(Hard Bop, Soul Jazz) [CD] The Wes Montgomery Trio - A Dynamic New Sound: Guitar/Organ/Drums - 1959 (2007 Japan Edition), FLAC (tracks+.cue), lossless
The Wes Montgomery Trio - A Dynamic New Sound: Guitar/Organ/Drums
Жанр: Hard Bop, Soul Jazz
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 2007
Издатель (лейбл): Riverside/Universal
Номер по каталогу: UCCO-5082
Страна исполнителя (группы): США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 48:34
Источник (релизер): watchnerd (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. 'Round Midnight (Monk) - 4:58
02. Yesterdays (Harbach-Kern) - 3:20
03. The End of a Love Affair (Redding) - 3:19
04. Whisper Not (Golson) - 4:40
05. Ecorah (Silver) - 3:00
06. Satin Doll (take 7) (Ellington) - 4:00
07. Missile Blues (take 6) (Montgomery) - 6:04
08. Too Late Now (Lerner-Lane) - 4:55
09. Jingles (Montgomery) - 5:35
10. Satin Doll (take 5) (Ellington) - 4:09
11. Missile Blues (take 5) (Montgomery) - 4:34
Состав:
Wes Montgomery - guitar
Melvin Rhyne - organ
Paul Parker - drums
Recorded at Reeves Sound Studios, New York on October 5-6, 1959.
Лог создания рипа
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XLD extraction logfile from 2015-01-10 18:50:15 -0800
Wes Montgomery / The Wes Montgomery Trio
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Содержание индексной карты (.CUE)
TITLE "A Dynamic New Sound"
PERFORMER "Wes Montgomery"
CATALOG 0025218603423
REM GENRE "Jazz"
REM DATE "1959"
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Отчет CUETools
[CUETools log; Date: 13.01.2015 2:06:59; Version: 2.1.5]
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Review by Ronnie D. Lankford, Jr.
While even label executive Orrin Keepnews admits that The Wes Montgomery Trio may have fallen short of representing Montgomery's talent, he still felt that this debut captured a large portion of it. Recorded on October 5 and 6 in 1959, guitarist Montgomery is joined by organist Melvin Rhyne and drummer Paul Parker. Montgomery's style, block chords and octaves, is already firmly in place, and he delivers lovely solos on "'Round Midnight," "Whisper Not," and "Satin Doll." The choice of material, in fact, from classics like "Yesterdays" to originals like Montgomery's "Jingles," never falters. The only drawback is that the accompaniment, which though solid, doesn't seem to perfectly match his guitar style. One gets the impression that Montgomery's forceful, deliberate style would be better-served by beefier arrangements. Having said this, Montgomery's performance -- coming at the end of a decade represented by guitarists like Tal Farlow and Barney Kessel -- must have been a revolution in technique and execution. Suddenly, out of nowhere, a 36-year-old guitarist re-imagines the jazz guitar solo. There are two bonus tracks on The Wes Montgomery Trio: extra takes of "Satin Doll" and "Missile Blues." Although later Riverside recordings of Montgomery are more fully realized, fans will enjoy returning to the moment when he first burst upon the jazz scene.