(Jazz-Rock) [2LP] [24/96] Miles Davis - In Concert. Live At Philharmonic Hall, New York - 1973, (Carlos Garnett, Cedric Lawson, Reggie Lucas, Khalil Balakrishna, Michael Henderson, Al Foster, Badal Roy, James Mtume), FLAC (image+.cue)
Miles Davis - In Concert. Live At Philharmonic Hall, New York
Жанр: Jazz-Rock
Носитель: 2LP
Год выпуска: 1973
Лейбл: CBS 88601
Страна-производитель: Holland, Dutch 1st pressing
Аудио кодек: FLAC
Тип рипа: image+.cue
Формат записи: 24/192
Формат раздачи: 24/96
Продолжительность: 01:24:10
Треклист:
Record 1: "FOOT FOOLER" IN CONCERT, PARTS 1 & 2Record 2: "SLICKAPHONICS" IN CONCERT, PARTS 3 & 4Performers
Miles Davis - electric trumpet with wah-wah
Carlos Garnett - soprano & tenor saxophone
Cedric Lawson - electric piano, synthesizer
Reggie Lucas - electric guitar
Khalil Balakrishna - electric sitar
Michael Henderson - electric bass
Al Foster - drums
Badal Roy - tablas
James Mtume - percussionИсточник оцифровки: aksman, AvaxHome
Код класса состояния винила: Ex
Устройство воспроизведения: Music Hall MMF 9.1 Turntable
Предварительный усилитель: Brocksieper Phonomax (Tube Phono PreAmp)
АЦП: E-MU 0404 external USB 2.0 Audiointerface
Программа-оцифровщик: WaveLab 6 recording software
Обработка: manual click removal
Спектр
АЧХ, Уровень записи
Доп. информация:
Техническая информацияTechnical Log RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 1.21 for resampling and dithering Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 with iZotope RX Advanced 1.21
> split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout.Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.A big thank you goes to"Lance Stoke" & "boboeltoto" for their generous help in purchasing this record!!!
