(Jazz-Funk, Jazz-Rock) David Axelrod - Seriously Deep - 1975, FLAC (tracks+.cue), lossless

David Axelrod / Seriously Deep Жанр: Jazz-Funk, Jazz-Rock Страна-производитель диска: US Год издания: 2008 Издатель (лейбл): Dusty Groove Номер по каталогу: DGA 3008 Страна: US Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 39:40 Источник (релизер): waffles.fm Наличие сканов в содержимом раздачи: да Треклист: 1 Miles Away 8:22 2 One 5:35 3 1000 Rads 8:10 4 Ken Russell 6:38 5 Go for It 3:53 6 Reverie 6:53  Лог создания рипа Exact Audio Copy V0.99 prebeta 4 from 23. January 2008EAC extraction logfile from 20. June 2008, 19:21David Axelrod / Seriously DeepUsed drive : HL-DT-STDVDRAM GSA-H42N Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 667Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Programme\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 8:25.47 | 0 | 37921 2 | 8:25.47 | 5:35.71 | 37922 | 63117 3 | 14:01.43 | 8:07.45 | 63118 | 99687 4 | 22:09.13 | 6:39.38 | 99688 | 129650 5 | 28:48.51 | 3:57.52 | 129651 | 147477 6 | 32:46.28 | 6:54.40 | 147478 | 178567Track 1 Filename D:\EAC\01 - Miles Away.wav Pre-gap length 0:00:02.00 Peak level 98.8 % Track quality 100.0 % Test CRC 295377D6 Copy CRC 295377D6 Copy OKTrack 2 Filename D:\EAC\02 - One.wav Pre-gap length 0:00:02.14 Peak level 98.8 % Track quality 100.0 % Test CRC FBFB3661 Copy CRC FBFB3661 Copy OKTrack 3 Filename D:\EAC\03 - 1000 Reds.wav Pre-gap length 0:00:01.88 Peak level 98.8 % Track quality 100.0 % Test CRC 4321E8B5 Copy CRC 4321E8B5 Copy OKTrack 4 Filename D:\EAC\04 - Ken Russell.wav Pre-gap length 0:00:02.02 Peak level 98.8 % Track quality 100.0 % Test CRC E6D7B79D Copy CRC E6D7B79D Copy OKTrack 5 Filename D:\EAC\05 - Go For It.wav Pre-gap length 0:00:01.81 Peak level 98.8 % Track quality 100.0 % Test CRC D3F5CFC1 Copy CRC D3F5CFC1 Copy OKTrack 6 Filename D:\EAC\06 - Reverie.wav Pre-gap length 0:00:01.80 Peak level 98.8 % Track quality 100.0 % Test CRC 6FEBFF71 Copy CRC 6FEBFF71 Copy OKNo errors occurredEnd of status report  Содержание индексной карты (.CUE) REM GENRE Jazz+FunkREM DATE 1975REM DISCID 48094C06REM COMMENT "ExactAudioCopy v0.99pb4"PERFORMER "David Axelrod"TITLE "Seriously Deep"FILE "01 - Miles Away.wav" WAVE TRACK 01 AUDIO TITLE "Miles Away" PERFORMER "David Axelrod" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "One" PERFORMER "David Axelrod" INDEX 00 08:23:36FILE "02 - One.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "1000 Reds" PERFORMER "David Axelrod" INDEX 00 05:34:05FILE "03 - 1000 Reds.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Ken Russell" PERFORMER "David Axelrod" INDEX 00 08:05:43FILE "04 - Ken Russell.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Go For It" PERFORMER "David Axelrod" INDEX 00 06:37:52FILE "05 - Go For It.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Reverie" PERFORMER "David Axelrod" INDEX 00 03:55:67FILE "06 - Reverie.wav" WAVE INDEX 01 00:00:00  Лог проверки качества d:\>d:\aucdtect -d/-m0 d:\zzz\*.wavauCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01. Miles Away.wav]------------------------------------------------------------This track looks like CDDA with probability 99%------------------------------------------------------------Processing file: [02. One.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [03. 1000 Reds.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [04. Ken Russell.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [05. Go For It.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [06. Reverie.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Final Conclusion:------------------------------------------------------------These tracks looks like CDDA with probability 100% Доп. информация:  AMG ReviewRecorded and released in 1975, Seriously Deep is the only album producer, arranger, conductor, and composer David Axelrod recorded for Polydor. Strangely enough, Jimmy Bowen and Cannonball Adderley produced it, not Axe. He did write everything here, and one has no doubt that he hand-selected most of the set's players: Joe Sample on Fender Rhodes, clavinet, and Arp synth; Ernie Watts, Jerome Richardson, Jay Migliori, and Gene Cipriano on reeds and winds; trumpeters Snooky Young and Allen DiRienzo; Jimmy Cleveland and Dick Hyde on trombones; Billy Fender and John Morell on guitars; Jim Hughart on bass; drummer Ndugu Chancler; percussionist Mailto Correa; and concertmaster Jack Shulman for the strings. Sonically, the enormous orchestral arrangements from his Capitol and RCA albums are all but gone here, and instead Axe moves toward the jazz sounds of the age: jazz-funk. There is an even tone throughout the proceedings with big blotchy synth washes, rubbery basslines, funky breakbeats, and taut melodies articulated from the piano and horn charts. Given its time period, the album stands out in many ways from the dance-based funky soul and disco that were beginning to pervade electric jazz at the time, and instead creates a sense of driven slippery jazz-cum-funky big-band grooves that incorporate soul, film soundtrack music, and knotty but short solos from his horn players. The tough, break-driven "Miles Away" is clearly the album's standout. While it doesn't seem to cater to the dancefloor crowd, you can hear how punters would be driven out of their seats toward the center of the room because of its finger-popping 4/4 groove. With edgy guitar fills and the drums front and center, Sample moves around most of it to take a solo on the Arp, as the strings add harmonic changes to the basic melody structure. Sample adds the riff before some enormous fuzzed-out bass pops in for a moment; a ten-second guitar break follows and the strings are at it again. The hand drums -- congas mostly -- are tough and interact with Chancler beautifully.The pace is kept eight and a half minutes later on "One." Despite its whomping two-note bassline and the drums passing from channel to channel in an Afro-Latin-based groove, Sample falls in with the Rhodes after this interlude and turns it into a sweet soul groover, kissed by horns on the coda. "1,000 Rads" needs to be taken as the true centerpiece of the album, channeling the heavy jazz-funk riffing and offering room for Watts' tenor solo, which toys with the outside margin before coming right back to join the slippery, swaying, good-time vamping from the band -- the cello solo on the cut by Nathan Gershman is an odd but beautifully textured touch as it stands apart from the string section, which enters sparingly, but in a very pronounced fashion for only a moment or two at a time. Drums -- kit and hand -- drive this baby forward; they weave, wind, and front each other off without losing any continuity in this loping, circular burner. This contrasts quite nicely with the tune "Ken Russell," written as a tribute to the filmmaker; it's dark, loopy, full of eerie drama and pathos, and, yes, cinematic. The synths, basslines, guitars, and Ndugu's cymbal work set this outside the realm of the beat with its long, minor-key lyric lines and slowly building dramatic tension that does nevertheless give way to some understated but majestic funk. Watts' flute solo on the cut is truly beautiful, as are Sample's soulful Rhodes touches. Gary Coleman's vibes add a nice touch on "Go for It," with Migliori's baritone sax twinning with the bass to create a perfect platform for Chancler to dig up the breaks, pop them out, and create the groove. Over the first half of "Reverie"'s four and a half minutes, it seems like an impressionist small-ensemble piece, quietly brooding, halting, and tense, but Axe slips a beautiful little melody under the door and the thing just opens up into something entirely different, and this exit to Seriously Deep is joyous, almost exultant, before it finds a way to whisper to a close. Seriously Deep is one of those Axelrod recordings that is seldom referred to, but is actually one of his career highlights. It summed up his past, placed his own music in the present, and pointed to the future without ever letting his grand ambition best him in the mix and execution. This is a stone classic that finally got its American debut on compact disc thanks to the fledgling Dusty Groove label in 2008.  СоставCannonball Adderley Audio Production, Producer David Axelrod Arranger, Composer, Conductor, Main Personnel, Primary Artist, Vocals Jimmy Bowen Audio Production, Producer Leon "Ndugu" Chancler Drums, Main Personnel Gene Cipriano Flute, Main Personnel, Sax (Tenor), Wind Jimmy Cleveland Main Personnel, Trombone Gary Coleman Main Personnel, Vibraphone, Vocals (Background) Mailto Correa Main Personnel, Percussion Allen DeRienzo Main Personnel, Trumpet Billy Fender Guitar, Guitars, Main Personnel, Soloist Nathan Gershman Cello, Main Personnel, Soloist Jim Hughart Bass Richard Hyde Trombone Maurice Leach Audio Engineer, Engineer Sheri Leverich Art Direction Jay Migliori Flute, Main Personnel, Sax (Baritone), Wind John Morell Guitar Ndugu Main Personnel Jerome Richardson Main Personnel, Sax (Soprano), Sax (Tenor), Saxophone, Soloist Joe Sample ARP Synthesizer, Clavinet, Fender Rhodes, Keyboards, Main Personnel Jack Shulman Concert Master, Main Personnel, Strings Ernie Watts Flute, Flute (Alto), Main Personnel, Oboe, Sax (Tenor), Soloist, Wind Snooky Young Main Personnel, Trumpet