(Jazz-Rock) [2LP] [24/96] Miles Davis - In Concert. Live At Philharmonic Hall, New York - 1973, (Carlos Garnett, Cedric Lawson, Reggie Lucas, Khalil Balakrishna, Michael Henderson, Al Foster, Badal Roy, James Mtume), FLAC (image+.cue)

Miles Davis - In Concert. Live At Philharmonic Hall, New York Жанр: Jazz-Rock Носитель: 2LP Год выпуска: 1973 Лейбл: CBS 88601 Страна-производитель: Holland, Dutch 1st pressing Аудио кодек: FLAC Тип рипа: image+.cue Формат записи: 24/192 Формат раздачи: 24/96 Продолжительность: 01:24:10 Треклист: Record 1: "FOOT FOOLER" IN CONCERT, PARTS 1 & 2Record 2: "SLICKAPHONICS" IN CONCERT, PARTS 3 & 4Performers Miles Davis - electric trumpet with wah-wah Carlos Garnett - soprano & tenor saxophone Cedric Lawson - electric piano, synthesizer Reggie Lucas - electric guitar Khalil Balakrishna - electric sitar Michael Henderson - electric bass Al Foster - drums Badal Roy - tablas James Mtume - percussionИсточник оцифровки: aksman, AvaxHome Код класса состояния винила: Ex Устройство воспроизведения: Music Hall MMF 9.1 Turntable Предварительный усилитель: Brocksieper Phonomax (Tube Phono PreAmp) АЦП: E-MU 0404 external USB 2.0 Audiointerface Программа-оцифровщик: WaveLab 6 recording software Обработка: manual click removal  Спектр  АЧХ, Уровень записи Доп. информация:  Техническая информацияTechnical Log RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software iZotope RX Advanced 1.21 for resampling and dithering Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > converted to 24/96 with iZotope RX Advanced 1.21 > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout.Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.A big thank you goes to"Lance Stoke" & "boboeltoto" for their generous help in purchasing this record!!!