(Hard Bop, Modal Music) [CD] Miles Davis - Kind of Blue - 1959 (2015 MFSL), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 10. October 2015, 14:29
Miles Davis / Kind of Blue
Used drive  : TSSTcorpCDDVDW SH-S203B   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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        1  |  0:00.00 |  9:27.60 |         0    |    42584
        2  |  9:27.60 |  9:53.02 |     42585    |    87061
        3  | 19:20.62 |  5:41.48 |     87062    |   112684
        4  | 25:02.35 | 11:38.63 |    112685    |   165097
        5  | 36:41.23 |  9:29.31 |    165098    |   207803
Track  1
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     Accurately ripped (confidence 10)  [910572ED]  (AR v2)
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Track  2
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     Accurately ripped (confidence 10)  [23D4C2C3]  (AR v2)
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Track  3
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Track  4
     Filename W:\Music\Miles Davis - Kind of Blue (1959) [FLAC] {UDSACD 2085}\04 - All Blues.wav
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Track  5
     Filename W:\Music\Miles Davis - Kind of Blue (1959) [FLAC] {UDSACD 2085}\05 - Flamenco Sketches.wav
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All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
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Submit result: dQ.F3akJy9S4cgDDc3B8KD.Rwuc- has been confirmed
Track | CTDB Status
  1   | (11/11) Accurately ripped
  2   | (11/11) Accurately ripped
  3   | (11/11) Accurately ripped
  4   | (11/11) Accurately ripped
  5   | (11/11) Accurately ripped
==== Log checksum 1C308CE2CE4B2B4E027424F3490994552D08EA09234CC683E698BE3DB799EE1C ====

REM GENRE Jazz
REM DATE 1959
REM DISCID 310AD205
REM COMMENT "ExactAudioCopy v1.1"
PERFORMER "Miles Davis"
TITLE "Kind of Blue"
FILE "01 - So What.wav" WAVE
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    TITLE "So What"
    PERFORMER "Miles Davis"
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FILE "02 - Freddie Freeloader.wav" WAVE
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    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "03 - Blue in Green.wav" WAVE
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    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "04 - All Blues.wav" WAVE
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    TITLE "All Blues"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "05 - Flamenco Sketches.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Flamenco Sketches"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00

[CUETools log; Date: 30.10.2015 3:00:52; Version: 2.1.5]
[CTDB TOCID: dQ.F3akJy9S4cgDDc3B8KD.Rwuc-] found.
Track | CTDB Status
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  2   | (12/12) Accurately ripped
  3   | (12/12) Accurately ripped
  4   | (12/12) Accurately ripped
  5   | (12/12) Accurately ripped
[AccurateRip ID: 00096342-002bc8a3-310ad205] found.
Track   [  CRC   |   V2   ] Status
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 05     [82a2a359|37e68fb9] (00+16/16) Accurately ripped
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With Birth of the Cool, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Davis reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). Kind of Blue was the ultimate fulfillment of this approach, with Davis providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, Kind of Blue precipitated a major stylistic development: modal jazz. Charles Mingus had experimented with pedal points throughout the '50s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But Kind of Blue was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions -- Davis' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of John Coltrane, and Cannonball Adderley --that some 50-plus years after its initial release, Kind of Blue is still recognized as Davis' point of departure toward jazz's less-explored regions. Bill Evans' translucent chords and Paul Chambers' famous bassline herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Jimmy Cobb rhythm team is an oasis of calm throughout the childish blues of "Freddie Freeloader." Often credited to Davis, "Blue in Green" is an Evans masterpiece, in which the rhythmic oasis becomes a smoky mirage for Davis' minor reveries on muted horn. The waltzing "All Blues" is one of the smoothest, most swinging grooves in the history of jazz, while "Flamenco Sketches" reflects Davis' fascination with the earthy melodies and brooding metaphors of the Iberian peninsula; a harbinger of his next masterpiece, Sketches of Spain. Kind of Blue remains Miles Davis' most evocative piece of musical haiku.