(Jazz/Bass/Post-Bop/Fusion/Modern Big Band) Jaco Pastorius Big Band - Word Of Mouth Revisited [2003] FLAC (image + .cue)

Жанр: Jazz/Bass/Post-Bop/Fusion/Modern Big Band Дата выпуска: Aug 26, 2003 Производитель диска: Heads Up, USA Католог №: HUCD 3078 Формат: FLAC (image + .cue) Битрейт аудио: lossless Продолжительность: 01:11:36 Трэклист: 01 Jaco Speaks 02 Havona (featuring Jimmy Haslip) 03 Teen Town (featuring Victor Wooten) 04 Jaco Speaks 05 Punk Jazz (featuring Richard Bona) 06 Jaco Speaks 07 Barbary Coast (featuring Gerald Veasley) 08 Killing Me Softly (featuring Jeff Carswell) 09 Jaco Speaks 10 Used To Be A Cha Cha (featuring Victor Bailey) 11 Wiggle Waggle (featuring Jaco Pastorius) 12 Jaco Speaks 13 Continium (featuring Jimmy Haslip) 14 Jaco Speaks 15 Elegant People (featuring Gerald Veasley) 16 Opus Pocus (featuring David Pastorius) 17 Peter & Jaco Speak 18 Domingo (featuring Victor Bailey) 19 Forgotten Love (featuring Christian McBride) 20 Jaco Speaks 21 Punk Jazz Revisited (featuring Marcus Miller) [bonus track]  Отчёт EAC Exact Audio Copy V0.99 prebeta 4 from 23. January 2008Отчёт EAC об извлечении, выполненном 5. декабря 2009, 17:46Jaco Pastorius Big Band / Word Of Mouth RevisitedДисковод: PLEXTOR DVDR PX-800A Adapter: 0 ID: 0Режим чтения : ДостоверностьИспользование точного потока : ДаОтключение кэша аудио : ДаИспользование указателей C2 : НетКоррекция смещения при чтении : 48Способность читать области Lead-in и Lead-out : НетЗаполнение пропущенных сэмплов тишиной : ДаУдаление блоков с тишиной в начале и конце : НетПри вычислениях CRC использовались нулевые сэмплы : ДаИнтерфейс : Встроенный Win32-интерфейс для Win NT/2000Выходной формат : Внутренние WAV-операцииФормат сэмплов : 44.100 Гц; 16 бит; стереоTOC извлечённого CD Трек | Старт | Длительность | Начальный сектор | Конечный сектор --------------------------------------------------------------------- 1 | 0:00.00 | 0:07.37 | 0 | 561 2 | 0:07.37 | 5:20.60 | 562 | 24621 3 | 5:28.22 | 4:10.08 | 24622 | 43379 4 | 9:38.30 | 0:04.22 | 43380 | 43701 5 | 9:42.52 | 5:04.38 | 43702 | 66539 6 | 14:47.15 | 0:05.05 | 66540 | 66919 7 | 14:52.20 | 5:55.07 | 66920 | 93551 8 | 20:47.27 | 4:22.70 | 93552 | 113271 9 | 25:10.22 | 0:05.13 | 113272 | 113659 10 | 25:15.35 | 6:54.17 | 113660 | 144726 11 | 32:09.52 | 5:46.60 | 144727 | 170736 12 | 37:56.37 | 0:10.68 | 170737 | 171554 13 | 38:07.30 | 3:21.52 | 171555 | 186681 14 | 41:29.07 | 0:04.08 | 186682 | 186989 15 | 41:33.15 | 6:29.72 | 186990 | 216236 16 | 48:03.12 | 5:16.00 | 216237 | 239936 17 | 53:19.12 | 0:46.68 | 239937 | 243454 18 | 54:06.05 | 6:45.10 | 243455 | 273839 19 | 60:51.15 | 4:01.42 | 273840 | 291956 20 | 64:52.57 | 0:04.18 | 291957 | 292274 21 | 64:57.00 | 6:39.07 | 292275 | 322206 22 | 74:08.07 | 1:28.26 | 333607 | 340232Характеристики диапазона извлечения и сообщения об ошибкахВыбранный диапазон Имя файла F:\Temp\Jaco Pastorius Big Band\2003 Word Of Mouth Revisited.wav Пиковый уровень 100.0 % Качество диапазона 99.9 % CRC копии 402E1AE8 Копирование... OKОшибок не произошлоКонец отчёта  Review by Robert L. DoerschukBack before he turned everyone's idea of bass playing inside out, Jaco Pastorius spent five years on the bandstand with the Peter Graves Orchestra at Bachelors III, a swanky spot in his hometown of Ft. Lauderdale. Nearly three decades after the future star's departure in 1975, and 16 years after his brutal murder, Graves got the guys back together, christened them in their former colleague's name, and invited the most prominent bass guitarists of the early 21st century down to join them in a project dedicated to Pastorius' legacy. Throughout these polished performances, the bass parts testify to how profoundly Pastorius altered that instrument's role. Bottom line (so to speak): he gave them the option of playing from a soloist mentality and blowing all over the beat, as fast and free as any saxophonist, as long as he or she had chops and didn't subvert the groove. The guest bassists on this collection absorbed this lesson long ago. Each can scatter quick licks, some of them even faster than Pastorius himself. So why does a vague disenchantment haunt these performances? Perhaps it's because these players, great as they are, are still emulating more than discovering. Some imitate even the nuances of the Pastorius tone and phrasing, as does Richard Bona on "Punk Jazz" -- which, of course, may be a form of tribute in this context. On an opposite extreme, the light-speed, staccato hailstorm unleashed by Victor Wooten on "Teen Town" is fundamentally unmusical, focusing on the player more than the material being played -- which is, come to think of it, the real revelation here. Pastorius' tunes reflect a compositional maturity that wasn't always evident in the more improvisational context of Weather Report, and his arrangements -- notably an idiosyncratic treatment of "Killing Me Softly" and the marimba-flavored exotica of "Opus Pocus" -- suggest that had he had more time, he would have written history with his pen as much as his performance. One complaint: the samples of Pastorius' voice, chopped into microbits that carry no meaningful content and seem intended to function as objects of postmodern reflection, if not reverence. All these interruptions accomplish is to remind you that some artists speak most eloquently without words.  Фото участников проекта Теперь с правильными настройками. Все обложки в раздаче.Не забываем говорить: Мои раздачи