(Mainstream Jazz, Bop) Oscar Pettiford - The Chronological Classics: 1954-1955 - 2008, FLAC (tracks), lossless
Oscar Pettiford - The Chronological Classics: 1954-1955
Жанр: Mainstream Jazz, Bop
Страна-производитель диска: Франция
Год издания: 2008
Издатель (лейбл): Classics
Номер по каталогу: 1454
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 77:14
Источник (релизер): Melanchthon
Наличие сканов в содержимом раздачи: да
Треклист:
01. E Lag (Mulligan) 2:32
02. Rhumblues (Feather) 4:26
03. Sextette (Mulligan) 2:53
04. Edge of Love (Goode, Baker, Ables) 2:20
05. Cable Car (Pettiford) 2:17
06. Trictatism (Pettiford) 2:36
07. Rides Again (Pettiford) 2:29
08. The Golden Touch (Jones) 2:22
09. Jack the Bear (Ellington) 3:14
10. Tamalpais (Pettiford) 3:32
11. Chuckles (Terry) 2:41
12. Mood Indigo (Ellington, Mills, Bigard) 2:55
13. Time on My Hands (Youmans, Adamson, Gordon) 3:09
14. Swing Until the Girls Come Home (Pettiford) 3:53
15. Titoro (Taylor) 3:19
16. Scorpio (Williams) 3:43
17. Oscalypso (Pettiford) 2:05
18. Another One (Jones) 4:08
19. Bohemia After Dark (Pettiford) 5:32
20. Stardust (Carmichael, Parish) 3:29 [p & b only]
21. Don't Squawk (Pettiford) 4:14
22. Minor Seventh Heaven (Johnson) 3:55
23. Kamman A-Coming (Pettiford) 5:07
Лог проверки качества
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01 - E Lag.wav]
Detected average hi-boundary frequency: 2.023121e+004 Hz
Detected average lo-boundary frequency: 1.335140e+004 Hz
Detected average hi-cut frequency: 2.070363e+004 Hz
Detected average lo-cut frequency: 8.410806e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.045526e+000
First order smothness: 2.788286e-001
Second order smothness: 7.126297e-001
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This track looks like CDDA with probability 100%
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Processing file: [02 - Rhumblues.wav]
Detected average hi-boundary frequency: 2.028797e+004 Hz
Detected average lo-boundary frequency: 1.295749e+004 Hz
Detected average hi-cut frequency: 2.037442e+004 Hz
Detected average lo-cut frequency: 3.977261e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.341068e+000
First order smothness: 3.457651e-001
Second order smothness: 4.388289e-001
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This track looks like CDDA with probability 100%
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Processing file: [03 - Sextette.wav]
Detected average hi-boundary frequency: 2.015739e+004 Hz
Detected average lo-boundary frequency: 1.335050e+004 Hz
Detected average hi-cut frequency: 2.099051e+004 Hz
Detected average lo-cut frequency: 1.221307e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.757189e-002
First order smothness: 3.390558e-001
Second order smothness: 7.172747e-001
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This track looks like CDDA with probability 100%
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Processing file: [04 - Edge of Love.wav]
Detected average hi-boundary frequency: 2.005420e+004 Hz
Detected average lo-boundary frequency: 1.323418e+004 Hz
Detected average hi-cut frequency: 2.103681e+004 Hz
Detected average lo-cut frequency: 1.148988e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.160791e-001
First order smothness: 3.117569e-001
Second order smothness: 7.496697e-001
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This track looks like CDDA with probability 100%
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Processing file: [05 - Cable Car.wav]
Detected average hi-boundary frequency: 2.014205e+004 Hz
Detected average lo-boundary frequency: 1.307752e+004 Hz
Detected average hi-cut frequency: 2.089109e+004 Hz
Detected average lo-cut frequency: 1.088518e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.232339e-001
First order smothness: 3.672087e-001
Second order smothness: 7.276423e-001
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This track looks like CDDA with probability 100%
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Processing file: [06 - Trictatism.wav]
Detected average hi-boundary frequency: 2.017395e+004 Hz
Detected average lo-boundary frequency: 1.313498e+004 Hz
Detected average hi-cut frequency: 2.103363e+004 Hz
Detected average lo-cut frequency: 1.070317e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.588473e-001
First order smothness: 3.508876e-001
Second order smothness: 6.402367e-001
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This track looks like CDDA with probability 100%
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Processing file: [07 - Rides Again.wav]
Detected average hi-boundary frequency: 2.017122e+004 Hz
Detected average lo-boundary frequency: 1.285769e+004 Hz
Detected average hi-cut frequency: 2.099104e+004 Hz
Detected average lo-cut frequency: 9.684416e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.185504e-001
First order smothness: 3.701178e-001
Second order smothness: 6.633602e-001
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This track looks like CDDA with probability 100%
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Processing file: [08 - The Golden Touch.wav]
Detected average hi-boundary frequency: 2.013346e+004 Hz
Detected average lo-boundary frequency: 1.434806e+004 Hz
Detected average hi-cut frequency: 2.035104e+004 Hz
Detected average lo-cut frequency: 1.477344e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.573797e-002
First order smothness: 3.976532e-001
Second order smothness: 7.614081e-001
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This track looks like CDDA with probability 92%
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Processing file: [09 - Jack the Bear.wav]
Detected average hi-boundary frequency: 2.037203e+004 Hz
Detected average lo-boundary frequency: 1.417802e+004 Hz
Detected average hi-cut frequency: 2.073726e+004 Hz
Detected average lo-cut frequency: 1.298573e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.056118e-002
First order smothness: 3.663649e-001
Second order smothness: 6.927108e-001
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This track looks like CDDA with probability 100%
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Processing file: [10 - Tamalpais.wav]
Detected average hi-boundary frequency: 2.027826e+004 Hz
Detected average lo-boundary frequency: 1.420797e+004 Hz
Detected average hi-cut frequency: 2.056770e+004 Hz
Detected average lo-cut frequency: 9.892252e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 4.986364e-002
First order smothness: 3.635171e-001
Second order smothness: 6.154856e-001
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This track looks like CDDA with probability 99%
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Processing file: [11 - Chuckles.wav]
Detected average hi-boundary frequency: 2.034933e+004 Hz
Detected average lo-boundary frequency: 1.369988e+004 Hz
Detected average hi-cut frequency: 2.097288e+004 Hz
Detected average lo-cut frequency: 1.215425e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.523153e-002
First order smothness: 3.575548e-001
Second order smothness: 6.712803e-001
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This track looks like CDDA with probability 100%
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Processing file: [12 - Mood Indigo.wav]
Detected average hi-boundary frequency: 2.011082e+004 Hz
Detected average lo-boundary frequency: 1.276903e+004 Hz
Detected average hi-cut frequency: 2.086424e+004 Hz
Detected average lo-cut frequency: 8.123097e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.780810e-001
First order smothness: 3.624801e-001
Second order smothness: 6.910440e-001
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This track looks like CDDA with probability 99%
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Processing file: [13 - Time on My Hands.wav]
Detected average hi-boundary frequency: 2.018528e+004 Hz
Detected average lo-boundary frequency: 1.026002e+004 Hz
Detected average hi-cut frequency: 2.057124e+004 Hz
Detected average lo-cut frequency: 1.159059e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.671511e-001
First order smothness: 5.046500e-001
Second order smothness: 7.816936e-001
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This track looks like MPEG with probability 89%
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Processing file: [14 - Swingin' Till the Girls Come Home.wav]
Detected average hi-boundary frequency: 2.033718e+004 Hz
Detected average lo-boundary frequency: 1.352707e+004 Hz
Detected average hi-cut frequency: 2.081302e+004 Hz
Detected average lo-cut frequency: 1.178633e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.697249e-002
First order smothness: 3.680445e-001
Second order smothness: 6.808426e-001
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This track looks like CDDA with probability 99%
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Processing file: [15 - Titoro.wav]
Detected average hi-boundary frequency: 2.035637e+004 Hz
Detected average lo-boundary frequency: 1.428428e+004 Hz
Detected average hi-cut frequency: 2.173426e+004 Hz
Detected average lo-cut frequency: 1.322062e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 7.634525e-001
First order smothness: 4.131346e-001
Second order smothness: 7.414998e-001
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This track looks like CDDA with probability 100%
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Processing file: [16 - Scorpio.wav]
Detected average hi-boundary frequency: 2.001113e+004 Hz
Detected average lo-boundary frequency: 1.218047e+004 Hz
Detected average hi-cut frequency: 2.141342e+004 Hz
Detected average lo-cut frequency: 5.143829e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.115419e+000
First order smothness: 3.706932e-001
Second order smothness: 6.160232e-001
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This track looks like CDDA with probability 100%
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Processing file: [17 - Oscalypso.wav]
Detected average hi-boundary frequency: 2.021928e+004 Hz
Detected average lo-boundary frequency: 1.266233e+004 Hz
Detected average hi-cut frequency: 2.141109e+004 Hz
Detected average lo-cut frequency: 8.259966e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.767853e-001
First order smothness: 4.008843e-001
Second order smothness: 5.217391e-001
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This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [18 - Another One.wav]
Detected average hi-boundary frequency: 2.001347e+004 Hz
Detected average lo-boundary frequency: 1.312564e+004 Hz
Detected average hi-cut frequency: 2.167699e+004 Hz
Detected average lo-cut frequency: 8.554254e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.475648e-001
First order smothness: 2.800000e-001
Second order smothness: 5.719626e-001
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This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [19 - Bohemia After Dark.wav]
Detected average hi-boundary frequency: 1.999058e+004 Hz
Detected average lo-boundary frequency: 1.293642e+004 Hz
Detected average hi-cut frequency: 2.173615e+004 Hz
Detected average lo-cut frequency: 1.023167e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 4.605963e-001
First order smothness: 2.980984e-001
Second order smothness: 6.921141e-001
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This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [20 - Stardust.wav]
Detected average hi-boundary frequency: 2.016082e+004 Hz
Detected average lo-boundary frequency: 1.174904e+004 Hz
Detected average hi-cut frequency: 2.137742e+004 Hz
Detected average lo-cut frequency: 2.477606e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.355333e+000
First order smothness: 4.262877e-001
Second order smothness: 4.866785e-001
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This track looks like CDDA with probability 100%
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Processing file: [21 - Don't Squawk.wav]
Detected average hi-boundary frequency: 2.009101e+004 Hz
Detected average lo-boundary frequency: 1.137638e+004 Hz
Detected average hi-cut frequency: 2.161870e+004 Hz
Detected average lo-cut frequency: 7.643548e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.216665e-001
First order smothness: 3.661202e-001
Second order smothness: 6.874317e-001
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This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [22 - Minor Seventh Heaven.wav]
Detected average hi-boundary frequency: 1.993778e+004 Hz
Detected average lo-boundary frequency: 1.303747e+004 Hz
Detected average hi-cut frequency: 2.172550e+004 Hz
Detected average lo-cut frequency: 8.753925e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 4.760008e-001
First order smothness: 3.008291e-001
Second order smothness: 5.700750e-001
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This track looks like CDDA with probability 100%
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Processing file: [23 - Kamman's A-Coming.wav]
Detected average hi-boundary frequency: 2.007654e+004 Hz
Detected average lo-boundary frequency: 1.356408e+004 Hz
Detected average hi-cut frequency: 2.178796e+004 Hz
Detected average lo-cut frequency: 9.254995e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.180595e-001
First order smothness: 3.009063e-001
Second order smothness: 5.851964e-001
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This track looks like CDDA with probability 100%
Review by Michael G. Nastos
During his short, prolific, and equally tempestuous career, bassist Oscar Pettiford made potent modern jazz that stands the test of time, and is equal to or as brilliant as any you can name. These reissues, mainly from Bethlehem label recordings, showcase large ensembles and are a prelude to the orchestra Pettiford would lead before his untimely death in a European bicycle accident in 1960. There is an octet and a nonet from the Bethlehem dates, quite different and very strong. With trumpeters Clark Terry and Joe Wilder, trombonist Jimmy Cleveland, alto saxophonist Dave Schildkraut, clarinetist Jimmy Hamilton, and baritone saxophonist Danny Bank, Pettiford is able to use these members of Duke Ellington's orchestra in a manner much like Duke. There's a jam for Hamilton on Ellington's "Jack the Bear," Pettiford's reverent Jewish-sounding theme "Tamalpais," Terry's hard bopper "Chuckles" with Bank taking the lead, a typical "Mood Indigo" with Pettiford's walking bass up front in the mix, and a darker, moodier "Time on My Hands." The effortlessness of the ensemble is easy to hear, but does not really tell what Pettiford and his big band would do in the not-too-distant future. The next nine tracks, with considerable help from alto saxophonist and arranger Gigi Gryce, give definitive foreshadowing as to the charts that set Pettiford's music in an advanced stance. With trumpeters Donald Byrd and Ernie Royal, trombonist Bob Brookmeyer, multi-instrumentalist Jerome Richardson, and Gryce, a higher bar is set from a harmonic standpoint. "Titoro" is an outstanding merging of post-bop, Latin spice, and emerging progressive modernism, topped off by a scintillating solo from pianist Don Abney. The trend continues on the predatory ambush sounds of "Scorpio," the wild bird flute of Richardson on "Oscalypso," the bluesy "Don't Squawk" (a change of pace and a feature for Richardson again on flute), the happy chart "Kamman's A-Coming," Pettiford's cello feature "Another Seventh Heaven," and the famous bass-led "Bohemia After Dark." All are stellar examples of things to come in the late '50s. There are six quintet tracks with just French horn icon Julius Watkins and tenor saxophonist Charlie Rouse in the front line, ranging from the galloping bop of Gerry Mulligan's "Sextette" to the well-known tuneful melody "Tricotism" with horns comping over Pettiford's lead bassline, and the solid bop of "Cable Car" and "Rides Again," both tunes that should be standards. The CD kicks off with two tracks originally on the Swing label out of France, featuring pianist Henri Renaud and a sextet with Max Roach on drums, guitarist Tal Farlow, tenor saxophonist Al Cohn, and trombonist Kai Winding. These two tunes are from a session documented on the previous Classics Pettiford reissue, 1951-1954: another happy Mulligan bopper ("E Lag") and the Charlie Parker-like "Rhumblues" (similar to "My Little Suede Shoes"). 1954-1955 is a must-have for mainstream jazz fans, and a fully representative document of what Pettiford was capable of as a player and leader.
Состав
[# 1-2]
Kai Winding - tb
Al Cohn - ts
Henri Renaud - p
Tal Farlow - g
Oscar Pettiford - b & cel
Max Roach - dr
Recorded in New York City, March 21, 1954
[# 3-8] Oscar Pettiford Modern Quintet (BCP 1003)
Julius Watkins - frhrn
Charlie Rouse - ts
Duke Jordan - p
Oscar Pettiford - b & cel
Ron Jefferson - dr
Recorded in New York City ; September 1954
[# 9-14]Basically Duke (BCP1019)
Clark Terry, Joe Wilder - tp
Jimmy Cleveland - tb
Dave Schildkraut - as
Jimmy Hamilton - ts
Danny Banks - bs
Earl Knight - p
Oscar Pettiford - b & cel
Osie Johnson - dr
Recorded in New York City ; December 17, 1954
[15-23]
Donald Byrd - tp
Bob Brookmeyer - tb
Jerome Richardson - fl & ts
Gig Gryce - as
Don Abney - p
Oscar Pettiford - b & cel
Osie Johnson - dr
Recorded in New York City ; August 12, 1955
The Chronological Classics на трекере
Список имеющихся на трекере lossless раздач лейбла "The Chronological Classics".