(Jazz/Post-Bop) Pat Martino - The Maker - 1995, FLAC (tracks+.cue) lossless

Pat Martino - The Maker Жанр: Jazz/Post-Bop Страна-производитель диска: USA Год издания диска: 1995 Издатель (лейбл): Evidence Номер по каталогу: ECD 22121-2 Аудио кодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 51:02 Источник (релизер): jack335 Наличие сканов: да Треклист: 1. Noshufuru 2. You're Welcome to a Prayer 3. The Changing Tides 4. Yoshiko 5. This Autumn's Ours   Лог создания рипа Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 25. January 2011, 17:41 Pat Martino / The Maker Used drive : PHILIPS SPD2519T Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\FLAC\flac.exe Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 12:31.50 | 0 | 56374 2 | 12:31.50 | 8:56.05 | 56375 | 96579 3 | 21:27.55 | 7:36.20 | 96580 | 130799 4 | 29:04.00 | 11:54.35 | 130800 | 184384 5 | 40:58.35 | 10:00.35 | 184385 | 229419 Track 1 Filename I:\S320-New Rip\Pat Martino - The Maker (1994)\01 - Noshufuru.wav Pre-gap length 0:00:02.00 Peak level 98.1 % Track quality 100.0 % Test CRC 8810443F Copy CRC 8810443F Accurately ripped (confidence 2) [81C34183] Copy OK Track 2 Filename I:\S320-New Rip\Pat Martino - The Maker (1994)\02 - You're Welcome To A Prayer.wav Pre-gap length 0:00:03.05 Peak level 74.5 % Track quality 100.0 % Test CRC C13399A0 Copy CRC C13399A0 Accurately ripped (confidence 3) [B021C0D4] Copy OK Track 3 Filename I:\S320-New Rip\Pat Martino - The Maker (1994)\03 - The Changing Tides.wav Pre-gap length 0:00:02.65 Peak level 95.9 % Track quality 99.9 % Test CRC 0467EA51 Copy CRC 0467EA51 Accurately ripped (confidence 2) [FB712BB9] Copy OK Track 4 Filename I:\S320-New Rip\Pat Martino - The Maker (1994)\04 - Yoshiko.wav Pre-gap length 0:00:02.73 Peak level 97.8 % Track quality 100.0 % Test CRC D1A00080 Copy CRC D1A00080 Accurately ripped (confidence 2) [47CCB99B] Copy OK Track 5 Filename I:\S320-New Rip\Pat Martino - The Maker (1994)\05 - This Autumn's Ours.wav Pre-gap length 0:00:02.55 Peak level 99.3 % Track quality 100.0 % Test CRC E325C4E1 Copy CRC E325C4E1 Accurately ripped (confidence 3) [FEEF301B] Copy OK All tracks accurately ripped No errors occurred End of status report     Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 1994 REM DISCID 430BF205 REM COMMENT "ExactAudioCopy v0.99pb5" PERFORMER "Pat Martino" TITLE "The Maker" FILE "01 - Noshufuru.wav" WAVE TRACK 01 AUDIO TITLE "Noshufuru" PERFORMER "Pat Martino" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "You're Welcome To A Prayer" PERFORMER "Pat Martino" INDEX 00 12:28:45 FILE "02 - You're Welcome To A Prayer.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "The Changing Tides" PERFORMER "Pat Martino" INDEX 00 08:53:15 FILE "03 - The Changing Tides.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Yoshiko" PERFORMER "Pat Martino" INDEX 00 07:33:22 FILE "04 - Yoshiko.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "This Autumn's Ours" PERFORMER "Pat Martino" INDEX 00 11:51:55 FILE "05 - This Autumn's Ours.wav" WAVE INDEX 01 00:00:00     Доп.инфо. Following an extended recuperation after a nearly fatal brain tumor, Martino concentrated on his writing and arranging, and THE MAKER celebrates the guitarist's return to the jazz scene with his most ambitious work as a composer since BAIYINA--THE CLEAR EVIDENCE, in 1968. So where his first studio album in almost twenty years (INTERCHANGE, on Muse) was a classic hard bop blowing date, THE MAKER finds Martino in a more pensive mood, crafting thoughtful extended forms full of lush harmonic contrasts. The free-form rhythmic overture of "Noshufuru" invokes James Ridl's orchestral cycles and Martino's complex melodic counterpoint, before breaking into a swinging release. The tension between these two sections inspires Martino to explore crafty, horn-like phrases, before giving way to Ridl's dynamic orchestral embellishments and open-ended variations from bassist Johnson and drummer Bonadio. On "You're Welcome To A Prayer," Ridl's romantic ruminations bracket Martino's poetic interlude in dark, impressionistic splendor. Likewise, "The Changing Tides" offers a discretely swinging harmonic cycle for Martino to craft his long, elliptical lines, while "Yoshiko" is a tender remembrance, full of yearning melodic details. THE MAKER reveals another aspect of Pat Martino, one that lies in considered contrast to the feverish intensity usually associated with his work: a promise of more ambitious, varied recitals. A sigh of relief was breathed by many a fan upon the release of The Maker, because it marked the first time Pat Martino had released recordings in successive years since the late '70s. Here he is once again joined by kindred spirits James Ridl on piano and Marc Johnson on bass, along with the relatively unknown but very capable Joe Bonadio on drums. All members get a chance to shine on "Noshufuru," but it is Ridl who makes the biggest impression on his unaccompanied opening to "You're Welcome to a Prayer." Martino is in a reflective mood on this standout track -- as he also is on "The Changing Tides" and "Yoshiko" -- with strong similarities to his classic We'll Be Together Again recording with Gil Goldstein. The closing track, "This Autumn's Ours," is the session's only weak spot, as neither Martino or Ridl can quite match the excitement being generated by the rhythm section. Still, this is a highly recommended session featuring all original Martino compositions and more proof that the master was indeed back. ~ Robert Taylor As a precocious young talent from Philadelphia, guitar innovator Pat Martino cut his teeth on the chittlin' circuit with a number of top R&B acts and organ trios. Influenced by Johnny Smith and Wes Montgomery, Martino emerged from the 1960s as a major influence himself, inspiring three generations of guitarists with his fleet, bluesy lines, steely articulation, velvety tone and sophisticated harmonic sensibility.     Состав Pat Martino (guitar); James Ridl (piano); Marc Johnson (bass); Joe Bonadio (drums).