(Jazz / Free / Avant garde) Das Kapital - Ballads & Barricades: Das Kapital Plays Hanns Eisler - 2009, FLAC (tracks+.cue), lossless

Das Kapital - Ballads & Barricades: Das Kapital Plays Hanns Eisler Жанр: Jazz / Free / Avant garde Год выпуска диска: 2009 Производитель диска:Quark 004 Аудио кодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 01:00:05 Источник: Собственный рип с оригинального диска Трэклист: 01. An Den Deutschen Mond 02. Ohne Kapitalisten Geht Es Besser 03. Vom Sprengen Des Gartens 04. Die Moorsoldaten 05. Auf Der Flucht 06. An Den Kleinen Radioapparat 07. Lied Von Der Moldau 08. Das Wunderland 09. Hotelzimmer 1942 10. Landschaft Des Exil 11. Elegie 1939 12. Solidaritätslied 13. Mutter Beimlein 14. Einheitsfrontslied 15. Marie Weine NichtPersonnel: Ballads: Daniel Erdmann (tenor saxophone); Hasse Poulsen (guitar) and Edward Perraud (drums) http://www.edwardperraud.com/presse_DAS_KAPITAL.html  Дщп EACExact Audio Copy V0.99 prebeta 4 from 23. January 2008EAC extraction logfile from 7. January 2010, 21:06Das Kapital / Ballads & BarricadesUsed drive : Optiarc DVD RW AD-7200S Adapter: 2 ID: 1Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : NoRead offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous trackUsed output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : D:\Program Files\FLAC\flac.exe Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:57.12 | 0 | 22286 2 | 4:57.12 | 3:42.21 | 22287 | 38957 3 | 8:39.33 | 3:25.32 | 38958 | 54364 4 | 12:04.65 | 5:10.47 | 54365 | 77661 5 | 17:15.37 | 4:05.00 | 77662 | 96036 6 | 21:20.37 | 4:20.24 | 96037 | 115560 7 | 25:40.61 | 1:41.70 | 115561 | 123205 8 | 27:22.56 | 6:01.15 | 123206 | 150295 9 | 33:23.71 | 4:54.56 | 150296 | 172401 10 | 38:18.52 | 5:06.06 | 172402 | 195357 11 | 43:24.58 | 3:37.17 | 195358 | 211649 12 | 47:02.00 | 3:00.45 | 211650 | 225194 13 | 50:02.45 | 2:35.71 | 225195 | 236890 14 | 52:38.41 | 3:32.64 | 236891 | 252854 15 | 56:11.30 | 3:54.21 | 252855 | 270425Track 1 Filename I:\Music\WCD\01. An Den Deutschen Mond (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:02.00 Peak level 100.0 % Track quality 100.0 % Test CRC E7710945 Copy CRC E7710945 Track not present in AccurateRip database Copy OKTrack 2 Filename I:\Music\WCD\02. Ohne Kapitalisten Geht Es Besser (Das Kapital - Ballads & Barricades - 2009).wav Peak level 100.0 % Track quality 100.0 % Test CRC E3CB7EB6 Copy CRC E3CB7EB6 Track not present in AccurateRip database Copy OKTrack 3 Filename I:\Music\WCD\03. Vom Sprengen Des Gartens (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:04.66 Peak level 100.0 % Track quality 100.0 % Test CRC 4569343B Copy CRC 4569343B Track not present in AccurateRip database Copy OKTrack 4 Filename I:\Music\WCD\04. Die Moorsoldaten (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:03.82 Peak level 100.0 % Track quality 100.0 % Test CRC 29EE2F5A Copy CRC 29EE2F5A Track not present in AccurateRip database Copy OKTrack 5 Filename I:\Music\WCD\05. Auf Der Flucht (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:01.42 Peak level 94.4 % Track quality 100.0 % Test CRC 760FF93A Copy CRC 760FF93A Track not present in AccurateRip database Copy OKTrack 6 Filename I:\Music\WCD\06. An Den Kleinen Radioapparat (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:03.24 Peak level 99.7 % Track quality 99.9 % Test CRC 9A6504D8 Copy CRC 9A6504D8 Track not present in AccurateRip database Copy OKTrack 7 Filename I:\Music\WCD\07. Lied Von Der Moldau (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:01.21 Peak level 99.7 % Track quality 99.8 % Test CRC C3559D9B Copy CRC C3559D9B Track not present in AccurateRip database Copy OKTrack 8 Filename I:\Music\WCD\08. Das Wunderland (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:02.45 Peak level 100.0 % Track quality 100.0 % Test CRC 773B6AF9 Copy CRC 773B6AF9 Track not present in AccurateRip database Copy OKTrack 9 Filename I:\Music\WCD\09. Hotelzimmer 1942 (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:02.96 Peak level 100.0 % Track quality 100.0 % Test CRC 22835763 Copy CRC 22835763 Track not present in AccurateRip database Copy OKTrack 10 Filename I:\Music\WCD\10. Landschaft Des Exil (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:05.96 Peak level 100.0 % Track quality 100.0 % Test CRC 86714779 Copy CRC 86714779 Track not present in AccurateRip database Copy OKTrack 11 Filename I:\Music\WCD\11. Elegie 1939 (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:04.56 Peak level 100.0 % Track quality 100.0 % Test CRC C37201EF Copy CRC C37201EF Track not present in AccurateRip database Copy OKTrack 12 Filename I:\Music\WCD\12. Solidaritätslied (Das Kapital - Ballads & Barricades - 2009).wav Peak level 100.0 % Track quality 100.0 % Test CRC 719FD6C4 Copy CRC 719FD6C4 Track not present in AccurateRip database Copy OKTrack 13 Filename I:\Music\WCD\13. Mutter Beimlein (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:05.89 Peak level 100.0 % Track quality 100.0 % Test CRC 29B0279A Copy CRC 29B0279A Track not present in AccurateRip database Copy OKTrack 14 Filename I:\Music\WCD\14. Einheitsfrontslied (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:02.62 Peak level 100.0 % Track quality 99.9 % Test CRC 154AECB9 Copy CRC 154AECB9 Track not present in AccurateRip database Copy OKTrack 15 Filename I:\Music\WCD\15. Marie Weine Nicht (Das Kapital - Ballads & Barricades - 2009).wav Pre-gap length 0:00:05.62 Peak level 100.0 % Track quality 100.0 % Test CRC 64D0EAC0 Copy CRC 64D0EAC0 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report  CUEREM GENRE Jazz REM DATE 2009 REM DISCID AB0E150F REM COMMENT "ExactAudioCopy v0.99pb4" FILE "01. An Den Deutschen Mond (Das Kapital - Ballads & Barricades - 2009).wav" WAVE TRACK 01 AUDIO INDEX 01 00:00:00 FILE "02. Ohne Kapitalisten Geht Es Besser (Das Kapital - Ballads & Barricades - 2009).wav" WAVE TRACK 02 AUDIO INDEX 01 00:00:00 TRACK 03 AUDIO INDEX 00 03:37:46 FILE "03. Vom Sprengen Des Gartens (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO INDEX 00 03:21:45 FILE "04. Die Moorsoldaten (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO INDEX 00 05:09:15 FILE "05. Auf Der Flucht (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO INDEX 00 04:01:57 FILE "06. An Den Kleinen Radioapparat (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO INDEX 00 04:19:08 FILE "07. Lied Von Der Moldau (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO INDEX 00 01:39:36 FILE "08. Das Wunderland (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO INDEX 00 05:58:18 FILE "09. Hotelzimmer 1942 (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO INDEX 00 04:48:59 FILE "10. Landschaft Des Exil (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO INDEX 00 05:01:39 FILE "11. Elegie 1939 (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 FILE "12. Solidaritätslied (Das Kapital - Ballads & Barricades - 2009).wav" WAVE TRACK 12 AUDIO INDEX 01 00:00:00 TRACK 13 AUDIO INDEX 00 02:54:53 FILE "13. Mutter Beimlein (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 TRACK 14 AUDIO INDEX 00 02:33:24 FILE "14. Einheitsfrontslied (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00 TRACK 15 AUDIO INDEX 00 03:27:17 FILE "15. Marie Weine Nicht (Das Kapital - Ballads & Barricades - 2009).wav" WAVE INDEX 01 00:00:00  О компании:Das KapitalBallads & Barricades Quark 004Dok WallachLive in LisbonJazzwerkstatt JW 076Creating an individual identity within the oeuvre of another musician is always a challenge – especially if the subject is world famous. The Das Kapital trio and the Dok Wallach quartet – both featuring German tenor saxophonist Daniel Erdmann – evolve strategies to manage this transformative feat. Tellingly, the individual game plans are as different as the bands’ make up and the composers featured.Despite its parodistic name, Das Kapital aims to revive the serious musical credential of German composer Hanns Eisler (18988-1962) with Ballads & Barricades. A committed Marxist and collaborator with playwright Bertolt Brecht, Eisler was exiled from the United States to East Germany in the late 1940s after being accused of being “the Karl Marx of music”. The composer, who had similar run-ins with the Nazis and the East German government, was a polymath. He’s definitely the only person nominated for two Oscars for his Hollywood film music, who also composed another country’s national anthem: East Germany’s Auferstanden aus Ruinen. A student of Arnold Schönberg, Eisler wrote pure music as well as agit-prop material, which Erdmann, who studied in the late 1990s at Hochschule für Musik Hanns Eisler in Berlin, must have realized.Although as combative and opinioned as Eisler, American bassist Charles Mingus (1922-1979), the subject of Live in Lisbon, never wrote for Hollywood or anyone’s national anthem, though he was pretty good at agit-prop performances in his time. However the all-German, Berlin-based Dok Wallace band – named for the bassist’s psychologist confidant – eschews Mingus’ verbal forays to re-examine his longer compositions.Instrumentation is much different on each CD as well. Erdmann’s associates Ballads & Barricades are Paris-based, Danish guitarist Hasse Poulsen, who has worked with clarinetist Louis Sclavis; and drummer Edward Perraud, another Parisian, who is a member of Hubbub and other bands. Besides Erdmann, Live in Lisbon also features multi-woodwind player Michael Thieke, whose associations range from Free Bop bands to outright experimental units. Drummer Heinrich Köbberling has worked with everyone from pianist Aki Takase to guitarist Ben Monder, while bassist Johannes Fink is in the bands Viergruppe Gschlössl and clarinetist Rolf Kühn’s Tri-o.Dok Wallace has a tougher job since so many of Mingus’ compositions are common in the jazz repertoire. However the quartet overcomes familiarity by concentrating on some of the bassist’s lesser-known pieces, as well as grouping a few into a series of montages, rather like a medley of Mingus hits. Although there are times during the performance when it sounds like the Lisbon audience may feel it’s participating in a session of “name that tune”, the band’s sophisticated approach means that über-familiar lines such as “Haitian Fight Song”, “Tijuana Table Dance” or “Boogie Stop Shuffle” don’t overpower the other arrangements.That’s in spite of the fact that nearly every piece from Mingus’ justly-famous 1959 session appear on “Ah Um Montage”. Yet with Erdmann emphasizing the foghorn-like qualities of his saxophone with smears and spetrofluctuation, while Thieke scatters timbres and bites his reed, the contrapuntal harmonies work. Sensitive and secure enough to provide the backdrop, the drummer merely scrapes taps and drags, while Fink bounces and walks.More upfront is “Tijuana Moods Montage” with the four alternately concentrating and splitting apart the melodies with double-stopping bass lines, fluttering tongue vibrations and hand-patted drum pressure. At points Erdmann’s deep-throated squeals and roughed-up breaths are backed only by bass and drums; elsewhere while his output remains straight-lined, Thieke tongue slaps and reveals split tones, deconstructing the familiar riffs without losing their essence. Eventually the side-slipping obbligatos from the horns match up with pulls and picks from bassist Fink, so that other themes are interpolated into the mix.On the other CD, Eisler’s work presents its own challenges. Unlike Mingus’ stylistic consistency – once he discovered his mature persona about 1956 – the German composer’s tunes skip all over the place from marches to schmaltz, to parodies and to anthems. Luckily – for the non-East German or music scholar – the melodies are unfamiliar enough to not evoke certain associations when performed. Only “Die Morosoldaten” performed by folksinger Pete Seeger as “Peat Bog Soldiers” may stir left-wing memories. However Das Kapital’s version undercuts the politics with press rolls and bass drum pops from Perraud, strangled banjo-like twangs from Poulsen and Erdmann’s false fingering encompassing snorts and split tones.Putting aside that the bossa nova-like treatment of “An den Deutschen Mond” making it sound uncomfortably like the Guess Who’s “She Coming Home (Undone)”, the “Volga Boatman”-like pulses or faux jollity of some of the other tunes leave you wondering what was serious and what was burlesque when the pieces were originally composed. Still the Kapitalists also prove themselves capable of heart-felt balladic work on “Marie weine nicht”, using irregularly emphasized strumming from the guitarist, a backbeat from the drummer and the saxophonist’s self-contained, low-frequency air floats to add color and emphasis.More pertinently, a trio of pieces outlines the band’s approach. Staccato, with clanking guitar lines and speedy drum beats, “Das Wonderland” evolves contrapuntally as Erdmann unveils tongue stops and irregular vibratos. When the piece accelerates to staccatissimo and agitato, the saxman bellows in forward motion while Poulsen responds with sharp snaps and delayed chiming. Cutting across Erdmann’s exaggerated vibrato, the guitarist eventually supports the reedman’s final altissimo slurs.“Landschaft des Exils” – the performance of which undercuts its title – is a jolly waltz borne on rolling drum beats, ukulele-like guitar pings and a thick tenor saxophone line. Here, as Poulsen sprays curlicue licks and Perraud sounds a shuffle beat, Erdmann plays a connective obbligato. The there’s “Solidaritäslied”, where Perraud’s backbeat undulates from martial to dance rhythm and back again, and where many spectral colors are exposed in guitar-saxophone counterpoint. At one point Erdmann thickly and jocularly burlesques Perraud’s changing rhythms, then finally splinters the melody apart with altissimo squeals.Successfully answering the question of how to reanimate musically familiar material in distinctive ways is the achievement of both Das Kapital and Dok Wallach. Plus each CD confirms aspects of Erdmann’s burgeoning talents.-- Ken WaxmanTrack Listing: Ballads: 1. An den Deutschen Mond 2. Ohne Kapitalisten des Gartens 3. Vom Sprengen des Gartens 4. Die Morosoldaten 5. Auf der Flutch 6. An der kleinen Radioapparat 7. Lied von der Moldau 8. Das Wonderland 9. Hotelzimmer 1942 10. Landschaft des Exils 11. Elegie 1939 12. Solidaritäslied 13. Mutter Beimlein 14. Einheitsfrontlied 15. Marie weine nichtPersonnel: Ballads: Daniel Erdmann (tenor saxophone); Hasse Poulsen (guitar) and Edward Perraud (drums)Track Listing: Live: 1. Tijuana Moods Montage 2. Hobo Ho 3. Eclipse 4. Ah Um Montage 5. Pithecanthropus Erectus 6. Self Portrait in Three Colors 7. Meditations on IntegrationPersonnel: Live: Michael Thieke (alto saxophone, clarinet and alto clarinet); Daniel Erdmann (tenor saxophone); Johannes Fink (bass) and Heinrich Köbberling (drums)January 1, 2010