(Modern Classical, Electroacoustic, Avant-Garde) [CD] Giuseppe Ielasi - Untitled 2011 - 2012, FLAC (tracks+.cue), lossless

Giuseppe Ielasi / Untitled 2011 Жанр: Modern Classical, Electroacoustic, Avant-Garde Носитель: CD Страна-производитель диска (релиза): UK Год издания: 2012 Издатель (лейбл): Entr'acte Номер по каталогу: E129 Страна исполнителя (группы): Italy Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 39:37 Источник (релизер): waffles.fm Наличие сканов в содержимом раздачи: Треклист: 1 Untitled 6:11 2 Untitled 5:14 3 Untitled 6:57 4 Untitled 3:04 5 Untitled 3:47 6 Untitled 2:04 7 Untitled 9:40 8 Untitled 2:41   Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 15. February 2012, 18:23 Giuseppe Ielasi / Untitled, 2011 Used drive : HL-DT-STDVDRAM GT32N Adapter: 2 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 103 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:10.38 | 0 | 27787 2 | 6:10.38 | 5:14.00 | 27788 | 51337 3 | 11:24.38 | 6:57.00 | 51338 | 82612 4 | 18:21.38 | 3:04.00 | 82613 | 96412 5 | 21:25.38 | 3:46.38 | 96413 | 113400 6 | 25:12.01 | 2:04.00 | 113401 | 122700 7 | 27:16.01 | 9:40.00 | 122701 | 166200 8 | 36:56.01 | 2:41.00 | 166201 | 178275 Track 1 Filename C:\Users\a\Documents\Rips\01 Untitled.wav Pre-gap length 0:00:02.00 Peak level 96.1 % Extraction speed 1.2 X Track quality 99.9 % Test CRC C1A5EE58 Copy CRC C1A5EE58 Track not present in AccurateRip database Copy OK Track 2 Filename C:\Users\a\Documents\Rips\02 Untitled.wav Peak level 63.2 % Extraction speed 1.5 X Track quality 100.0 % Test CRC EF35552F Copy CRC EF35552F Track not present in AccurateRip database Copy OK Track 3 Filename C:\Users\a\Documents\Rips\03 Untitled.wav Peak level 49.2 % Extraction speed 1.6 X Track quality 99.9 % Test CRC 6F2DB59D Copy CRC 6F2DB59D Track not present in AccurateRip database Copy OK Track 4 Filename C:\Users\a\Documents\Rips\04 Untitled.wav Peak level 85.9 % Extraction speed 1.7 X Track quality 100.0 % Test CRC 8D8CAA7D Copy CRC 8D8CAA7D Track not present in AccurateRip database Copy OK Track 5 Filename C:\Users\a\Documents\Rips\05 Untitled.wav Peak level 68.4 % Extraction speed 1.9 X Track quality 100.0 % Test CRC 52740BA1 Copy CRC 52740BA1 Track not present in AccurateRip database Copy OK Track 6 Filename C:\Users\a\Documents\Rips\06 Untitled.wav Peak level 29.2 % Extraction speed 1.7 X Track quality 100.0 % Test CRC DD1DDB22 Copy CRC DD1DDB22 Track not present in AccurateRip database Copy OK Track 7 Filename C:\Users\a\Documents\Rips\07 Untitled.wav Peak level 96.6 % Extraction speed 2.1 X Track quality 99.9 % Test CRC D0DEF27A Copy CRC D0DEF27A Track not present in AccurateRip database Copy OK Track 8 Filename C:\Users\a\Documents\Rips\08 Untitled.wav Peak level 37.8 % Extraction speed 1.7 X Track quality 99.9 % Test CRC A03FF26E Copy CRC A03FF26E Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ==== Log checksum 3A4491FE628DE07CE7FF21FDEF2820C17AFCDA4887FAC61259782FC99823FCDC ====     Содержание индексной карты (.CUE) REM DISCID 63094908 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "Giuseppe Ielasi" TITLE "Untitled, 2011" FILE "01 Untitled.wav" WAVE TRACK 01 AUDIO TITLE "Untitled" PERFORMER "Giuseppe Ielasi" INDEX 01 00:00:00 FILE "02 Untitled.wav" WAVE TRACK 02 AUDIO TITLE "Untitled" PERFORMER "Giuseppe Ielasi" INDEX 01 00:00:00 FILE "03 Untitled.wav" WAVE TRACK 03 AUDIO TITLE "Untitled" PERFORMER "Giuseppe Ielasi" INDEX 01 00:00:00 FILE "04 Untitled.wav" WAVE TRACK 04 AUDIO TITLE "Untitled" PERFORMER "Giuseppe Ielasi" INDEX 01 00:00:00 FILE "05 Untitled.wav" WAVE TRACK 05 AUDIO TITLE "Untitled" PERFORMER "Giuseppe Ielasi" INDEX 01 00:00:00 FILE "06 Untitled.wav" WAVE TRACK 06 AUDIO TITLE "Untitled" PERFORMER "Giuseppe Ielasi" INDEX 01 00:00:00 FILE "07 Untitled.wav" WAVE TRACK 07 AUDIO TITLE "Untitled" PERFORMER "Giuseppe Ielasi" INDEX 01 00:00:00 FILE "08 Untitled.wav" WAVE TRACK 08 AUDIO TITLE "Untitled" PERFORMER "Giuseppe Ielasi" INDEX 01 00:00:00     Лог проверки качества d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01. Untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02. Untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [03. Untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [04. Untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [05. Untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [06. Untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [07. Untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [08. Untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100% Доп. информация:     Dusted Magazine Review Giuseppe Ielasi used to be known as an experimental guitarist. If that statement were ever even true, it is surely false now. Over the last decade plus of work, starting with Plans in 2003, Ielasi has made a string of beguiling, unclassifiable solo albums that have very little to do with the guitar and even less to do with improvising, two approaches he’s often associated with. While the guitar does figure on some of his recordings (such as his two releases on Häpna), on his most recent work it’s barely present at all. His Stunt series focuses exclusively on combining pulse and micro-sampling for a raw, live feel, while on his 15 Tapes series he investigates the textural and rhythmic possibilities of reel-to-reel tape recorders. These two records, both on the U.K. label Entr’acte, continue those lines of study. Untitled, 2011 is a solo outing that feels like an extension of the Stunt pieces, as pulse and samples are again at the fore, but now the sound is more diffuse, less about rhythmic push-and-pull and more about hypnosis and gradual unraveling of reference points. Loops with long periods overlap, intersect and then separate. There’s plenty of air between the notes, leaving room for both slow and quick pacing, and space for Ielasi to introduce a huge variety of near-inscrutable sources: field captures, voices, slurred horns, screwed and chopped strings, metallic percussion, all thickened by mounds of tape hiss and other ambient noises. Reelin’ is a fresh iteration of his Bellows duo with Nicola Ratti, and it features the two using reel-to-reel recorders as their primary instrument, along with assorted other consumer playback devices (a CDJ and walkman) and analog delay. The result is often like dub stripped of the reggae foundation, the instrumental identity removed to leave only the aura and gestures of a music you thought you recognized. Curt phrases of bright, bleeping tones bounce not only right and left in the stereo channels, but also background and foreground, looping and repeating until you’re not sure which came first. These might sound like formalist experiments, pieces that highlight process over content, but it’s the contrary that’s true. In differing ways, they force you to concentrate and deal with the sonic images in front of you. Really, who knows what a reel-to-reel recorder should “sound like”? Aside from some vague associations with analog technology, the devices are somewhat obscure, known more for playback than being played. It’s easy to see the attraction for Ielasi and Ratti (as well as listeners): the less historical burden, the better. We hear the asymmetrical pulses and echoing soundscapes as something fresh. It feels light, but still has weight. On Untitled, 2011 Ielasi focuses listening by, somewhat perversely, distracting you from the sounds. In the brief sleeve notes, he recommends a moderate playback volume, which only makes his collage of altered sounds all the more puzzling. It’s as if by pushing the sounds toward the periphery of perception and then muting their presence, he’s heightening our awareness. We hear more by hearing less. All the bits of scrabbling percussion, swirling concrète samples (Medical devices? Supermarket check-out readers? Something more mundane?) and chiming, bell-like tones emerge separately and equally. Nothing is background and everything is. The secret to what Ielasi and Bellows do is simple, and not so different from what a great songwriter or beatmaker might do: locate the essential elements of a melody, beat or sound, then gradually repeat and build those back up to something more complex and substantial. These days, a label like “experimental” indicates limits more than it does openness. Instead, call these albums for what they are: strange, compulsive music of a high order. - Matthew Wuethrich, Dusted Magazine     Состав Giuseppe Ielasi: guitars, electronics, percussion etc.