(Mainstream Jazz, Straightahead Jazz) [CD] VA - Nick Brignola, Bob Brookmeyer, John Bunch, Bill Crow, Art Farmer, Walter Perkins, Zoot Sims, Phil Woods + Louis Armstrong - The Liberty of Jazz - 2005 (rec.1963+1958), FLAC (tracks+.cue), lossless
Nick Brignola, Bob Brookmeyer, John Bunch, Bill Crow, Art Farmer, Walter Perkins, Zoot Sims, Phil Woods + Louis Armstrong - The Liberty of Jazz
Жанр: Mainstream Jazz, Straightahead Jazz
Носитель: CD
Страна-производитель диска (релиза): RU
Год издания: 2005 (rec.1963+1958)
Издатель (лейбл): SoLyd Records
Номер по каталогу: SLR 0363
Страна исполнителя (группы): US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:44:45
Источник (релизер): leontrotsky @ apollo.rip
Наличие сканов в содержимом раздачи: pdf
Треклист:
1. You May Believe – Or Not (Arkady Ostrovsky, arrangement idea – Gennady Golstein) 4.56
2. Madrigal #1 (Gennady Golstein) 6.07
3. Madrigal New York (Gennady Golstein) 5.45
4. You Will Say No (Andrei Eshpai, arrangement idea – Gennady Golstein) (in the phonogram the song is erroneously attributed to Konstantin Nosov) alternative take 3.16 (previously unreleased)
5. You May Believe – Or Not (Arkady Ostrovsky, arrangement idea – Gennady Golstein), take 1 5.13 (previously unreleased)
6. You May Believe – Or Not (Arkady Ostrovsky, arrangement idea – Gennady Golstein), take 2 0.27 (previously unreleased)
7. Madrigal New York (Gennady Golstein), take 1 5.53 (previously unreleased)
8. Madrigal New York (Gennady Golstein), take 2 5.46 (previously unreleased)
9. You Will Say No (Andrei Eshpai, arrangement idea – Gennady Golstein) 3.02Arranged by Al CohnBonus track
10. Louis Armstrong. Trumpet solo over the Five minutes song (A.Lepin – V.Lifshitz, sung by Liudmila Gurchenko, orchestra conducted by Eddie Rosner, from the Carnival Night movie soundtrack) 3.49 (previously unreleased)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 2. March 2015, 12:40Phil Woods & Others / The Liberty Of JazzUsed drive : PBDS CD-ROM DH-48N1S Adapter: 3 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 768 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:59.46 | 0 | 22470 2 | 4:59.46 | 6:10.08 | 22471 | 50228 3 | 11:09.54 | 5:48.29 | 50229 | 76357 4 | 16:58.08 | 3:19.01 | 76358 | 91283 5 | 20:17.09 | 5:16.55 | 91284 | 115038 6 | 25:33.64 | 0:30.58 | 115039 | 117346 7 | 26:04.47 | 5:56.35 | 117347 | 144081 8 | 32:01.07 | 5:49.26 | 144082 | 170282 9 | 37:50.33 | 3:05.54 | 170283 | 184211 10 | 40:56.12 | 3:49.27 | 184212 | 201413Track 1 Filename C:\EACrips\01 - You May Believe - Or Not.wav Pre-gap length 0:00:02.00 Peak level 89.6 % Extraction speed 1.9 X Track quality 100.0 % Test CRC C71EF868 Copy CRC C71EF868 Accurately ripped (confidence 1) [87A9F95A] (AR v2) Copy OKTrack 2 Filename C:\EACrips\02 - Madrigal #1.wav Pre-gap length 0:00:03.00 Peak level 88.9 % Extraction speed 5.3 X Track quality 100.0 % Test CRC 02A918E3 Copy CRC 02A918E3 Accurately ripped (confidence 1) [39AA5C01] (AR v1) Copy OKTrack 3 Filename C:\EACrips\03 - Madrigal New York.wav Pre-gap length 0:00:03.00 Peak level 89.0 % Extraction speed 5.7 X Track quality 100.0 % Test CRC C22CA980 Copy CRC C22CA980 Accurately ripped (confidence 1) [54F34804] (AR v1) Copy OKTrack 4 Filename C:\EACrips\04 - You Will Say No.wav Pre-gap length 0:00:03.00 Peak level 89.0 % Extraction speed 5.9 X Track quality 100.0 % Test CRC 34437983 Copy CRC 34437983 Accurately ripped (confidence 1) [AA402ECF] (AR v1) Copy OKTrack 5 Filename C:\EACrips\05 - You May Believe - Or Not.wav Pre-gap length 0:00:03.00 Peak level 89.4 % Extraction speed 5.9 X Track quality 99.9 % Test CRC 36A986B7 Copy CRC 36A986B7 Accurately ripped (confidence 1) [4ACD4337] (AR v1) Copy OKTrack 6 Filename C:\EACrips\06 - You May Believe - Or Not.wav Pre-gap length 0:00:03.00 Peak level 87.5 % Extraction speed 3.4 X Track quality 100.0 % Test CRC 8CADF97B Copy CRC 8CADF97B Accurately ripped (confidence 1) [E4F79441] (AR v1) Copy OKTrack 7 Filename C:\EACrips\07 - Madrigal New York.wav Pre-gap length 0:00:03.00 Peak level 89.3 % Extraction speed 7.3 X Track quality 100.0 % Test CRC 8520A5D5 Copy CRC 8520A5D5 Accurately ripped (confidence 1) [C3AC2565] (AR v1) Copy OKTrack 8 Filename C:\EACrips\08 - Madrigal New York.wav Pre-gap length 0:00:03.00 Peak level 89.0 % Extraction speed 7.7 X Track quality 100.0 % Test CRC 165D6AC2 Copy CRC 165D6AC2 Accurately ripped (confidence 1) [D4419A1A] (AR v1) Copy OKTrack 9 Filename C:\EACrips\09 - You Will Say No.wav Pre-gap length 0:00:03.00 Peak level 88.5 % Extraction speed 7.4 X Track quality 100.0 % Test CRC CA33FAA6 Copy CRC CA33FAA6 Accurately ripped (confidence 1) [083FFF86] (AR v1) Copy OKTrack 10 Filename C:\EACrips\10 - Louis Armstrong - Five Minutes.wav Pre-gap length 0:00:03.00 Peak level 94.2 % Extraction speed 7.8 X Track quality 100.0 % Test CRC A2C99A90 Copy CRC A2C99A90 Accurately ripped (confidence 1) [9F859B2A] (AR v1) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum 874864C7019B88F51B5812F04A514448E5EDEA1376A1CA5AAB1B30132511C810 ====
Содержание индексной карты (.CUE)
REM GENRE JazzREM DATE 2005REM DISCID 730A7D0AREM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Phil Woods & Others"TITLE "The Liberty Of Jazz"FILE "01 - Phil Woods & Others - You May Believe - Or Not.wav" WAVE TRACK 01 AUDIO TITLE "You May Believe - Or Not" PERFORMER "Phil Woods & Others" FLAGS DCP INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Madrigal #1" PERFORMER "Phil Woods & Others" FLAGS DCP INDEX 00 04:56:46FILE "02 - Phil Woods & Others - Madrigal #1.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Madrigal New York" PERFORMER "Phil Woods & Others" FLAGS DCP INDEX 00 06:07:08FILE "03 - Phil Woods & Others - Madrigal New York.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "You Will Say No" PERFORMER "Phil Woods & Others" FLAGS DCP INDEX 00 05:45:29FILE "04 - Phil Woods & Others - You Will Say No.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "You May Believe - Or Not" PERFORMER "Phil Woods & Others" FLAGS DCP INDEX 00 03:16:01FILE "05 - Phil Woods & Others - You May Believe - Or Not.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "You May Believe - Or Not" PERFORMER "Phil Woods & Others" FLAGS DCP INDEX 00 05:13:55FILE "06 - Phil Woods & Others - You May Believe - Or Not.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Madrigal New York" PERFORMER "Phil Woods & Others" FLAGS DCP INDEX 00 00:27:58FILE "07 - Phil Woods & Others - Madrigal New York.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Madrigal New York" PERFORMER "Phil Woods & Others" FLAGS DCP INDEX 00 05:53:35FILE "08 - Phil Woods & Others - Madrigal New York.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "You Will Say No" PERFORMER "Phil Woods & Others" FLAGS DCP INDEX 00 05:46:26FILE "09 - Phil Woods & Others - You Will Say No.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Five Minutes" PERFORMER "Louis Armstrong" FLAGS DCP INDEX 00 03:02:54FILE "10 - Louis Armstrong - Five Minutes.wav" WAVE INDEX 01 00:00:00
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front, 1080px from allmusic
tracklist & credits in English, 1600px
tracklist & credits in Russian, 1600px
Об альбоме (сборнике)https://store.cdbaby.com/cd/libertyofjazz
In December 1964, after the brief period of liberalism following the Party Congress of 1961, the Krushchev regime [in the Soviet Union] cracked down on the playing of jazz, attacking it as “decadent”, as it had been called in Stalin’s time. It was an ideal opportunity for the Radio [Liberty] to fill the vacuum with a series of Russian programs on jazz. (...)
Members of the Benny Goodman group had recently [in 1962] returned from a tour of the USSR with some original Soviet jazz compositions they had smuggled out. Joseph Valerio, a Radio Liberty producer in my New York division, had contacts in the jazz world and arranged for some of the Goodman group and other well-known performers to record the forbidden music from Russia in our studios, taking strict precautions to protect the identity of the Soviet composers. The noted jazz expert George T.Simon reported the unique “jam session” and the program series that evolved, which was inaugurated on June 30 [1963]:
Radio listeners who tune in Radio Liberty will hear the modern swinging sounds of eight American jazz musicians on a new show called THIS IS JAZZ. But they won’t be playing the usual American fare. Instead they’ll blow four jazz pieces composed by Russians which they recorded exclusively for Soviet consumption.
The octet is headed by Bill Crow, bass, and alto saxophonist Phil Woods, members of the Benny Goodman band that toured the Soviet Union last year. Playing with them are two other Goodman alumni, tenor saxophonist Zoot Sims and pianist John Bunch, plus trumpeter Art Farmer (using mostly the fluegelhorn) trombonist Bob Brookmeyer, baritone saxophonist Nick Brignola and drummer Walter Perkins.
The songs were sent in rough form to Crow and Woods who assigned them to Al Cohn, a top jazz arranger, to score for the octet. The tunes have modern jazz flavor, and the performances by these outstanding musicians compare favorably with the best jazz being recorded today.
The entire project is a labor of love. The musicians aren’t being paid, and their union has sanctioned this unusual move in the name of “international jazz coexistence”. [New York Herald Tribune, June 16, 1963]
A recording of that historic jazz session was specially reproduced in a limited edition. Entitled “Jazz at Liberty”, the liner cover carries a photograph of the Radio’s transmitter site in Spain, along with Simon’s review, and pictures of the famous jazz performers. It can now be revealed that one (in reality, two – ed.) of the four songs written was by Gennadi Golstein, a well-known composer and saxophonist. We chose it for the theme of “Eto Dzhaz” (This Is Jazz), a weekly half-hour program that included the best of modern American jazz and interviews with top performers.* * *Before the Radio Liberty transmitters in Spain began operating in the early 1960s, the relative weakness of our signal and the strength of the Soviet jammers had inhibited the use of music on the air (...) One memorial exception in the 1950s was the appearance in our New York studio of Louis Armstrong, who announced in his gravel voice – in carefully rehearsed Russian – that he was speaking over Radio Liberty. Then he put his trumpet to his lips and played a popular Soviet tune called “Five Minutes” from a film hit, “Carnival Night”.From Gene Sosin. Sparks of Liberty.
(The Pennsylvania State University, 1999)This CD is a real oddity. The music dates back to the early 1960s, when Nikita Khrushchev declared that jazz was "decadent" and therefore unwelcome in the Soviet Union. Radio Liberty, which had been broadcasting from the USA to the Soviet Union, decided to record some special jazz sessions to transmit to Russia, using a few Soviet composers' pieces which Benny Goodman's band had smuggled out of the USSR after its 1962 tour there. Some top-class musicians were recruited to perform the music, which is now released on this CD.The album includes several takes of the same pieces, so there is a certain amount of duplication. However, like many jazz artists, the musicians vary their solos, and there are interesting improvisations from such soloists as Phil Woods, Zoot Sims, Bob Brookmeyer and Art Farmer. The excellent arrangements were by Al Cohn. A bonus track from 1958 has Louis Armstrong playing a Russian song called Five Minutes, soloing over Russian singer Liudmila Gurchenko and a Soviet choir. The track is even introduced by Louis in Russian!In fact the album's listing (like most of the sleeve-notes) is in Russian. The titles are translated above. I'm not sure how easy the album is to obtain in the UK, as my copy was sent to me from Moscow. It may be as much of historical as musical interest, but it shows how music can transcend barriers.Tony Augarde, MusicWeb International
СоставTracks 1-9
Phil Woods - alto sax
Zoot Sims - tenor sax
Nick Brignola - baritone sax
Art Farmer - flugelhorn, trumpet
Bob Brookmeyer - trombone
John Bunch - piano
Bill Crow - bass
Walter Perkins - drumsTrack 10
Louis Armstrong - trumpet