(jazz, post-bop, modern) Anat Cohen - Notes from the Village - 2008, FLAC (tracks+.cue), lossless

Anat Cohen Notes from the Village Жанр: jazz, post-bop, modern Год выпуска диска: 2008 Производитель диска: Anzic Records (896434001177) Аудио кодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 01:00:25 Трэклист: 01. Washington Square Park 02. Until You're in Love Again 03. Siboney 04. After the Rain 05. J Blues 06. Lullaby for the Naïve Ones 07. A Change Is Gonna Come 08. Jitterbug Waltz   log Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 24. August 2009, 21:53 Anat Cohen / Notes From The Village Used drive : TSSTcorpDVD+-RW TS-H653B Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 192 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -A tukey(0.25) -A gauss(0.1875) -b 4096 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 9:08.07 | 0 | 41106 2 | 9:08.07 | 6:26.64 | 41107 | 70120 3 | 15:34.71 | 8:21.41 | 70121 | 107736 4 | 23:56.37 | 9:12.64 | 107737 | 149200 5 | 33:09.26 | 7:07.67 | 149201 | 181292 6 | 40:17.18 | 5:42.40 | 181293 | 206982 7 | 45:59.58 | 5:20.30 | 206983 | 231012 8 | 51:20.13 | 9:04.68 | 231013 | 271880 Track 1 Filename C:\Documents and Settings\Administrator\Desktop\!Music\Anat Cohen - Notes From The Village FLAC\01 - Washington Square Park.wav Pre-gap length 0:00:02.00 Peak level 99.8 % Track quality 100.0 % Test CRC 26B4FA78 Copy CRC 26B4FA78 Accurately ripped (confidence 1) [B8FC4E37] Copy OK Track 2 Filename C:\Documents and Settings\Administrator\Desktop\!Music\Anat Cohen - Notes From The Village FLAC\02 - Until You're In Love Again.wav Pre-gap length 0:00:00.80 Peak level 99.8 % Track quality 99.9 % Test CRC 8272B053 Copy CRC 8272B053 Accurately ripped (confidence 1) [3AF36905] Copy OK Track 3 Filename C:\Documents and Settings\Administrator\Desktop\!Music\Anat Cohen - Notes From The Village FLAC\03 - Siboney.wav Pre-gap length 0:00:01.94 Peak level 99.8 % Track quality 100.0 % Test CRC 57531BC6 Copy CRC 57531BC6 Accurately ripped (confidence 1) [41656C0F] Copy OK Track 4 Filename C:\Documents and Settings\Administrator\Desktop\!Music\Anat Cohen - Notes From The Village FLAC\04 - After The Rain.wav Pre-gap length 0:00:01.62 Peak level 99.8 % Track quality 99.9 % Test CRC 536AA416 Copy CRC 536AA416 Accurately ripped (confidence 1) [EEBCD261] Copy OK Track 5 Filename C:\Documents and Settings\Administrator\Desktop\!Music\Anat Cohen - Notes From The Village FLAC\05 - J Blues.wav Pre-gap length 0:00:01.21 Peak level 99.8 % Track quality 100.0 % Test CRC EA4C4C85 Copy CRC EA4C4C85 Accurately ripped (confidence 1) [45BDD8FA] Copy OK Track 6 Filename C:\Documents and Settings\Administrator\Desktop\!Music\Anat Cohen - Notes From The Village FLAC\06 - Lullaby for the Naive Ones.wav Pre-gap length 0:00:01.50 Peak level 99.8 % Track quality 100.0 % Test CRC 29E1C28D Copy CRC 29E1C28D Accurately ripped (confidence 1) [7A42AAD7] Copy OK Track 7 Filename C:\Documents and Settings\Administrator\Desktop\!Music\Anat Cohen - Notes From The Village FLAC\07 - A Change is Gonna Come.wav Pre-gap length 0:00:00.93 Peak level 99.8 % Track quality 100.0 % Test CRC 5C14DE41 Copy CRC 5C14DE41 Accurately ripped (confidence 1) [368D0236] Copy OK Track 8 Filename C:\Documents and Settings\Administrator\Desktop\!Music\Anat Cohen - Notes From The Village FLAC\08 - Jitterbug Waltz.wav Pre-gap length 0:00:00.82 Peak level 99.8 % Track quality 99.9 % Test CRC 285BD84D Copy CRC 285BD84D Accurately ripped (confidence 1) [ECFEB30E] Copy OK All tracks accurately ripped No errors occurred End of status report     cue REM GENRE Jazz REM DATE 2008 REM DISCID 6F0E2908 REM COMMENT "ExactAudioCopy v0.99pb4" PERFORMER "Anat Cohen" TITLE "Notes From The Village" FILE "01 - Washington Square Park.wav" WAVE TRACK 01 AUDIO TITLE "Washington Square Park" PERFORMER "Anat Cohen" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Until You're In Love Again" PERFORMER "Anat Cohen" INDEX 00 09:07:22 FILE "02 - Until You're In Love Again.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Siboney" PERFORMER "Anat Cohen" INDEX 00 06:24:68 FILE "03 - Siboney.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "After The Rain" PERFORMER "Anat Cohen" INDEX 00 08:19:69 FILE "04 - After The Rain.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "J Blues" PERFORMER "Anat Cohen" INDEX 00 09:11:48 FILE "05 - J Blues.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Lullaby for the Naive Ones" PERFORMER "Anat Cohen" INDEX 00 07:06:29 FILE "06 - Lullaby for the Naive Ones.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "A Change is Gonna Come" PERFORMER "Anat Cohen" INDEX 00 05:41:45 FILE "07 - A Change is Gonna Come.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Jitterbug Waltz" PERFORMER "Anat Cohen" INDEX 00 05:19:43 FILE "08 - Jitterbug Waltz.wav" WAVE INDEX 01 00:00:00 Доп. информация: Personnel: Anat Cohen - clarinet, tenor saxophone (6), soprano saxophone (1), bass clarinet (4) Jason Lindner - piano, Fender Rhodes (6) prophet 08 keyboard (1) Omer Avital - bass Daniel Freedman - drums & percussion Gilad Hekselman - guitars (1,2,6)     about One night in late October 2004 at Jazz At Lincoln Center’s Allen Room I became an instant Anat Cohen fan. The magnet that brought me to the venue was a rare appearance in New York by Hermeto Pascoal. I knew nothing about the opening group, Beat the Donkey led by percussionist Cyro Baptista, except its thought-provoking name. I was not prepared for the antic energy of the ensemble, dancing, singing and swinging. Then in the middle of this joyous maelstrom came forth the liquid sound of a clarinet played with dexterity and authentic feeling by a young, raven-haired woman whose body language conveyed how much she was into the music. When she later picked up a tenor sax and proceeded to lift it with another, equally effective dynamism it was, in effect, a one-two combination punch that knocked me out. In June ‘05 I was at Zuni, a bar on the westside where Harry Allen and Joe Cohn held forth on Mondays with a quartet and other talented musicians came to jam. On this night Frank Wess walked in to make it two tenors and a young Russian alto Dmitri Baevsky added to the saxophonic mix. Enter Anat, this time toting a soprano on which she chimed into this wailing company without (literally) missing a beat. These and subsequent listening experiences left me with the impression she was serving notice to the jazz world at large that a very special talent had arrived and was continuing to thrive. With the release of Anat’s two divers CDs, Noir and Poetica, more ears snapped to attention. As a clarinetist, she began to be prominently mentioned in various jazz polls and soon, deservedly, was winning them. She is a remarkable clarinetist but make no mistake, to whatever horn chosen she brings genuine knowledge of different genres, impeccable technique and a passion for playing that is in the sound of her instruments and her very presence. Notes From The Village is a thoughtful mix of many different moods, sounds and types of material, some written and/or arranged by her: “Washington Square Park” moving from an African ethos to pastoral and back via Anat’s soprano, Gilad Hekselman’s guitar, Jason Lindner’s piano and keyboard and Daniel Freedman’s compelling drums; the mournful “Until You’re in Love Again,” its first phrase echoing Gordon Jenkins’ “Goodbye,” the closing theme for another significant clarinetist, Benny Goodman; Ernesto Lecuona’s iconic “Siboney,” delivered with its inherent beauty and rising fervor; “After the Rain,” arranged by Anat and Lindner, a paean to Coltrane transmitted in the rich voice of the bass clarinet; the infectious rhythm of the basic “J Blues” with effective solos from Lindner’s piano and Omer Avital’s bass flanking Anat’s several blue meditations; “Lullaby For the Naive Ones” where Anat’s solo, building in intensity along with the underpinning, brings to mind Miles on “Solea” in Sketches of Spain; the communion with Sam Cooke’s “A Change Is Gonna Come”; and the rhythmic liberties taken with ‘Fats’ Waller’s “Jitterbug Waltz,” staccato playfulness to bebopping lines (was that a wisp of “Hot House” and a quick quote of “Parker’s Mood” I heard?) with exuberant solos and Freedman’s (in Larry David’s words) “pretty, pretty good” propulsion. We’re no longer in the golden ’50s when groups stayed and played together. Now the norm is for musicians to work in multiple bands in order to survive. The musicians here play in different groups but most often all or some are part of them. That’s one reason they are such a strong entity in The Village and elsewhere. I’ve lived through the period when people praised female musicians with “She plays good for a chick.” (I don’t think anyone said this about Mary Lou Williams) and long enough to see a time when gender bias against the distaff side has dropped to where there are many talented women gaining recognition, some even to the point where they are being over-rated because of their gender. Anat Cohen transcends all of the above. She is formidable. Long may she continue to enrich the music in myriad ways.   Источник: avaxhome