2001 Iannis Xenakis - Musique Electro-Acoustique [CD]

Iannis Xenakis / Musique Electro-Acoustique Жанр: Modern Classical, Musique Concrete, Contemporary Страна-производитель диска: France Год издания: 2001 Издатель (лейбл): Fractal Records Номер по каталогу: Fractal 015 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 42:13 Источник (релизер): crackas Наличие сканов в содержимом раздачи: нет Треклист: 01 - Por La Paix 02 - Voyage Absolu Des Unari Vers Andromede   Лог создания рипа X Lossless Decoder version 20120407 (140.0) XLD extraction logfile from 2012-04-09 21:11:30 +0000 Iannis Xenakis / Musique Electro-Acoustique Used drive : MATSHITA DVD-R UJ-898 (revision HC10) Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 102 Max retry count : 20 Gap status : Analyzed, Appended TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 26:42:26 | 0 | 120175 2 | 26:42:26 | 15:29:09 | 120176 | 189859 AccurateRip Summary Track 01 : OK (confidence 1) Track 02 : OK (confidence 1) ->All tracks accurately ripped. All Tracks Album gain : -3.25 dB Peak : 0.889099 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 01 Filename : /Users/redacted/Desktop/Iannis Xenakis - Musique Electro-Acoustique/01 Iannis Xenakis - Pour la Paix.flac Pre-gap length : 00:02:00 Track gain : -2.46 dB Peak : 0.889099 CRC32 hash (test run) : 492D1F07 CRC32 hash : 492D1F07 CRC32 hash (skip zero) : 40C6CE16 AccurateRip signature : 4DF6AA55 ->Accurately ripped! (confidence 1) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 02 Filename : /Users/redacted/Desktop/Iannis Xenakis - Musique Electro-Acoustique/02 Iannis Xenakis - Voyage absolu des Unari vers Andromede.flac Pre-gap length : 00:06:45 Track gain : -3.86 dB Peak : 0.857117 CRC32 hash (test run) : BC4AC391 CRC32 hash : BC4AC391 CRC32 hash (skip zero) : 51729042 AccurateRip signature : FB1B427F ->Accurately ripped! (confidence 1) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report     Содержание индексной карты (.CUE) TITLE "Musique Electro-Acoustique" PERFORMER "Iannis Xenakis" REM GENRE "Electronic" REM DATE "2001" REM DISCID 0D09E302 REM REPLAYGAIN_ALBUM_GAIN -3.25 dB REM REPLAYGAIN_ALBUM_PEAK 0.889099 FILE "01 Iannis Xenakis - Pour la Paix.flac" WAVE TRACK 01 AUDIO TITLE "Pour la Paix" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -2.46 dB REM REPLAYGAIN_TRACK_PEAK 0.889099 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Voyage absolu des Unari vers Andromede" FLAGS DCP REM REPLAYGAIN_TRACK_GAIN -3.86 dB REM REPLAYGAIN_TRACK_PEAK 0.857117 INDEX 00 26:35:56 FILE "02 Iannis Xenakis - Voyage absolu des Unari vers Andromede.flac" WAVE INDEX 01 00:00:00     Об исполнителе (группе) Iannis Xenakis, for those of you that do not know of this man, is one of the lead figures of electronic music in the sectors of experimental music and the creation of such diverse sounds. Having collaborated with other lead experimenters such as Varese with the construction of the Poème Electronique in Belgium in 1956, he has made a huge influence on the poetic and artistic methods of creating, what he would call – music, and what I would call, reflecting on this album – a huge mess. “Musique Electro-Acoustique” is based around, taking the listener through various sounds in “Pour La Paix” in 1981, and an “adventure” of electronic muses from the year 1989, in “Voyage absolu des Unari vers Andromede”. Born in 1922, there was really no excuse for making such a distasteful piece like “Pour La Paix”. At the electronic era of 1981, we had more exciting and vicious experimental and electronic music even before then by himself and others, such as Wendy Carlos’ “Sonic Seasonings” (1972). Xenakis takes the listener through various sounds that are effortless, pointless and simple – too simple. These sounds are not structured, unlike most experimental artists whose sounds can get on the annoying side but overall, very aesthetically pleasing, such as Autechre’s “Untilted” and Alva Noto’s “Transspray”. “Pour La Paix” offers intriguing noises that ring through the ears that abruptly hinder by the speeches of a man and a woman. The twenty-six minute track also offers a top notch, monotonous headache! “Voyage absolu des Unari vers Andromede“ is a fifteen minute composition from the year 1989 that is more redeeming than the previous piece with its comprehensive structure of lazer-like sounds. The addition of a tenor screw-drive zapping in the background is thoroughly accompanied well by the soft white noise that bursts out like an electronic explosion subtly. But there’s no only one problem – that is all! If you compare Xenakis’ 1950’s productions and you compare them to this, you will see no difference. Xenakis has been locked up in time and even after forty years, his music hasn’t developed or excelled. “Musique Electro-Acoustique” doesn’t achieve half marks for the beauty of music, as it refuses to provide a medicine, within it, to put the listener at ease after the catastrophic pain.     Об альбоме (сборнике) "Pour La Paix", composed in 1981, for 2-channel tape (complete version with choir, narrators and tape music). Tape realized at CEMAMu and GRM, Paris. Texts taken from "Écoute" and "Les Morts pleurent" by Françoise Xenakis, translated by Nouritza Matossian, and from"Phonèmes" by Iannis Xenakis. Premiered on April 23th, 1982 at Studio 104, Radio France, Paris. "Voyage Absolu Des Unari Vers Andromède" composed for 2-channel tape on UPIC at CEMAMu, Paris. Premiered on April 1st, 1989 at Kamejama Hontokuji temple in Himeji (Osaka).     Состав on 1 track Choir – Chœur de Radio France Chorus Master – Michel Tranchant Libretto By – Françoise Xenakis, Iannis Xenakis Narrator – Danielle Delorme, Françoise Xenakis, Maxens Maylfort, Philippe Bardy Translated By – Nouritza Matossian