(Jazz-Funk, Hard Bop) Yusef Lateef - Yusef Lateef's Detroit: Latitude 42-30 Longitude 83 - 1969, WavPack (image+.cue) lossless

Yusef Lateef / Yusef Lateef's Detroit: Latitude 42º 30' Longitude 83º Жанр: Jazz-Funk, Hard Bop Год издания диска: 2002 (rec. 1969) Издатель (лейбл): Collectables Номер по каталогу: COL-CD-6352 Аудио кодек: WavPack (*.wv) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 31:19 Источник (релизер): ffsf (hqshare) Наличие сканов в содержимом раздачи: нет Треклист: 01. Bishop School (Lateef) 02. Livingston Playground (Lateef) 03. Eastern Market (Lateef) 04. Belle Isle (Lateef) 05. Russell and Eliot (Lateef) 06. Raymond Winchester (Lateef) 07. Woodward Avenue (Lateef) 08. That Lucky Old Sun (Gillespie-Smith) Состав: Yusef Lateef - tenor saxophone, flute Danny Moore, Snookie Young, Jimmy Owens, Thad Jones - trumpet Eric Gale - guitar Hugh Lawson - piano Cecil McBee - acoustic bass Chuck Rainey - electric bass Bernard Purdie, Roy Brooks, Jr. - drums Ray Barretto - conga Albert "Tootie" Heath - percussion Recording Date: May 19-20, 1969.   Лог создания рипа Exact Audio Copy V1.0 beta 1 from 15. November 2010 EAC extraction logfile from 30. December 2010, 11:54 Yusef Lateef / Yusef Lateef's Detroit: Latitude 42º 30' Longitude 83º Used drive : HL-DT-STDVDRAM GT20N Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 667 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:01.43 | 0 | 13617 2 | 3:01.43 | 3:40.18 | 13618 | 30135 3 | 6:41.61 | 4:14.60 | 30136 | 49245 4 | 10:56.46 | 3:14.32 | 49246 | 63827 5 | 14:11.03 | 4:49.24 | 63828 | 85526 6 | 19:00.27 | 2:37.57 | 85527 | 97358 7 | 21:38.09 | 2:13.69 | 97359 | 107402 8 | 23:52.03 | 7:27.32 | 107403 | 140959 Range status and errors Selected range Filename D:\EAC\Yusef Lateef - Yusef Lateef's Detroit- Latitude 42º 30' Longitude 83º\Yusef Lateef - Yusef Lateef's Detroit- Latitude 42º 30' Longitude 83º.wav Peak level 100.0 % Extraction speed 0.4 X Range quality 100.0 % Test CRC 36E45FF2 Copy CRC 36E45FF2 Copy OK No errors occurred AccurateRip summary Track 1 accurately ripped (confidence 1) [0DF03483] Track 2 accurately ripped (confidence 1) [76CB9760] Track 3 accurately ripped (confidence 1) [6A76042A] Track 4 accurately ripped (confidence 1) [D59EE454] Track 5 accurately ripped (confidence 1) [3EF46BF7] Track 6 accurately ripped (confidence 1) [ECC18FA3] Track 7 accurately ripped (confidence 1) [F15BC2AE] Track 8 accurately ripped (confidence 1) [5887B4A7] All tracks accurately ripped End of status report     Review by Thom Jurek After issuing the spiritually compelling and contemplatively swinging Complete Yusef Lateef in 1967, Dr. Yusef Lateef's sophomore effort for Atlantic shifted gears entirely. Lateef chose his old stomping grounds of Detroit for an evocative musical study of the landscape, people, and spirit and terrain. Lateef spent the late-'50s in the city recording for Savoy, and this recording captures the memory of a great city before it was torn apart by racial strife and economic inequality in 1967. There is no way to make a record that suggests Detroit without rhythm, and Lateef employs plenty of it here in his choice of musicians: conga players Ray Barretto and Norman Pride; Tootie Heath on percussion; Cecil McBee, Roy Brooks, and Bernard Purdie; electric bassist Chuck Rainey; electric guitarist Eric Gale; pianist Hugh Lawson; and a string quartet that included Kermit Moore. In other words, the same band from the Complete Yusef Lateef with some funky additions. The string section, as heard on the opener "Bishop School," "Belle Isle," "Eastern Market," and "Raymond Winchester" is far from the pastoral or classically seeking group of recordings past, but another rhythmic and melodic construct that delves deep into the beat and the almighty riff that this recording is so full of. For all of the soul-jazz pouring forth from the Blue Note and Prestige labels at the time, this album stood apart for its Eastern-tinged melodies on "Eastern Market"; the "Black Bottom," gutbucket, moaning bluesiness on "Russell and Elliot," with Gale and Lateef on tenor trading fours in a slowhanded, low-end groove; and the solid, Motown-glazed, rocking Latin soul of "Belle Isle." The album ends curiously with the nugget "That Lucky Old Sun," played with a back porch feeling, as if the urban-ness of the set, with all of its polyrhytmic intensity and raw soul, had to be tempered at the end of the day with a good-old fashioned sit in the yard as the city's energy swirled around beyond the borders of the fenced lot. Lateef blows a beautiful tenor here, uing a motif from Sonny Rollins' version of the tune and slides it all the way over to Benny Carter in its sheer lyricism. It's the perfect way to close one of Lateef's most misunderstood recordings.