(Hard Bop, Post-Bop) [CD] Don Friedman - Metamorphosis - 1966 (1998 OJC), FLAC (image+.cue), lossless
Don Friedman - Metamorphosis
Жанр: Hard Bop, Post-Bop
Носитель: CD
Страна-производитель диска: США
Год издания: 1998
Издатель (лейбл): Prestige/Original Jazz Classics
Номер по каталогу: OJCCD-1914-2 (P-7488)
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 45:15
Источник (релизер): emule
Наличие сканов в содержимом раздачи: да
Треклист:
01. Wakin' Up (Friedman) - 5:00
02. Spring Sign (Friedman) - 11:43
03. Drive (Giuffre) - 4:52
04. Extension (Zoller) - 9:22
05. Troubadours Groovedour (Zoller) - 6:47
06. Dream Bells (Zoller) - 7:31
Состав:
Don Friedman - piano
Attila Zoller - guitar
Richard Davis - bass
Joe Chambers - drums
Recorded at Van Gelder Studio, Englewood Cliffs, NJ on February 22, 1966.
Лог создания рипа
EAC extraction logfile from 16. June 2007, 16:25 for CD
Don Friedman / Metamorphosis
Used drive : SAMSUNG CDRW/DVD SM-352B Adapter: 1 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Used output format : Monkey's Audio Lossless Encoder v3.99 DLL
Fast Lossless Compression
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Range status and errors
Selected range
Filename C:\Documents and Settings\Lok\My Documents\Don Friedman - Metamorphosis\Don Friedman - Metamorphosis.ape
Peak level 100.0 %
Range quality 100.0 %
CRC 86BE2172
Copy OK
No errors occured
End of status report
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1966
REM DISCID 450A9B06
REM COMMENT "ExactAudioCopy v0.95b4"
PERFORMER "Don Friedman"
TITLE "Metamorphosis"
FILE "Don Friedman - Metamorphosis.wav" WAVE
TRACK 01 AUDIO
TITLE "Wakin' Up"
PERFORMER "Don Friedman"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Spring Sign"
PERFORMER "Don Friedman"
INDEX 00 04:56:42
INDEX 01 04:59:62
TRACK 03 AUDIO
TITLE "Drive"
PERFORMER "Don Friedman"
INDEX 00 16:39:02
INDEX 01 16:42:50
TRACK 04 AUDIO
TITLE "Extension"
PERFORMER "Don Friedman"
INDEX 00 21:31:47
INDEX 01 21:35:07
TRACK 05 AUDIO
TITLE "Troubadours Groovedour"
PERFORMER "Don Friedman"
INDEX 00 30:53:42
INDEX 01 30:57:02
TRACK 06 AUDIO
TITLE "Dream Bells"
PERFORMER "Don Friedman"
INDEX 00 37:41:60
INDEX 01 37:44:30
Отчет CUETools
[CUETools log; Date: 28.03.2014 22:55:20; Version: 2.1.4]
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Review by Michael G. Nastos
For Friedman's fifth recording, he is definitely exploring the progressive edges of modern mainstream post-bop. He's more sublimated as a voice, with guitarist Attila Zoller taking a prominent role as frontman, while the performances of bassist Richard Davis and drummer Joe Chambers provide perfect foils for Friedman's swashbuckling creative urges. While the pianist utilizes elements stemming from bop and the avant garde, the melodic and listenable ingredients are juxtaposed with challenging ideas, and the leader acts as a true ringleader in the midst of his three brilliant compadres. "Wakin' Up" starts the six tracks in a quirky, mid-swing waltz; Zoller's signature clipped, staccato leads and the innovative Davis' ruminating bass chords identify a sound prevalent throughout. "Spring Signs" presents a written 16-bar head, then scattered melodic and harmonic shards, and some free improv with instruments countermoving each other. A bop-swing mid-section, bowed long tones as only Davis can conjure, and Zoller rambling on and on roughly signifies this A-B-A composition, which runs 11 and a half minutes. Jimmy Guiffre's churning "Drive" has a design that the writer describes as a difficult piece of music which is embellished, perhaps even expounded upon, by the collective light of these four. The most tunefully attractive "Extension" of Zoller's is again boppish, with guitar and ostinato bass leading the way. It is here that Friedman's gypsy voice comes to the forefront amidst a string of probing, wafting, bright, and beautiful harmonic inventions, with or without guitar, in no time or with meter. "Troubadour's Groovedour" is Zoller's dark 12-tone based musical limerick, with phrases traded equally, swing in 4/4, and leading to a conspiratorial bridge of call and response with guitar and piano only. The finale, Zoller's "Dream Bells," is also a no time tryptych;, angular and Monk-like, it has a contained intensity much like the state of REM. The bowed bass of Davis has spaced-out overtones, and a nifty, multiple-cymbal solo from Chambers is delicate yet direct, in 6/8 or rubato fashion. Certainly Friedman challenges listeners with this music, but he also challenges his own abilities and concepts. For the time period, it is one of the most vital, original, progressive statements, and one that, after all these years, retains a timeless freshness that bears not only a second listening, but consideration as a creative music hallmark.