(Jazz, Classical, Chamber Music) Protosynthesis Ensemble (with Fred Hersch) - Jazz Classics Classical Jazz (1990) - 1990, APE (image+.cue), lossless

Protosynthesis Ensemble (with Fred Hersch) - Jazz Classics Classical Jazz (1990) Жанр: Jazz, Classical, Chamber Music Страна-производитель диска: USA Год выпуска диска: 1990 Издатель (лейбл): RCAVictor/BMG Номер по каталогу: 60460-2-RC Страна: USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 57:52 Источник (релизер): duppyB Наличие сканов в содержимом раздачи: даТрэклист: 1. Con Alma (Gillespie) 2. In Your Own Sweet Way (Brubeck) 3. In a Mist (Beiderbecke) 4. Line for Lyons (Mulligan) 5. Blue in Green (Davis) 6. Pan Piper (G. Evans) 7. Django (Lewis) 8. Fontessa (Lewis) 9. Blue Rndo a la Turk (Brubeck) 10. Chelsea Bridge (Strayhorn) 11. 'Round Midnight (Monk/Williams/Hanighen)  Лог создания рипа Exact Audio Copy V1.0 beta 2 from 29. April 2011EAC extraction logfile from 13. December 2011, 11:15Protosynthesis / Jazz Classics Classical JazzUsed drive : ASUS DRW-24B3LT Adapter: 3 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 128 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:04.05 | 0 | 22804 2 | 5:04.05 | 5:08.53 | 22805 | 45957 3 | 10:12.58 | 4:10.22 | 45958 | 64729 4 | 14:23.05 | 5:13.00 | 64730 | 88204 5 | 19:36.05 | 5:17.00 | 88205 | 111979 6 | 24:53.05 | 5:17.00 | 111980 | 135754 7 | 30:10.05 | 7:54.00 | 135755 | 171304 8 | 38:04.05 | 6:02.65 | 171305 | 198519 9 | 44:06.70 | 3:24.10 | 198520 | 213829 10 | 47:31.05 | 5:46.55 | 213830 | 239834 11 | 53:17.60 | 4:32.20 | 239835 | 260254Track 1 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\01. Con Alma (Gillespie).wav Pre-gap length 0:00:02.00 Peak level 40.8 % Extraction speed 3.9 X Track quality 100.0 % Test CRC D3C640D6 Copy CRC D3C640D6 Accurately ripped (confidence 1) [A6C876C9] (AR v1) Copy OKTrack 2 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\02. In Your Own Sweet Way (Brubeck).wav Pre-gap length 0:00:02.00 Peak level 52.1 % Extraction speed 4.5 X Track quality 100.0 % Test CRC F1FC77B1 Copy CRC F1FC77B1 Accurately ripped (confidence 1) [319432E2] (AR v1) Copy OKTrack 3 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\03. In a Mist (Beiderbecke).wav Pre-gap length 0:00:02.40 Peak level 42.0 % Extraction speed 3.8 X Track quality 99.9 % Test CRC 96E8B14A Copy CRC 96E8B14A Accurately ripped (confidence 1) [04C27ADF] (AR v1) Copy OKTrack 4 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\04. Line for Lyons (Mulligan).wav Pre-gap length 0:00:03.00 Peak level 35.7 % Extraction speed 5.2 X Track quality 100.0 % Test CRC 66ECA1AE Copy CRC 66ECA1AE Accurately ripped (confidence 1) [20E01E38] (AR v1) Copy OKTrack 5 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\05. Blue in Green (Davis).wav Pre-gap length 0:00:03.00 Peak level 32.4 % Extraction speed 5.7 X Track quality 100.0 % Test CRC 697944D1 Copy CRC 697944D1 Accurately ripped (confidence 1) [1391F471] (AR v1) Copy OKTrack 6 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\06. Pan Piper (G.Evans).wav Pre-gap length 0:00:01.00 Peak level 76.6 % Extraction speed 6.0 X Track quality 100.0 % Test CRC D82F5015 Copy CRC D82F5015 Accurately ripped (confidence 1) [A23E268A] (AR v1) Copy OKTrack 7 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\07. Django (Lewis).wav Pre-gap length 0:00:02.00 Peak level 25.2 % Extraction speed 6.7 X Track quality 100.0 % Test CRC 90EBA612 Copy CRC 90EBA612 Accurately ripped (confidence 1) [9B9BD371] (AR v1) Copy OKTrack 8 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\08. Fontessa (Lewis).wav Pre-gap length 0:00:03.00 Peak level 35.3 % Extraction speed 4.3 X Track quality 99.9 % Test CRC 02625B4E Copy CRC 02625B4E Accurately ripped (confidence 1) [D3FDAD51] (AR v1) Copy OKTrack 9 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\09. Blue Rondo a la Turk (Brubeck).wav Pre-gap length 0:00:01.47 Peak level 81.4 % Extraction speed 6.7 X Track quality 100.0 % Test CRC AC9ED2CA Copy CRC AC9ED2CA Accurately ripped (confidence 1) [581BD698] (AR v1) Copy OKTrack 10 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\10. Chelsea Bridge (Strayhorn).wav Pre-gap length 0:00:01.12 Peak level 78.5 % Extraction speed 7.4 X Track quality 100.0 % Test CRC 9BEE63B2 Copy CRC 9BEE63B2 Accurately ripped (confidence 1) [B5F96292] (AR v1) Copy OKTrack 11 Filename E:\Protosynthesis Ensemble - Jazz Classics Classical Jazz (1990)\11. 'Round Midnight (Monk,Williams,Hanighen).wav Pre-gap length 0:00:02.50 Peak level 32.6 % Extraction speed 6.0 X Track quality 99.9 % Test CRC DB1009DB Copy CRC DB1009DB Accurately ripped (confidence 1) [75A6CB5C] (AR v1) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum 4E3C29BEA339AA0F87F4307AE32D97781213EEE4438342C8896A68FFAFECE014 ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1990REM DISCID A70D8E0BREM COMMENT "ExactAudioCopy v1.0b2"PERFORMER "Protosynthesis"TITLE "Jazz Classics Classical Jazz"FILE "01. Con Alma (Gillespie).wav" WAVE TRACK 01 AUDIO TITLE "Con Alma (Gillespie)" PERFORMER "Protosynthesis" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "In Your Own Sweet Way (Brubeck)" PERFORMER "Protosynthesis" INDEX 00 05:02:05FILE "02. In Your Own Sweet Way (Brubeck).wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "In a Mist (Beiderbecke)" PERFORMER "Protosynthesis" INDEX 00 05:06:13FILE "03. In a Mist (Beiderbecke).wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Line for Lyons (Mulligan)" PERFORMER "Protosynthesis" INDEX 00 04:07:22FILE "04. Line for Lyons (Mulligan).wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Blue in Green (Davis)" PERFORMER "Protosynthesis" INDEX 00 05:10:00FILE "05. Blue in Green (Davis).wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Pan Piper (G.Evans)" PERFORMER "Protosynthesis" INDEX 00 05:16:00FILE "06. Pan Piper (G.Evans).wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Django (Lewis)" PERFORMER "Protosynthesis" INDEX 00 05:15:00FILE "07. Django (Lewis).wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Fontessa (Lewis)" PERFORMER "Protosynthesis" INDEX 00 07:51:00FILE "08. Fontessa (Lewis).wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Blue Rondo a la Turk (Brubeck)" PERFORMER "Protosynthesis" INDEX 00 06:01:18FILE "09. Blue Rondo a la Turk (Brubeck).wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Chelsea Bridge (Strayhorn)" PERFORMER "Protosynthesis" INDEX 00 03:22:73FILE "10. Chelsea Bridge (Strayhorn).wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "'Round Midnight (Monk/Williams/Hanighen)" PERFORMER "Protosynthesis" INDEX 00 05:44:05FILE "11. 'Round Midnight (Monk,Williams,Hanighen).wav" WAVE INDEX 01 00:00:00  Об альбоме (сборнике)It has been said that Jazz is America's classical music. I don't know who said it first, or when; but during the dear departed decade of the Eighties (a period, incidentally, when jazz reasserted itself in manifold ways, from reissues to a new wave of solidly rooted young players) the oft-echoed phrase was one that many enlightened thinkers took seriously. Mike Berniker, who conceived and produced this album, set out to find "those jazz compositions that worked well in classical contexts but were strong jazz pieces to begin with; pieces that would transfer well in classical references." Each piece refers not to any one classical composer, but to several. Though all suggest a classical ethos, it isn 't adhered to rigidly. For this project, which Berniker characterizes as "the first of this kind of synthesis'' (hence the title Protosynthes/s), he enlisted the services of three arrangers. Each one brought his own compositional and orchestral talents to the enterprise, and Berniker assigned pieces to each based upon his special gifts. For Dizzy Gillespie's Con Alma (first recorded in 1954), arranger Brad Dechter drew upon Villa-Lobos's Bach/ana brasileira No. 5, written originally for soprano voice and eight celli and here adapted for guitar and string quartet. Arranger Byron Olson describes Dave Brubeck as "one of the first crossover composers," and while not neglecting Brubeck's harmonies on In Your Own Sweet Way (first recorded in 1956), he adds the French Impressionism of Ravel to impart a feeling of wistful beauty, through the combination of a classical woodwind quintet with piano. Bix Beiderbecke wrote In a Mist as a piano piece and recorded it at the keyboard himselfin 1927. "I wanted to get it away from the piano," says Hersch, "butthisis literally Bix—almost a transcription, but for string quartet. It's like a ragtime piece or a piano prelude and still has the flavor of the period when Bix was listening to, among others, Ravel, Debussy and Gershwin." Mike Berniker suggested the fugue, theme and variation for Gerry Mulligan's Line for Lyons (1952) to arranger Brad Dechter, who put it into three movements. All three are built on phrases as melodic motifs. The first movement is in Bachian fugal style, with flute, oboe, clarinet, bassoon and harpsichord; the second, 16th-century and Mozart with a woodwind quintet and French horn; the third, 19th-century and Beethoven with French horn, clarinet and bassoon. Samuel Barber's Adagio for Strings crept into arranger Byron Olson's consciousness for his interpretation of Miles Davis/Bill Evans's Blue in Green. He retained the harmonies from the Hiies Davis recording on Kind of Blue (J959) but added classical harmony to give it a chamber feeling. For Pan Piper, Dechter took Gil Evans's arrangement from Miles Davis's Sketches of Spain (1960) as the basis for his collaboration with drummer-writer Frank Bennett. The treatment of the old Spanish folk song contains references to De Falla and to Ravel's Rapsodie espagnole. It is played by the same chamber ensemble heard on 8/ue in Green. Fred Hersch's adaptation of John Lewis's Django (first recorded by the Modern Jazz Quartet in 1954) is divided into four movements, played by oboe, cello, violin and harpsichord. "The first movement," Hersch explains, "is the piece set in a Baroque style. Movements two and four are based on the first motif of the piece. The third, a Largo, derives from a two-note figure from the 8 section." This is plaintive, thematic writing. Fred Hersch adds, "My heroes are those who play compositionally—Monk, Sonny, Ornette, Miles—and I like to compose like a player." John Lewis's Fontesso (1956) was originally in four movements. Arranger Byron Olson retained material from the first three movements and used his own introduction and interludes at points within the movements. The more dissonant moments of plucking and sliding by the string quartet recall Bartok. The small chamber orchestra returns for Brubeck's Blue Rondo a la Turk (1959), written, as the title implies, in rondo form. "Being such a strict rhythm," explains Byron Olson, "made it extremely difficult to record, so I brought in 4/4 to break up the 9/8. It has that Gershwinesque piano thing but it's still really the blues" — with, I might add, some Stravinsky references as well. The ambiguity of the harmony led arranger Brad Dechter to take a Ravel approach on Billy Strayhorn's Chelsea Bridge (recorded by Ellington in 1941). This is not surprising given the piece's Impressionist origins: Strayhorn once revealed that its inspiration was a Whistler painting. Fred Hersch's solo on 'Round Midnight (a piece first recorded by Cootie Williams's band in 1944, but probably composed by Thelonious Monk several years earlier) was written by Brad Dechter. His references are the harmonies of Gershwin's piano preludes and Erik Satie who, like Monk, according to Dechter, "was such a sparse writer that the space meant as much as the notes did.'' As Mike Berniker says, "With Protosynthesis, what we're saying is that wonderful music may be approached in any number of ways.'' Approach and recognize. — IRA GITLER  СоставColin Green guitar Christopher Warren-Green violin Fred Hersch piano, arranger Brad Dechter arranger Byron Olson arranger Conceived and Produced by Mike Berniker