to connect to the audience. —Bill Meyer  СоставAnna Webber - flute, alto flute, tenor saxophone Matt Mitchell - piano, prepared piano John Hollenbeck - drums, percussion Доп. информация:  large cover all compositions © 2014 Anna Webber SOCAN/ASCAP released 16 September 2014 on Skirl Records, SKIRL 027 Recorded in August 2013 at the Loove, Brooklyn by Andrew Felluss Music Written In Solitude During Summer 2013, On Bowen Island Off Coast of British Columbia