(Hard Bop, Modal Music) [CD] Miles Davis - Kind of Blue - 1959 (1984), FLAC (tracks+.cue), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 16. December 2008, 21:36
Davis, Miles / Kind of Blue
Used drive  : TSSTcorpCD/DVDW SH-S182D   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
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Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
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Additional command line options : -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
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    ---------------------------------------------------------
        1  |  0:00.00 |  8:59.70 |         0    |    40494
        2  |  8:59.70 |  9:36.32 |     40495    |    83726
        3  | 18:36.27 |  5:30.48 |     83727    |   108524
        4  | 24:07.00 | 11:38.25 |    108525    |   160899
        5  | 35:45.25 |  9:23.50 |    160900    |   203174
Track  1
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Track  2
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Track  3
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Track  4
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Track  5
     Filename G:\Davis, Miles\Kind of Blue\05 Flamenco Sketches.wav
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No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
No errors occurred
End of status report

REM GENRE Jazz
REM DATE 1959
REM DISCID 370A9505
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Miles Davis"
TITLE "Kind of Blue"
FILE "01 - So What.wav" WAVE
  TRACK 01 AUDIO
    TITLE "So What"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Freddie Freeloader"
    PERFORMER "Miles Davis"
    INDEX 00 08:56:70
FILE "02 - Freddie Freeloader.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Blue in Green"
    PERFORMER "Miles Davis"
    INDEX 00 09:33:65
FILE "03 - Blue in Green.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "All Blues"
    PERFORMER "Miles Davis"
    INDEX 00 05:27:38
FILE "04 - All Blues.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Flamenco Sketches"
    PERFORMER "Miles Davis"
    INDEX 00 11:35:32
FILE "05 - Flamenco Sketches.wav" WAVE
    INDEX 01 00:00:00

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With Birth of the Cool, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Davis reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). Kind of Blue was the ultimate fulfillment of this approach, with Davis providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, Kind of Blue precipitated a major stylistic development: modal jazz. Charles Mingus had experimented with pedal points throughout the '50s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But Kind of Blue was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions -- Davis' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of John Coltrane, and Cannonball Adderley --that some 50-plus years after its initial release, Kind of Blue is still recognized as Davis' point of departure toward jazz's less-explored regions. Bill Evans' translucent chords and Paul Chambers' famous bassline herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Jimmy Cobb rhythm team is an oasis of calm throughout the childish blues of "Freddie Freeloader." Often credited to Davis, "Blue in Green" is an Evans masterpiece, in which the rhythmic oasis becomes a smoky mirage for Davis' minor reveries on muted horn. The waltzing "All Blues" is one of the smoothest, most swinging grooves in the history of jazz, while "Flamenco Sketches" reflects Davis' fascination with the earthy melodies and brooding metaphors of the Iberian peninsula; a harbinger of his next masterpiece, Sketches of Spain. Kind of Blue remains Miles Davis' most evocative piece of musical haiku.