(Jazz-Rock, Funk, Soul) [CD] Merl Saunders, Jerry Garcia, John Kahn, Bill Vitt - Keystone Encores, Vol.1 - 1973 (1988), FLAC (tracks+.cue), lossless
Merl Saunders, Jerry Garcia, John Kahn, Bill Vitt - Keystone Encores, Vol.1
Жанр: Jazz-Rock, Funk, Soul
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 1988
Издатель (лейбл): Fantasy
Номер по каталогу: FCD-7703-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 52:24
Источник (релизер): jimeez
Наличие сканов в содержимом раздачи: нетТреклист:
01. Hi-Heel Sneakers (Higgenbotham) - 8:15
02. It's Too Late (She's Gone) (Willis) - 7:47
03. I Second That Emotion (Robinson-Cleveland) - 11:00
04. One Kind Favor (Jefferson) - 6:40
05. Money Honey (Stone) - 8:22
06. How Sweet It Is (Holland-Dozier-Holland) - 10:20Состав:
Merl Saunders - keyboards
Jerry Garcia - guitar, vocals
John Kahn - bass
Bill Vitt - drumsRecorded live at Keystone, Berkeley, CA in July 1973.
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016EAC extraction logfile from 10. May 2017, 19:28Various Artists / Keystone EncoresUsed drive : ATAPI iHAS424 A Adapter: 1 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 8:15.25 | 0 | 37149 2 | 8:15.25 | 7:46.62 | 37150 | 72161 3 | 16:02.12 | 11:00.10 | 72162 | 121671 4 | 27:02.22 | 6:39.50 | 121672 | 151646 5 | 33:41.72 | 8:22.20 | 151647 | 189316 6 | 42:04.17 | 10:20.08 | 189317 | 235824Track 1 Filename D:\Ripped\VA - Keystone Encores (1988) [FLAC]\01 - Merl Saunders, Jerry Garcia, John Kahn, and Bill Vitt - Hi-heel Sneakers.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 3.9 X Track quality 99.9 % Test CRC B0601CED Copy CRC B0601CED Accurately ripped (confidence 12) [869D0E80] (AR v2) Copy OKTrack 2 Filename D:\Ripped\VA - Keystone Encores (1988) [FLAC]\02 - Merl Saunders, Jerry Garcia, John Kahn, and Bill Vitt - It's Too Late (She's Gone).wav Pre-gap length 0:00:02.13 Peak level 97.6 % Extraction speed 5.1 X Track quality 100.0 % Test CRC 1ABDC4A3 Copy CRC 1ABDC4A3 Accurately ripped (confidence 12) [0D775298] (AR v2) Copy OKTrack 3 Filename D:\Ripped\VA - Keystone Encores (1988) [FLAC]\03 - Merl Saunders, Jerry Garcia, John Kahn, and Bill Vitt - I Second That Emotion.wav Pre-gap length 0:00:01.89 Peak level 96.9 % Extraction speed 6.0 X Track quality 100.0 % Test CRC 33356170 Copy CRC 33356170 Accurately ripped (confidence 13) [8296932F] (AR v2) Copy OKTrack 4 Filename D:\Ripped\VA - Keystone Encores (1988) [FLAC]\04 - Merl Saunders, Jerry Garcia, John Kahn, and Bill Vitt - One Kind Favor.wav Pre-gap length 0:00:01.80 Peak level 96.7 % Extraction speed 6.3 X Track quality 100.0 % Test CRC 907C8291 Copy CRC 907C8291 Accurately ripped (confidence 12) [C437F8EE] (AR v2) Copy OKTrack 5 Filename D:\Ripped\VA - Keystone Encores (1988) [FLAC]\05 - Merl Saunders, Jerry Garcia, John Kahn, and Bill Vitt - Money Honey.wav Pre-gap length 0:00:02.09 Peak level 96.8 % Extraction speed 6.9 X Track quality 100.0 % Test CRC A27C97E2 Copy CRC A27C97E2 Accurately ripped (confidence 13) [557F5873] (AR v2) Copy OKTrack 6 Filename D:\Ripped\VA - Keystone Encores (1988) [FLAC]\06 - Merl Saunders, Jerry Garcia, John Kahn, and Bill Vitt - How Sweet It Is.wav Pre-gap length 0:00:01.29 Peak level 95.8 % Extraction speed 7.5 X Track quality 100.0 % Test CRC FC07610D Copy CRC FC07610D Accurately ripped (confidence 13) [9B407EE8] (AR v2) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.6[CTDB TOCID: 3d1Sfm2hq_WqXqxY8uP83i0xxeU-] foundSubmit result: 3d1Sfm2hq_WqXqxY8uP83i0xxeU- has been confirmedTrack | CTDB Status 1 | (41/41) Accurately ripped 2 | (41/41) Accurately ripped 3 | (41/41) Accurately ripped 4 | (41/41) Accurately ripped 5 | (41/41) Accurately ripped 6 | (41/41) Accurately ripped==== Log checksum 17060627E983E4796BE3E0E97A43C790CFB20007E1A93DB80CD95EA3C517F4DA ====
Содержание индексной карты (.CUE)
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Отчет CUETools
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AllMusic Review by Lindsay PlanerThis is the third of three CDs compiled from a two-night (July 10 and 11, 1973) stand at Keystone Korners in Berkeley. These recordings have likewise yielded a pair of additional volumes -- all of which stem from the original Live at Keystone (1973) two-LP release. Merl Saunders (keyboards) and Jerry Garcia (guitar/vocals) lead a funky rhythm section -- consisting of John Kahn (bass) and Bill Vitt (percussion) -- through a variety of adeptly chosen R&B, Motown, and blues covers. Garcia and Saunders began performing sporadically throughout the end of 1970, reconvening in the Bay Area whenever the guitarist could find time away from his day gig with the Grateful Dead. Ultimately this loose aggregate became the prototype for a somewhat more formal Jerry Garcia Band, which continued until Garcia's passing in 1995. By the time these recordings were made, this particular combo was holding court upwards of eight weeks a year and had developed a unique, laid-back persona, perfectly counterbalancing Garcia's decidedly more aggressive contributions to the Dead. The musical centerpiece of this band is undoubtedly their uncanny ability to provide multiple layers of interpretation and variation on familiar themes. The combination of Saunders' sweet and soulful organ leads and the pure tonality in Garcia's solos is flawlessly supported by round upon round of Kahn's assertively fluid interjections. The Motown cover of "How Sweet It Is" perhaps best-exemplifies this approach, as the bassist punctuates the established melody with his trademark second-nature harmonic counterpoint. Keen-eared Deadheads will undoubtedly be curious to hear the adaptations of "High Heel Sneakers," "I Second That Emotion," as well as the Chicago-style blues interpretation of Blind Lemon Jefferson's "One Kind Favor" -- which the Dead very occasionally worked into their earliest performances. The loose structure allows for extended soloing which rather inadvertently reveals a lighthearted and cherubic side to Garcia's musical companionship. This is a recommended listen for potential fans as well as the seasoned enthusiast.