(Hard Bop, Post-Bop) [CD] Jason Marsalis - The Year of the Drummer - 1998, FLAC (image+.cue), lossless
Jason Marsalis - The Year of the Drummer
Жанр: Hard Bop, Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 1998
Издатель (лейбл): Basin Street Records
Номер по каталогу: BSR 0301-2
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Продолжительность: 00:58:10
Источник: jankseniev
Наличие сканов в содержимом раздачи: да
Треклист:
01. In the Tradition (J.Marsalis) - 1:03
02. The Upper Second Line (J.Marsalis) - 10:25
03. Da Homey Dance (J.Marsalis) - 6:35
04. Discipline (J.Marsalis) - 1:38
05. Death March of Our Time (J.Marsalis) - 10:12
06. He Who Swings de Rumba Clave (J.Marsalis) - 8:36
07. Penelope (Shorter) - 6:29
08. Lucky Number 7 (J.Marsalis) - 4:58
09. Hand Jivin' (J.Marsalis) - 3:06
10. At the House, in da Pocket (J.Marsalis) - 4:07
11. Discipline's Disciples (J.Marsalis) - 1:01
Состав:
Jason Marsalis - drums
Antonio Gambrell - trumpet
Derek Douget - alto saxophone, soprano saxophone
Jonathon Lefcoski - piano
Jason Stewart - bass
Recorded at Ultrasonic Studios, New Orleans, LA.
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 25. December 2019, 14:49
Jason Marsalis / Year of the Drummer
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Null samples used in CRC calculations : Yes
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Quality : High
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Additional command line options : %tracknr1%%title%
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9 | 49:56.32 | 3:06.00 | 224732 | 238681
10 | 53:02.32 | 4:07.28 | 238682 | 257234
11 | 57:09.60 | 1:00.40 | 257235 | 261774
Range status and errors
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Filename C:\Users\olgat\Desktop\Jason Marsalis - The Year of the Drummer - 1998\Jason Marsalis - Year of the Drummer.wav
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Extraction speed 4.8 X
Range quality 99.9 %
Test CRC 43D64350
Copy CRC 43D64350
Copy OK
No errors occurred
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Содержание индексной карты (.CUE)
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REM DATE 1998
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TITLE "The Year of the Drummer"
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INDEX 01 00:00:00
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PERFORMER "Jason Marsalis"
INDEX 01 01:03:20
TRACK 03 AUDIO
TITLE "Da Homey Dance"
PERFORMER "Jason Marsalis"
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INDEX 01 11:28:50
TRACK 04 AUDIO
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INDEX 00 18:02:42
INDEX 01 18:04:02
TRACK 05 AUDIO
TITLE "Death March of Our Time"
PERFORMER "Jason Marsalis"
INDEX 00 19:40:32
INDEX 01 19:41:60
TRACK 06 AUDIO
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PERFORMER "Jason Marsalis"
INDEX 01 53:02:32
TRACK 11 AUDIO
TITLE "Discipline's Disciples"
PERFORMER "Jason Marsalis"
INDEX 01 57:09:60
Отчет CUETools
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AllMusic Review by Stanton Swihart
You would think that the first album by the youngest member of the Marsalis family would garner quite a range of media coverage, but drummer Jason Marsalis' debut album as a leader didn't seem to inspire the sort of instant recognition that his brothers had earned. Even odder regarding the silence surrounding its release is that it is such an exceptionally fine recording by an inventive percussionist and gifted composer who draws from a vast array of influences (many of them listed in the liner notes), drummers and otherwise. Jason's father, legendary New Orleans pianist and sire of prodigious jazzmen, Ellis Marsalis, has been quoted as calling his youngest son the most musically advanced and gifted of his sons by the age of 21, and this debut certainly goes a long way towards supporting such a heady statement. The album was titled Year of the Drummer by Marsalis because an unusual number of drummers released their own records in 1998, from Jeff "Tain" Watts to Brian Blades. Marsalis' debut certainly holds its own next to those recordings. One of the most interesting things about the album is its adventurous eclecticism, in terms of both tastes and abilities, deftly jumping from percussion experiments to straight-ahead bop to New Orleans jazz to the Latin licks of "He Who Swings De Rumba Clave." On "Hand Jivin'," Marsalis even plays his drum solo with his hands, fleshing out interesting timbres that might have gone undeveloped with a typical solo, as he alludes to in his self-penned liner notes. The quintet never seems to overplay, and the five young musicians show a wonderful subtlety and feel for one other, which is at least partly attributable to their leader. The solos are kept to a minimum, but each instrumentalist takes advantage of his moments, particularly on "Death March of Our Time," a recording solidly in the line of John Coltrane (and, therefore, brother Branford as well). Marsalis' drumming on the wonderful, lively "The Upper Second Line" is scintillating, mixing in some rock fills with the jazz and quasi-Latin fills, and playing the second live groove at a faster pace than normal (hence the composition's title), which lends the tune a jittery, excited sensibility. And those are just the brightest moments on this intriguing, exploratory debut from yet another Marsalis whose music is worth being excited about.