(Hard Bop) Wes Montgomery - Far Wes - 1958, FLAC (tracks+.cue), lossless

Wes Montgomery - Far Wes Жанр:Hard Bop Дата записи: Los Angeles in April, 1958 (#1-7) and October, 1959 (#8-11) Дата выпуска: 2003 Производитель диска, страна: Pasific Jazz (Russian Print) Аудио кодек: FLAC Тип рипа: (tracks + .cue) Битрейт аудио: lossless Включает: Full artwork Продолжительность: 52:03 Источник: коллекция Л.Рендера Риппер: Мой рип Трэклист: 1. FAR WES 5:51 (Wes Montgomery) 2. LEILA 3:28 (Wes Montgomery) 3. OLD FOLKS 6:35 (W. Robinson-D. Hill) 4. WES' TUNE 4:08 (Wes Montgomery) 5. HYMN FOR CARL 4:33 (H. Land) 6. MONTGOMERYLAND FUNK 4:00 (Wes Montgomery) 7. STOMPIN' AT THE SAVOY 4:22 (E. Sampson-B. Goodman-C. Webb) 8. MONK'S SHOP 3:54 (Wes Montgomery) 9. SUMMERTIME 4:50 (D. Heyward-G. Gershwin) 10. FALLING IN LOVE WITH LOVE 6:13 (R. Rodgers-L. Hart) 11. RENIE 3:31 (Wes Montgomery) These performances were originally issued on Pacific Jazz PJ5 and PJ17. note: #6 &. 7 are in mono, while #1-5 are stereo. The stereo masters (or these selections have been lost or destroyed. Further the mono masters have several had splices which give the illusion of drop-out. Be assured that these minor defects exist in the source, not in this Compact Disc. #8-11 are also in mono. The stereo masters for this session contain a great deal of distortion on the guitar. Also the separation was guitar and drum echo on the right and everything else on the left, making for ,an unpleasant listening expeerience. Therefore we have chosen the belter sounding mono masters for this CD. Об альбоме: http://allmusic.com/cg/amg.dll?p=amg&sql=10:3xfqxqegldje http://rateyourmusic.com/release/comp/wes_montgomery/far_wes/ Состав: WES MONTGOMERY - GUITAR HAROLD LAND - TENOR SAXOPHONE (#1-7) PONY POINDEXTER - ALTO SAXOPHONE (#8-11) BUDDY MONTGOMERY - PIANO MONK MONTGOMERY - ELECTRIC BASS TONY BAZILEY - DRUMS (#1-7) LOUIS HAYES - DRUMS (#8-ll) Рейтинги и премии: rateyourmusic - 4.41 from 11 ratings Издания: 1990 CD Pacific Jazz B2-94475 1990 CS Pacific Jazz B4-94475 CD Pacific Jazz 94475   Несколько слов на английском When Wes Montgomery came out of Indianapolis in 1959 to see what the rest of the world looked like, he upset a lot of people. Like critics. They vied to see who could heap the highest praise on the head of the quiet, unpretentious man who happened to play the living bejabbers out of a guitar. "A giant!" one declared. "Like being hit by a thunderbolt," another exclaimed. "Even greater than I expected!" a third shouted, swooning. Montgomery fever soon spread through the jazz community at large, and the fans outdid the critics. Thousands declared that Wes was the greatest of all guitarists, to the implied detriment of such worthies as Kenny Burrell, Jim Hall, Jimmy Raney, Tal Farlow, Barney Kessel and, one supposes, Andres Segovia and Hank Garland. But jazz fans—and critics— are like that, always looking for kings, the "best," whatever that means. Musicians know better, and if there is anything they detest it's a comparison of one man's work to another's. Music is not a contest. There are many flowers, of many hues and shapes, in the garden, and who can say a rose is more beautiful than a lily? There's no need to choose. Enjoy them all. And it was musicians, not fans, not critics, who spread the word about Wes Montgomery long before he got up the gumption to leave his home town. (Oh, he went out for awhile with Lionel Hampton's screamin' meanies in the early '50s, but that doesn't count.) Wes had reason to stay in Indianapolis, not the most attractive or stimulating place one could name. He was getting on—34 is a bit late in life for a jazz musician to try to make it on the national scene. Besides, he was good and married, with a flock of kids to feed and clothe. He had a day gig and a playing gig, which is about the only secure way a musician can support his family in places like Indianapolis. (It's a tough, grinding life, one in which sleep takes on paramount importance—four hours here, two hours there, catnap on intermissions, wake up not sure where you are or which gig is up. It takes its toll. Wes Montgomery might not have died at 43, of a heart attack, if he hadn't had to work night and day all those years.) Another reason to stay home: it was comfortable musically. Like most jazz musicians, his close friends were the men he played with, some going all the way back to 1943 when Wes first ventured onto a bandstand to play the Charlie Christian solos he'd memorized from records. It's hard to break the ties that bind like-minded and seemingly equally capable musicians. But Wes had reason to try his luck, too. Besides a large talent, he had two brothers—Monk and Buddy—who had gained a national reputation with their group, the Mastersounds, created in the likeness of the popular Modern Jazz Quartet. Monk and Buddy didn't forget their brother. They raved to critics and record producers about him. They intended to form another group called the Montgomery Brothers and wanted Wes with them. Bookings were assured. Record companies were interested. Things looked awfully good, and Wes made up his mind to give it a whirl. The first recordings under his own name turned thousands of guitar players all the way 'round. Octaves, octaves, octaves. Never before had a jazz guitarist used octaves as much, or so well, as Wes. In his early work, much of it heard in this album, he employed octaves judiciously, thickening his lines with them, alternating them with chorded and single-note passages, never stepping outside the bounds of good musical taste. The excesses came later, when the big-money boys turned Wes into a highly marketable commodity. In an interview with Ralph Gleason done a couple years after Wes had left Indianapolis, he recalled that "piaying octaves was just a coincidence. And it's still such a challenge... .1 used to have headaches everytime I played octaves, because it was extra strain, but the minute I'd quit I'd be all right. I don't know why, but it was my way, and my way just backfired on me. But now 1 don't have headaches when I play octaves. I'm just showing you how a strain can capture a cat and almost choke him, but after a while it starts to ease up because you get used to it." Wes was self-taught (as is every jazz musician, no matter how much he studies formally) and never felt comfortable using a guitar pick. He preferred his right thumb instead. "That's one of my downfalls, too," he told Gleason. "In order to get a certain amount of speed you should use a pick, I think. A lot of cats say you don't have to play fast, but being able to play fast can make you phrase better. But I just didn't like the sound. 1 tried it for about two months. Didn't use the thumb at all. But after two months I still couldn't use the pick, so I said I'd go ahead and use the thumb. But then 1 couldn't use the thumb either, so I asked myself which are you going to use? 1 liked the tone better with the thumb, but the technique better with the pick, but 1 couldn't have them both." That he chose tone is obvious, for his dark, mellow sound is one of the most fetching aspects of his work. But tone, technique and musical devices are mere means. It is the end, the music—its shape, the ideas underlying it, the response it evokes—that matters. Wes Montgomery was a master of his art. His improvisations, especially in the early days, were compositions in miniature. Each note sounds as if Wes tore it from the instrument,     CD scan       Back scan       EAC log Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 EAC extraction logfile from 20. May 2009, 19:10 Wes Montgomery / Far Wes Used drive : PIONEER DVD-RW DVR-112D Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 48 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 320 kBit/s Quality : High Add ID3 tag : Yes Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.37 | 5:55.43 | 37 | 26704 2 | 5:56.05 | 3:30.65 | 26705 | 42519 3 | 9:26.70 | 6:38.32 | 42520 | 72401 4 | 16:05.27 | 4:11.30 | 72402 | 91256 5 | 20:16.57 | 4:37.30 | 91257 | 112061 6 | 24:54.12 | 4:03.48 | 112062 | 130334 7 | 28:57.60 | 4:24.42 | 130335 | 150176 8 | 33:22.27 | 3:58.00 | 150177 | 168026 9 | 37:20.27 | 4:53.65 | 168027 | 190066 10 | 42:14.17 | 6:16.53 | 190067 | 218319 11 | 48:30.70 | 3:33.35 | 218320 | 234329 Track 1 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\01 - Far Wes.wav Pre-gap length 0:00:02.49 Peak level 68.5 % Track quality 100.0 % Test CRC 0B395994 Copy CRC 0B395994 Cannot be verified as accurate (confidence 6) [D28E3425], AccurateRip returned [BA81C86B] Copy OK Track 2 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\02 - Leila.wav Pre-gap length 0:00:01.29 Peak level 59.8 % Track quality 99.9 % Test CRC DF9E63D1 Copy CRC DF9E63D1 Cannot be verified as accurate (confidence 6) [6D2EBFD5], AccurateRip returned [179E0A17] Copy OK Track 3 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\03 - Old Folks.wav Pre-gap length 0:00:01.17 Peak level 61.0 % Track quality 100.0 % Test CRC 9DE4E565 Copy CRC 9DE4E565 Cannot be verified as accurate (confidence 6) [B2A2755C], AccurateRip returned [4C1C42CC] Copy OK Track 4 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\04 - Wes' Tune.wav Pre-gap length 0:00:01.81 Peak level 77.5 % Track quality 99.9 % Test CRC 2097CAB3 Copy CRC 2097CAB3 Cannot be verified as accurate (confidence 6) [8AB316ED], AccurateRip returned [0E7E6E3A] Copy OK Track 5 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\05 - Hymn For Carl.wav Pre-gap length 0:00:01.06 Peak level 71.0 % Track quality 100.0 % Test CRC 29DBC3AC Copy CRC 29DBC3AC Cannot be verified as accurate (confidence 6) [927064F9], AccurateRip returned [CCBD327C] Copy OK Track 6 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\06 - Montgomeryland Funk.wav Pre-gap length 0:00:01.52 Peak level 76.3 % Track quality 100.0 % Test CRC 0979BCAD Copy CRC 0979BCAD Cannot be verified as accurate (confidence 6) [C8B66E06], AccurateRip returned [C467CEAF] Copy OK Track 7 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\07 - Stompin' At The Savoy.wav Pre-gap length 0:00:02.37 Peak level 92.2 % Track quality 100.0 % Test CRC 2BD55AF6 Copy CRC 2BD55AF6 Cannot be verified as accurate (confidence 6) [43427A47], AccurateRip returned [4CB1855A] Copy OK Track 8 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\08 - Monk's Shop.wav Pre-gap length 0:00:01.01 Peak level 100.0 % Track quality 100.0 % Test CRC AEFED617 Copy CRC AEFED617 Cannot be verified as accurate (confidence 6) [AF48BB1E], AccurateRip returned [F4454D42] Copy OK Track 9 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\09 - Summertime.wav Pre-gap length 0:00:00.92 Peak level 72.5 % Track quality 99.9 % Test CRC 1D6AC201 Copy CRC 1D6AC201 Cannot be verified as accurate (confidence 6) [2CB5D144], AccurateRip returned [C5F38FB6] Copy OK Track 10 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\10 - Falling In Love With Love.wav Pre-gap length 0:00:01.70 Peak level 68.8 % Track quality 100.0 % Test CRC 07594553 Copy CRC 07594553 Cannot be verified as accurate (confidence 6) [49559259], AccurateRip returned [08E8B991] Copy OK Track 11 Filename D:\music\rip\Wes Montgomery - Far Wes (1958) {2003, Russian Print}\11 - Renie.wav Pre-gap length 0:00:02.13 Peak level 58.8 % Track quality 100.0 % Test CRC 8DBB03A2 Copy CRC 8DBB03A2 Cannot be verified as accurate (confidence 5) [BEE58EB0], AccurateRip returned [84655EBA] Copy OK No tracks could be verified as accurate You may have a different pressing from the one(s) in the database No errors occurred End of status report     auCDtect log 2359338221 62723180 01 - Far Wes.wav 867174508 37196924 02 - Leila.wav 4235648463 70282508 03 - Old Folks.wav 616751321 44347004 04 - Wes' Tune.wav 2573948543 48933404 05 - Hymn For Carl.wav 816519235 42978140 06 - Montgomeryland Funk.wav 2743650126 46668428 07 - Stompin' At The Savoy.wav 2412043452 41983244 08 - Monk's Shop.wav 1448684676 51838124 09 - Summertime.wav 3793049250 66451100 10 - Falling In Love With Love.wav 2839346316 37655564 11 - Renie.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01 - Far Wes.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02 - Leila.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [03 - Old Folks.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [04 - Wes' Tune.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [05 - Hymn For Carl.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [06 - Montgomeryland Funk.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [07 - Stompin' At The Savoy.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [08 - Monk's Shop.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [09 - Summertime.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [10 - Falling In Love With Love.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [11 - Renie.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100% Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов) Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш Если нет сидов или раздача находится в архиве, пришлите письмо, и я вернусь Заботьтесь о своем рейтинге - приветствуется конвертация моих раздач в мп3 и выкладывание в соотвтствующем разделе