(Jazz-Rock) [LP] [24/96] The Mahavishnu Orchestra - Birds Of Fire (1973) - 2010, (John McLaughlin, Rick Laird, Billy Cobham, Jan Hammer, Jerry Goodman), FLAC (tracks+.cue)

The Mahavishnu Orchestra - Birds Of Fire (1973) Жанр: Jazz-Rock Год выпуска: 2010 Лейбл: FridayMusic 180g LP / FRM 31996 / Sony Страна-производитель: USA Аудио кодек: FLAC Тип рипа: tracks+.cue Формат записи: 24/192 Формат раздачи: 24/96 Продолжительность: 00:40:15 Треклист: Side A 01 - Birds Of Fire (05:48) 02 - Miles Beyond (Miles Davis) (04:45) 03 - Celestial Terrestrial Commuters (02:54) 04 - Sapphire Bullets Of Pure Love (00:23) 05 - Thousand Island Park (03:22) 06 - Hope (01:55)Side B 07 - One Word (09:55) 08 - Sanctuary (05:03) 09 - Open Country Joy (03:55) 10 - Resolution (02:10)All tracks composed by John McLaughlin.  PersonnelPersonnel John McLaughlin - Guitar Rick Laird - Bass Billy Cobham - Percussion Jan Hammer - Keyboards, Moog synthesizer Jerry Goodman - Violin Источник оцифровки: aksman, AvaxHome Код класса состояния винила: Ex Устройство воспроизведения: Music Hall MMF 9.1 Turntable Предварительный усилитель: Brocksieper Phonomax (Tube Phono PreAmp) АЦП: E-MU 0404 external USB 2.0 Audiointerface Программа-оцифровщик: WaveLab 6 recording software Обработка: iZotope RX Advanced 1.21 for resampling and dither  Спектр, АЧХ, Уровень записи Доп. информация:  Техническая информацияTechnical LogRCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software iZotope RX Advanced 1.21 for resampling and ditheringVacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > converted to 24/96 with iZotope RX Advanced 1.21 > split into individual Tracks > FLAC encoded (Vers. 1.21)No silence been removed, please burn gapless to match original tracklayout.Personal Note (from aksman)With my vinyl rips I try to catch the whole beauty of records. Therefore I don't use any post-processing or any sound improver. What you get is a clear and flat transfer. For getting a clear sound I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing for each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to loose any musical information. Surface noises, as long they are not to high, are left in place. Only on bad pressings or on records recorded with extremly low level I do a fade in-/-out. As John Peel said, 'Life is full of surface noises'. In some cases this means I have to do a compromise... The result has to pass my personal quality criteria which is IMO quite high.