(Jazz; World Fusion; Progressive Jazz-Rock; Contemporary Jazz) Al Di Meola - The Infinite Desire - 1998, FLAC (tracks+.cue), lossless

Al Di Meola / The Infinite Desire Жанр: Jazz; World Fusion; Progressive Jazz-Rock; Contemporary Jazz Страна-производитель диска: USA Год издания диска: 1998 Издатель (лейбл): Telarc Номер по каталогу: CD-83433 Страна: USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 63:24 Источник (релизер): CD из собственной коллекции Наличие сканов в содержимом раздачи: даТреклист: 01. Beyond the Mirage [7:18] 02. Shaking the Spirits [6:30] 03. Vizzini [4:54] 04. In My Mother's Eyes (Memory of Teresa) [4:41] 05. The Infinite Desire (Daniele, Di Meola) [5:26] 06. Invention of the Monsters [3:06] 07. Istanbul [8:00] 08. Azzura [2:55] 09. Big Sky Azzura [6:07] 10. Race With Devil on Turkish Highway [4:03] 11. Valentina [4:44] 12. The Infinite Desire (Pino Daniele, vocal) [5:27]  Лог создания рипа Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 13. June 2011, 12:55Al Di Meola / The Infinite DesireUsed drive : Optiarc DVD RW AD-7700H Adapter: 0 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 768 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:19.62 | 0 | 32986 2 | 7:19.62 | 6:30.38 | 32987 | 62274 3 | 13:50.25 | 4:56.02 | 62275 | 84476 4 | 18:46.27 | 4:41.43 | 84477 | 105594 5 | 23:27.70 | 5:28.67 | 105595 | 130261 6 | 28:56.62 | 3:05.60 | 130262 | 144196 7 | 32:02.47 | 8:01.03 | 144197 | 180274 8 | 40:03.50 | 2:55.22 | 180275 | 193421 9 | 42:58.72 | 6:06.70 | 193422 | 220941 10 | 49:05.67 | 4:05.13 | 220942 | 239329 11 | 53:11.05 | 4:46.47 | 239330 | 260826 12 | 57:57.52 | 5:26.55 | 260827 | 285331Track 1 Filename C:\Users\sony\Music\Rutracker_Seeds\01 - Beyond The Mirage.wav Pre-gap length 0:00:02.00 Peak level 99.2 % Track quality 100.0 % Test CRC D9503FC1 Copy CRC D9503FC1 Accurately ripped (confidence 25) [260777DB] Copy OKTrack 2 Filename C:\Users\sony\Music\Rutracker_Seeds\02 - Shaking The Spirits.wav Pre-gap length 0:00:01.52 Peak level 99.2 % Track quality 99.9 % Test CRC FBF6CB79 Copy CRC FBF6CB79 Accurately ripped (confidence 26) [99351CCA] Copy OKTrack 3 Filename C:\Users\sony\Music\Rutracker_Seeds\03 - Vizzini.wav Pre-gap length 0:00:00.55 Peak level 99.9 % Track quality 100.0 % Test CRC 2B0228AC Copy CRC 2B0228AC Accurately ripped (confidence 26) [12559925] Copy OKTrack 4 Filename C:\Users\sony\Music\Rutracker_Seeds\04 - In My Mother's Eyes.wav Pre-gap length 0:00:01.37 Peak level 100.0 % Track quality 99.9 % Test CRC BF662589 Copy CRC BF662589 Accurately ripped (confidence 26) [E0B38FCF] Copy OKTrack 5 Filename C:\Users\sony\Music\Rutracker_Seeds\05 - The Infinite Desire.wav Pre-gap length 0:00:00.68 Peak level 99.2 % Track quality 100.0 % Test CRC 18C0ECD2 Copy CRC 18C0ECD2 Accurately ripped (confidence 26) [19F01D98] Copy OKTrack 6 Filename C:\Users\sony\Music\Rutracker_Seeds\06 - Invention Of The Monsters.wav Pre-gap length 0:00:02.37 Peak level 99.2 % Track quality 100.0 % Test CRC 76E91D76 Copy CRC 76E91D76 Accurately ripped (confidence 25) [2DBC7FC5] Copy OKTrack 7 Filename C:\Users\sony\Music\Rutracker_Seeds\07 - Istanbul.wav Peak level 99.2 % Track quality 100.0 % Test CRC 296BB3F7 Copy CRC 296BB3F7 Accurately ripped (confidence 26) [F786DBC7] Copy OKTrack 8 Filename C:\Users\sony\Music\Rutracker_Seeds\08 - Azzura.wav Pre-gap length 0:00:01.08 Peak level 99.9 % Track quality 99.9 % Test CRC AF5F0ACA Copy CRC AF5F0ACA Accurately ripped (confidence 26) [3256998F] Copy OKTrack 9 Filename C:\Users\sony\Music\Rutracker_Seeds\09 - Big Sky Azzura.wav Peak level 99.9 % Track quality 99.9 % Test CRC 3CB93F8F Copy CRC 3CB93F8F Accurately ripped (confidence 26) [51C4123F] Copy OKTrack 10 Filename C:\Users\sony\Music\Rutracker_Seeds\10 - Race With Devil On Turkish Highway.wav Peak level 99.9 % Track quality 100.0 % Test CRC DDB417B0 Copy CRC DDB417B0 Accurately ripped (confidence 26) [86589218] Copy OKTrack 11 Filename C:\Users\sony\Music\Rutracker_Seeds\11 - Valentina.wav Pre-gap length 0:00:02.25 Peak level 99.9 % Track quality 100.0 % Test CRC 6EAD5A27 Copy CRC 6EAD5A27 Accurately ripped (confidence 26) [D19C3208] Copy OKTrack 12 Filename C:\Users\sony\Music\Rutracker_Seeds\12 - The Infinite Desire.wav Pre-gap length 0:00:02.57 Peak level 97.7 % Track quality 100.0 % Test CRC F8E3DE7A Copy CRC F8E3DE7A Accurately ripped (confidence 23) [D452689D] Copy OKAll tracks accurately rippedNo errors occurredEnd of status report  Содержание индексной карты (.CUE) REM GENRE "Progressive Rock"REM DATE 1998REM DISCID AC0EDC0CREM COMMENT "ExactAudioCopy v0.99pb5"PERFORMER "Al Di Meola"TITLE "The Infinite Desire"FILE "01 - Beyond The Mirage.wav" WAVE TRACK 01 AUDIO TITLE "Beyond The Mirage" PERFORMER "Al Di Meola" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Shaking The Spirits" PERFORMER "Al Di Meola" INDEX 00 07:18:10FILE "02 - Shaking The Spirits.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Vizzini" PERFORMER "Al Di Meola" INDEX 00 06:29:58FILE "03 - Vizzini.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "In My Mother's Eyes" PERFORMER "Al Di Meola" INDEX 00 04:54:40FILE "04 - In My Mother's Eyes.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "The Infinite Desire" PERFORMER "Al Di Meola" INDEX 00 04:40:50FILE "05 - The Infinite Desire.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Invention Of The Monsters" PERFORMER "Al Di Meola" INDEX 00 05:26:30FILE "06 - Invention Of The Monsters.wav" WAVE INDEX 01 00:00:00FILE "07 - Istanbul.wav" WAVE TRACK 07 AUDIO TITLE "Istanbul" PERFORMER "Al Di Meola" INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Azzura" PERFORMER "Al Di Meola" INDEX 00 07:59:70FILE "08 - Azzura.wav" WAVE INDEX 01 00:00:00FILE "09 - Big Sky Azzura.wav" WAVE TRACK 09 AUDIO TITLE "Big Sky Azzura" PERFORMER "Al Di Meola" INDEX 01 00:00:00FILE "10 - Race With Devil On Turkish Highway.wav" WAVE TRACK 10 AUDIO TITLE "Race With Devil On Turkish Highway" PERFORMER "Al Di Meola" INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Valentina" PERFORMER "Al Di Meola" INDEX 00 04:02:63FILE "11 - Valentina.wav" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "The Infinite Desire" PERFORMER "Al Di Meola" INDEX 00 04:43:65FILE "12 - The Infinite Desire.wav" WAVE INDEX 01 00:00:00  Об исполнителеBIOGRAPHY From Official Site (http://www.aldimeola.com/new-site/bio.php ) A bona fide guitar hero, perennial poll-winner and virtuoso of the highest order, Al Di Meola has also been recognized over the past 30 years as a prolific composer and respected artist with over 20 recordings as a leader. His creative output to date is staggering, whether it's with his current World Sinfonia band or past musical endeavors like his electric Tour de Force group with Jan Hammer, Anthony Jackson, Steve Gadd and Mingo Lewis, the internationally acclaimed Trio with fellow guitar superstars John McLaughlin and Paco de Lucia, the Rite of Strings trio with Stanley Clarke and Jean-Luc Ponty or the '70s fusion supergroup Return To Forever with Chick Corea, Stanley Clarke and Lenny White. And while his dazzling technique on both acoustic and electric guitars has afforded him regal status among the hordes of fretboard aficionados who regularly flock to his concerts, the depth of Di Meola's writing along with the soulfulness and his inherent lyricism of his guitaristic expression have won him legions of fans worldwide beyond the six-string set. A pioneer of blending world music and jazz, going back to early Latin-tinged fusion outings like 1976's Land of the Midnight Sun, 1977's Elegant Gypsy and 1978's Casino, the guitar great continues to reflect the rich influence of flamenco, tango, Middle Eastern, Brazilian and African musics on more recent outings like 1998's The Infinite Desire, 2000's The Grand Passion, 2006's Consequence of Chaos and 2008's La Melodia, Live in Milano. Coming off of 2008's triumphant 25-year reunion tour by Return To Forever, which produced the live two-CD set Returns and the concert DVD Live at Montreux, Di Meola began rehearsing new music with his New World Sinfonia band in preparation for a coast-to-coast tour of the States in the early part of 2009, followed by whirlwind tours of Europe and the Middle East. Di Meola calls his bandmates in the New World Sinfonia --Fausto Beccalossi on accordian, Peo Afonsi on acoustic guitar, Peter Kaszas on percussion, Gumbi Ortiz on percussion, Victor Miranda on bass -- "the best group of musicians so far in my career." Di Meola's ongoing fascination with complex rhythmic syncopation combined with provocative lyrical melodies and sophisticated harmony has been at the heart of his music throughout a celebrated career that has earned him critical accolades, three gold albums and more than six million in record sales worldwide. He has been particularly enamored over the past 20 years by the tango music of the late Argentinian composer Astor Piazzolla, whose compositions he has interpreted over time, beginning with 1990's Di Meola Plays Piazzolla, continuing to 1993's Heart of the Immigrants, 2002's Flesh on Flesh and right up to 2007's Diabolic Inventions and Seduction for Solo Guitar. "Piazzolla had a profound effect on my development as a musician and as a person,” says Al. “We became close friends, often communicating by mail. And during the course of this friendship my admiration and desire to learn more about this great man intensified.” A native of New Jersey who still resides in the Garden State, Di Meola was born in Jersey City on July 22, 1954. Growing up in Bergenfield with the music of Elvis Presley, The Ventures and The Beatles, he naturally gravitated to guitar as a youngster and by his early teens was already an accomplished player. Attaining such impressive skills at such a young age didn't come easy for Al but rather was the result of focused dedication and intensive periods of woodshedding between his junior and senior years in high school. “I used to practice the guitar eight to ten hours a day,” he told Down Beat. “And I was trying to find myself, or find the kind of music that suited where I was going with the guitar.” His earliest role models in jazz included guitarists Tal Farlow and Kenny Burrell. But when he discovered Larry Coryell, whom Al would later dub “The Godfather of Fusion,” he was taken with the guitarist's unprecedented blending of jazz, blues and rock into one seamless vocabulary on the instrument. “I used to ride the bus from New Jersey to see him at little clubs in Greenwich Village,” he recalls. “Wherever he was playing, I'd be there.” In 1971, he enrolled at the Berklee College of Music in Boston and by the second semester there began playing in a fusion quartet led by keyboardist Barry Miles. A gig tape of that band was later passed on to Chick Corea by a friend of Al's and in the early part of 1974 the 19-year-old guitarist was tapped to join the fusion superband as a replacement for guitarist Bill Connors. “I was just sitting around my apartment in Boston on a Friday afternoon when Chick called and asked me to come to a rehearsal in New York,” he recalls. “I couldn't believe it. But in 10 minutes I packed some clothes in a bag, got a ride to New York and never saw that apartment in Boston again.” Following a weekend of rehearsals with Chick, Stanley Clarke and Lenny White, Di Meola made his RTF debut at Carnegie Hall, offically launching his career into the stratosphere. "Playing with Chick in Return To Forever was the first significant step in my development as a player,” says Al. “Chick is another major influence in my life. He has always been a wonderful supporter, major musical inspiration and a friend.” After three landmark recordings with Return To Forever -- 1974's Where Have I Known You Before, 1975's Grammy Award winning No Mystery and 1976's Romantic Warrior -- the group disbanded and Al subsequently started up his career as a solo artist. His 1976 debut as a leader, Land of the Midnight Sun, was a blazing showcase of his signature chops and Latin-tinged compositions that featured a stellar cast including drummers Steve Gadd and Lenny White, bassist Anthony Jackson and Jaco Pastorius, keyboardists Jan Hammer, Barry Miles and Chick Corea and percussionist Mingo Lewis. Over the course of six more albums with Columbia Records -- Elegant Gypsy, Casino, Splendido Hotel, Electric Rendezvous, Tour De Force and Scenario -- Al established himself as an influential force in contemporary music. 1980 marked the triumph of the acoustic guitar Trio with Paco De Lucia and John McLaughlin. Their debut recording on Columbia Records, Friday Night in San Francisco, became a landmark recording that surpassed the two million mark in sales. The three virtuosos toured together from 1980 through 1983, releasing the studio album Passion, Grace & Fire in 1982. In 1995, they reunited for a third recording, Guitar Trio, follow by another triumphant world tour. In early 1996, Di Meola formed a new trio with the violinist Jean-Luc Ponty and RTF bandmate Stanley Clarke called The Rite of Strings. He subsequently recorded with the likes of opera superstar Luciano Pavarotti, pop stars Paul Simon and Dave Matthews, classical guitarist Manuel Barrueco and Japanese jazz pianist Yutaka Kobayashi. Over the course of his career, Di Meola has also worked and recorded with Phil Collins, Carlos Santana, Steve Winwood, Wayne Shorter, Tony Williams, Herbie Hancock, Gonzalo Rubalcaba, Milton Naciemento, Egberto Gismonti, Stevie Wonder, Les Paul, Jimmy Page, Steve Vai, Frank Zappa and many more. But for now Al's main focus remains his New World Sinfonia. “I'm just totally involved with the new group,” he says. “Everybody's happy and totally into the music. The RTF reunion tour was fun and it was great for the fans, but it was more of a nostalgic thing. I'm more interested now in moving forward with the New World Sinfonia, which has really developed into something beautiful. For me, it's the most rewarding thing I've done in a long, long time, all the way around. You don't have the overbearing volume with this band. Instead you have a rich harmonic kind of music with lots of improvisation, you have a music that is emotional, which really reaches far beyond the almost head-banging male crowd that electric fusion attracts.” The prolific Di Meola plans to document his latest batch of new compositions with both live and studio recordings in the coming year with the New World Sinfonia. “What I'm doing now is just completely satisfying, like a phenomenal meal and a great glass of vintage wine. The fusion thing is kind of a blast from the past and is kind of assaulting on the ears. And there's a cool aspect to that, but it's not where I'm going musically as a composer.” Meanwhile, Di Meola may be expanding his world music vocabulary even further after touring Morocco with his New World Sinfonia. “We'll be there a whole week and that will afford me the chance to jam with some of the local musicians there. I'm wide open to that kind of collaboration now. I've done some jamming back in New York at a world music club in the East Village called Drom. I have a very successful jam there with a Turkish clarinet virtuoso named Husnu Senlendiric. I find that I have a real affinity for the music of the Middle East. So we'll see how it goes in Morocco. Maybe there's something that can come out of this.” Clearly, there are many chapters yet to come in the story of Al Di Meola. But so far, in his 35 years as a professional musician, he's already established a rich legacy that has secured a place for him in the Gallery of Guitar Greats. Stay tuned.  Об альбомеОценка All-Music Guide 4 балла из 5 возможных.Charts and Awards (1998) (The Infinite Desire) The Billboard’s Top Contemporary Jazz Albums - Peak - 17AMG Review by Richard S. Ginell With the help of new generations of guitar synthesizers and samplers, The Infinite Desire finds a mature, lyrical, more expressive Al di Meola casting his lot with Telarc, which until the late '90s had concentrated its attentions upon aging acoustic jazzers. Indeed, he makes marvelously musical use of the new devices, creating sensuous, exotic layers of sound that lie easily upon the ear, without much of the usual harshness of digital instruments generated by those who haven't bothered to master them. "Shaking the Spirits" in particular is a fascinating piece, loaded with dazzling Middle Eastern and African colorations, and the sampled trumpet sound he gets on "Valentina" is astoundingly lifelike. Also, di Meola's playing became more unabashedly fluid in the '90s; on the closest thing to a straight-ahead track, "Invention of the Monsters," di Meola's electric guitar curls intricately and swingingly around the bass of Tom Kennedy, Ernie Adams' drums, and some synthesized brass. Di Meola's co-conspirators change from track to track, although two who figure a lot in the sound and package are keyboardist Rachel Z (a former di Meola sidewoman) and bassist John Patitucci. Also check out Herbie Hancock on acoustic grand and Peter Erskine's drums on "Istanbul," and di Meola's fairly good-natured duel with rock guitarist Steve Vai on "Race with Devil on Turkish Highway."  ПерсоналииThe Musicians (alphabetically): Ernie Adams - Drums Pino Daniele - Vocals Al Di Meola - Accordion, Arranger, Cymbals, Fretless Bass, Guitar (Acoustic), Guitar (Electric), Organ, Percussion, Producer, Tamboura, Trumpet, Vocals Peter Erskine - Drums Herbie Hancock - Piano Tom Kennedy - Bass (Acoustic) Gumbi Ortiz - Conga, Percussion Mario Parmisano - Keyboards John Patitucci - Bass, Bass (Acoustic), Bass (Electric) Steve Vai - Guitar, Guitar (Electric) Abraham Wechter - Guitar Rachel Z - Keyboards, Piano, Programming, Sound Design