(Jazz Free / Modern creative) Helene Labarriere - Les temps changent - 2007, FLAC (tracks+.cue), lossless

Helene Labarriere - Les temps changent Жанр: Jazz Free / Modern creative Год выпуска диска: 2007 Производитель диска: EMOUVANCE (EMV1028) Аудио кодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 52:36 Трэклист: 01 - Soizig 02 - Un jour plus tot 03 - Regard suspendu 04 - September the bass 05 - Good boy 06 - Une cure d'inefficacite 07 - Histoire de collection 08 - Une femme sous influence 09 - La complainte de la butte 10 - Donde estan ustedesHélène Labarrière - contrebasse François Corneloup - saxophone baryton Hasse Poulsen - guitare Christophe Marguet - batterie  log EACExact Audio Copy V0.99 prebeta 4 from 23. January 2008EAC extraction logfile from 31. October 2008, 11:42Helene Labarriere / Les temps changentUsed drive : _NEC DVD_RW ND-3500AG Adapter: 0 ID: 1Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : NoRead offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous trackUsed output format : User Defined Encoder Selected bitrate : 128 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\FLAC\flac.exe Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:33.57 | 0 | 16031 2 | 3:33.57 | 8:15.49 | 16032 | 53205 3 | 11:49.31 | 3:14.71 | 53206 | 67826 4 | 15:04.27 | 5:35.45 | 67827 | 92996 5 | 20:39.72 | 4:18.63 | 92997 | 112409 6 | 24:58.60 | 2:07.46 | 112410 | 121980 7 | 27:06.31 | 3:26.63 | 121981 | 137493 8 | 30:33.19 | 9:35.47 | 137494 | 180665 9 | 40:08.66 | 6:23.45 | 180666 | 209435 10 | 46:32.36 | 6:03.71 | 209436 | 236731Track 1 Filename F:\DL\Helene Labarriere - Les temps changent (2007) [FLAC]\01 - Soizig.wav Pre-gap length 0:00:02.00 Peak level 97.3 % Track quality 100.0 % Test CRC 2D5F85FE Copy CRC 2D5F85FE Copy OKTrack 2 Filename F:\DL\Helene Labarriere - Les temps changent (2007) [FLAC]\02 - Un jour plus tot.wav Peak level 98.0 % Track quality 100.0 % Test CRC 5FE31E47 Copy CRC 5FE31E47 Copy OKTrack 3 Filename F:\DL\Helene Labarriere - Les temps changent (2007) [FLAC]\03 - Regard suspendu.wav Peak level 97.9 % Track quality 99.9 % Test CRC 2F435559 Copy CRC 2F435559 Copy OKTrack 4 Filename F:\DL\Helene Labarriere - Les temps changent (2007) [FLAC]\04 - September the bass.wav Peak level 97.9 % Track quality 100.0 % Test CRC FD37CA45 Copy CRC FD37CA45 Copy OKTrack 5 Filename F:\DL\Helene Labarriere - Les temps changent (2007) [FLAC]\05 - Good boy.wav Peak level 97.9 % Track quality 100.0 % Test CRC 1EABCEE6 Copy CRC 1EABCEE6 Copy OKTrack 6 Filename F:\DL\Helene Labarriere - Les temps changent (2007) [FLAC]\06 - Une cure d'inefficacite.wav Peak level 69.4 % Track quality 100.0 % Test CRC 9F7B812C Copy CRC 9F7B812C Copy OKTrack 7 Filename F:\DL\Helene Labarriere - Les temps changent (2007) [FLAC]\07 - Histoire de collection.wav Peak level 98.0 % Track quality 100.0 % Test CRC 5833777F Copy CRC 5833777F Copy OKTrack 8 Filename F:\DL\Helene Labarriere - Les temps changent (2007) [FLAC]\08 - Une femme sous influence.wav Peak level 97.9 % Track quality 100.0 % Test CRC 8C18AE3D Copy CRC 8C18AE3D Copy OKTrack 9 Filename F:\DL\Helene Labarriere - Les temps changent (2007) [FLAC]\09 - La complainte de la butte.wav Peak level 97.9 % Track quality 100.0 % Test CRC 603DF2E8 Copy CRC 603DF2E8 Copy OKTrack 10 Filename F:\DL\Helene Labarriere - Les temps changent (2007) [FLAC]\10 - Donde estan ustedes.wav Peak level 98.0 % Track quality 99.9 % Test CRC EB69EF9A Copy CRC EB69EF9A Copy OKNo errors occurredEnd of status report  cueREM GENRE Jazz REM DATE 2007 REM DISCID 6F0C540A REM COMMENT "ExactAudioCopy v0.99pb4" PERFORMER "Helene Labarriere" TITLE "Les temps changent" FILE "01 - Soizig.wav" WAVE TRACK 01 AUDIO TITLE "Soizig" PERFORMER "Helene Labarriere" FLAGS DCP INDEX 01 00:00:00 FILE "02 - Un jour plus tot.wav" WAVE TRACK 02 AUDIO TITLE "Un jour plus tot" PERFORMER "Helene Labarriere" FLAGS DCP INDEX 01 00:00:00 FILE "03 - Regard suspendu.wav" WAVE TRACK 03 AUDIO TITLE "Regard suspendu" PERFORMER "Helene Labarriere" FLAGS DCP INDEX 01 00:00:00 FILE "04 - September the bass.wav" WAVE TRACK 04 AUDIO TITLE "September the bass" PERFORMER "Helene Labarriere" FLAGS DCP INDEX 01 00:00:00 FILE "05 - Good boy.wav" WAVE TRACK 05 AUDIO TITLE "Good boy" PERFORMER "Helene Labarriere" FLAGS DCP INDEX 01 00:00:00 FILE "06 - Une cure d'inefficacite.wav" WAVE TRACK 06 AUDIO TITLE "Une cure d'inefficacite" PERFORMER "Helene Labarriere" FLAGS DCP INDEX 01 00:00:00 FILE "07 - Histoire de collection.wav" WAVE TRACK 07 AUDIO TITLE "Histoire de collection" PERFORMER "Helene Labarriere" FLAGS DCP INDEX 01 00:00:00 FILE "08 - Une femme sous influence.wav" WAVE TRACK 08 AUDIO TITLE "Une femme sous influence" PERFORMER "Helene Labarriere" FLAGS DCP INDEX 01 00:00:00 FILE "09 - La complainte de la butte.wav" WAVE TRACK 09 AUDIO TITLE "La complainte de la butte" PERFORMER "Helene Labarriere" FLAGS DCP INDEX 01 00:00:00 FILE "10 - Donde estan ustedes.wav" WAVE TRACK 10 AUDIO TITLE "Donde estan ustedes" PERFORMER "Helene Labarriere" FLAGS DCP INDEX 01 00:00:00  О компании:Hélène Labarrière sounds to me complete: completely in control, physically, of her bass violin and cerebrally, in her understanding of how to use her great athletic skills. And above (this is music after all) Hélène has a great SOUND. Her writing is erudite and adventurous, but above all as ORGANIC as her playing. 'Nature' seems to flow through her as naturally as fruit arriving on the branches of trees when the sun and the rain have done their work. I have heard her in diverse contexts, but not, I think, before this beautiful CD, as director and principal catalyst. And she's chosen her comrades here so carefully: these musicians know how to play together, as part of a living and coherent organism. Anyway (words are inevitable clumsy) as the cliché has it, this music speaks for itself. Pay attention this fruit is ripe: now feed your ears!«Salam and Takadum»Robert WyattCreating musical tension is not an easy task : you need to work on a sense of anticipation from the listener, who enjoys the surprises and contradictions he or she is confronted with, wanting to hear more of it, anxious about how the music is going to evolve, eager to know where it's going to end. And tension is exactly one of the major qualities of the second album by French bass-player Hélène Labarrière. The very first tones of "Soizig", the first track, already suck the listener into this feeling : brushed drum-playing, with rhythmic but asymmetric bass-playing is spiced with eery metallic sounds by guitar and sax. Tension is built, with little flourishes of relief, but not yielding everything. Labarrière is joined by François Corneloup on baritone sax, Hasse Poulsen on guitar and Christophe Marguet on drums. The contradiction is to be found in the tension between the incredible sense of rhythm, often repetitive and hypnotic, over which odd and often abstract unisono melodies are played, making the music inviting yet unfamiliar, forming the basis for controlled improvizations. The four band members are absolutely excellent in the overall unity of style the record brings, switching between soft loaded passages and fierce intense moments with screeching guitar and whailing baritone sax. Corneloup is a great baritone sax player as I mentioned earlier and Hasse Poulsen uses lots of extended techniques on his guitar and litterally with great effect. The only track which does not really quite fit is "Good Boy", bringing a folky melody on the acoustic guitar, a little bit too joyous for the dark mood and complex elaborations on the rest of the album. The title ("times are changing") not only refers to the time in between sounds (rhythmic definition), but also to the fact that because times are changing so fast (real life definition), we should not be deaf to the world and listen carefully, but above all, we should have a sense of urgency in what we have to say and play even more lively. That is what Hélène Labarrière writes about her own music. Let's hope that she walks the talk and doesn't wait another ten years for her next album.http://freejazz-stef.blogspot.comDifficile de chroniquer un album quand il vous embarque aussi loin que celui-là et que vous n’êtes pas encore revenu(e). Plus encore quand son titre vous rappelle l’avertissement d’oncle Bob : "And Keep your Eyes Wide / The Chance Won’t Come Again / And Don’t Speak Too Soon / For the Wheel’s Still in Spin." (The Times They Are A-Changin’)Les yeux grands ouverts, en effet, et l’esprit : Hélène Labarrière vous emmène au-devant d’un monde aux couleurs et aux formes changeantes, aux ambiances sombres ou faussement simples, calmes ou déchirées/déchirantes.La visite se fait dans un sens défini : les compositions s’enchaînent dans un ordre précis ; en plusieurs occasions, insensiblement, les dernières mesures d’un morceau appellent le suivant au point qu’on ne conçoit pas d’écouter une plage seule ("Un jour plus tôt" / "Regard suspendu" / "September the Bass" ; "Histoire de collection" / "Une femme sous influence"). D’ailleurs les titres eux-mêmes...De morceaux non mesurés en binaires ou ternaires réguliers ou pas, de riffs de contrebasse en envolées de guitare parfois hendrixienne, de chorus "free" au baryton en basses presque funk, le quartet se promène et nous promène dans un enchevêtrement où il est souvent difficile de distinguer l’écrit du spontané telle est la qualité d’écoute et de communication entre les musiciens. L’auditeur n’est jamais laissé en repos : quand une tension se résout, c’est dans une fausse sérénité folk ("Good Boy") que dément l’inquiétante pédale de La jouée par le baryton tout au long du morceau. Ou bien dans une chanson populaire, certes, mais cruelle ô combien : "La complainte de la butte", introduite en pizzicato par une contrebasse en granit brut, comme les escaliers...Leader - guide, non dictateur -, Hélène Labarrière compose, propose et n’impose pas ; les apports de chacun des musiciens sont à égalité. Il faut dire qu’elle s’est choisi des compagnons de route à la mesure du propos. Si l’album est tout entier placé sous le signe de la mouvance et du passage, ces musiciens sont aussi de fieffés passeurs de frontières : François Corneloup au saxophone baryton, anguleux et sinueux, Hasse Poulsen à la guitare - peut-être devrait-on dire aux guitares tant sa palette de sons et de textures est étendue - et Christophe Marguet, batteur-peintre aux contributions étonnamment... graphiques.Les temps changent et nous changent. Tenons les yeux grands ouverts ! Hélène Labarrière se charge de nos oreilles, et de ce qu’il y a entre. Diane GastelluHélène Labarrière, contrebassiste aux multiples projets musicaux, sort les temps changent en octobre 2007, le même mois que la sortie de Comicopera.C'est le premier album sous son nom, qui vient après de nombreuses collaborations marquées sous le signe de la liberté et de l'audace. Je l'avais vue sur scène à Charleville-Mézières et à Créteil, à l'avant-poste du Dondestan project - Variations sur la musique de Robert Wyatt. Avec Sylvain Kassap, elle y faisait vibrer cette atmosphère jazz et boisée que RW revendique dans tous ses interviews. Robert Wyatt connaît bien Hélène Labarrière: il l'a même invitée en 2001 au Meltdown Festival dont il était le programmateur.Cet album, Robert Wyatt l'a écouté et l'a aimé. Sur une de ces cartes postales qu'il adresse souvent à ses correspondants de par le monde, il nous dit tout le bien qu'il pense de la musicienne et de la compositrice. Et celle-ci n'a pu résister à l'envie de nous faire partager son plaisir en la reproduisant sur la pochette du CD.Hélène Labarrière sounds to me complete: completely in control, physically, of her bass violin and cerebrally, in her understanding of how to use her great athletic skills. And above (this is music after all) Hélène has a great SOUND. Her writing is erudite and adventurous, but above all as ORGANIC as her playing. 'Nature' seems to flow through her as naturally as fruit arriving on the branches of trees when the sun and the rain have done their work. I have heard her in diverse contexts, but not, I think, before this beautiful CD, as director and principal catalyst. And she's chosen her comrades here so carefully: these musicians know how to play together, as part of a living and coherent organism. Anyway (words are inevitable clumsy) as the cliché has it, this music speaks for itself. Pay attention this fruit is ripe: now feed your ears!«Salam and Takadum»Robert Wyatt