(Hard Bop, Fusion) [CD] Steve Grossman - Some Shapes to Come - 1974 (1994), FLAC (tracks+.cue), lossless

Steve Grossman - Some Shapes to Come Жанр: Hard Bop, Fusion Носитель: CD Страна-производитель диска (релиза): США Год издания: 1974 (1994) Издатель (лейбл): One Way Records Номер по каталогу: OW 30329 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 00:42:50 Источник: punkblues Наличие сканов в содержимом раздачи: сетевые Треклист: 01. WBAI (Grossman) - 2:01 02. Haresah (Grossman) - 7:13 03. Zulu Stomp (Alias) - 6:20 04. Extemporaneous Combustion (Grossman-Hammer-Perla-Alias) - 6:11 05. Alodian Mode (Grossman-Hammer-Perla-Alias) - 6:56 06. Pressure Point (Grossman) - 4:52 07. The Sixth Sense (Grossman-Hammer-Perla-Alias) - 9:17 Состав: Steve Grossman - tenor saxophone, soprano saxophone Jan Hammer - electric piano, Moog synthesizer Gene Perla - electric bass, acoustic bass Don Alias - drums, congas, bongos, bell Recorded at Secret Sound Studio, New York on September 4-6, 1973.

Лог создания рипа X Lossless Decoder version 20181019 (151.1) XLD extraction logfile from 2019-06-18 21:16:13 -0400 Steve Grossman / Some Shapes to Come Used drive : ATAPI iHAS124 F (revision CL9N) Media type : Pressed CD Ripper mode : XLD Secure Ripper Disable audio cache : OK for the drive with a cache less than 1375KiB Make use of C2 pointers : NO Read offset correction : 6 Max retry count : 20 Gap status : Analyzed, Appended (except HTOA) TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:32 | 02:01:30 | 32 | 9136 2 | 02:01:62 | 07:13:23 | 9137 | 41634 3 | 09:15:10 | 06:19:62 | 41635 | 70121 4 | 15:34:72 | 06:10:55 | 70122 | 97926 5 | 21:45:52 | 06:56:10 | 97927 | 129136 6 | 28:41:62 | 04:52:33 | 129137 | 151069 7 | 33:34:20 | 09:16:55 | 151070 | 192824 AccurateRip Summary (DiscID: 000a8ead-00416ef6-4c0a0b07) Track 01 : OK (v1+v2, confidence 7/7) Track 02 : OK (v1+v2, confidence 7/7) Track 03 : OK (v1+v2, confidence 7/7) Track 04 : OK (v1+v2, confidence 7/7) Track 05 : OK (v1+v2, confidence 7/7) Track 06 : OK (v1+v2, confidence 7/7) Track 07 : OK (v1+v2, confidence 7/7) ->All tracks accurately ripped. All Tracks Album gain : -1.67 dB Peak : 0.836121 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 01 Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/01 WBAI.flac Pre-gap length : 00:02:32 Track gain : -0.14 dB Peak : 0.640839 CRC32 hash (test run) : 7EF96740 CRC32 hash : 7EF96740 CRC32 hash (skip zero) : 5AFE48A7 AccurateRip v1 signature : BE5BBAF2 AccurateRip v2 signature : A1C55542 ->Accurately ripped (v1+v2, confidence 3+4/7) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 02 Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/02 Haresah.flac Pre-gap length : 00:04:60 Track gain : -0.82 dB Peak : 0.719147 CRC32 hash (test run) : 19018CB7 CRC32 hash : 19018CB7 CRC32 hash (skip zero) : 42BF9126 AccurateRip v1 signature : 8A11DE07 AccurateRip v2 signature : F62CDD06 ->Accurately ripped (v1+v2, confidence 3+4/7) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 03 Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/03 Zulu Stomp.flac Pre-gap length : 00:03:45 Track gain : -1.42 dB Peak : 0.836121 CRC32 hash (test run) : EC9E93E4 CRC32 hash : EC9E93E4 CRC32 hash (skip zero) : 399EB124 AccurateRip v1 signature : 1FC3CA66 AccurateRip v2 signature : FA7320A7 ->Accurately ripped (v1+v2, confidence 3+4/7) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 04 Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/04 Extemporaneous Combustion.flac Pre-gap length : 00:02:00 Track gain : -1.87 dB Peak : 0.810120 CRC32 hash (test run) : 3A39DFB4 CRC32 hash : 3A39DFB4 CRC32 hash (skip zero) : 3411A4E0 AccurateRip v1 signature : D76DF42B AccurateRip v2 signature : 27167DAA ->Accurately ripped (v1+v2, confidence 3+4/7) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 05 Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/05 Alodian Mode.flac Pre-gap length : 00:02:30 Track gain : -1.49 dB Peak : 0.717102 CRC32 hash (test run) : BA3F0D06 CRC32 hash : BA3F0D06 CRC32 hash (skip zero) : 46A2EE70 AccurateRip v1 signature : 705654FD AccurateRip v2 signature : 6B59FEDE ->Accurately ripped (v1+v2, confidence 3+4/7) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 06 Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/06 Pressure Point.flac Pre-gap length : 00:04:07 Track gain : -2.32 dB Peak : 0.731537 CRC32 hash (test run) : 517111D7 CRC32 hash : 517111D7 CRC32 hash (skip zero) : F50B7461 AccurateRip v1 signature : 78329B00 AccurateRip v2 signature : AE059EC7 ->Accurately ripped (v1+v2, confidence 3+4/7) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 Track 07 Filename : /Rips/Steve Grossman - Some Shapes to Come (1974) [FLAC]/07 The Sixth Sence.flac Pre-gap length : 00:04:18 Track gain : -2.23 dB Peak : 0.733856 CRC32 hash (test run) : EED7964B CRC32 hash : EED7964B CRC32 hash (skip zero) : E89BA399 AccurateRip v1 signature : 0355260D AccurateRip v2 signature : BB891C6A ->Accurately ripped (v1+v2, confidence 3+4/7) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0 No errors occurred End of status report -----BEGIN XLD SIGNATURE----- duck8kci7j09gEyLebBM_cgCMXBgzyIB6tFzy1yjflW1mgp.AXITnYYt3NQX1SKlL_FhDM_rn_d3sZd70.CWECkm9Fq4zU89kg4JdDm -----END XLD SIGNATURE----- Содержание индексной карты (.CUE) TITLE "Some Shapes to Come" PERFORMER "Steve Grossman" REM GENRE "Jazz" REM DATE "1974" REM DISCID 4C0A0B07 REM REPLAYGAIN_ALBUM_GAIN -1.67 dB REM REPLAYGAIN_ALBUM_PEAK 0.836121 FILE "01 - WBAI.flac" WAVE TRACK 01 AUDIO TITLE "WBAI" REM REPLAYGAIN_TRACK_GAIN -0.14 dB REM REPLAYGAIN_TRACK_PEAK 0.640839 PREGAP 00:00:32 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Haresah" REM REPLAYGAIN_TRACK_GAIN -0.82 dB REM REPLAYGAIN_TRACK_PEAK 0.719147 INDEX 00 01:56:45 FILE "02 - Haresah.flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Zulu Stomp" REM REPLAYGAIN_TRACK_GAIN -1.42 dB REM REPLAYGAIN_TRACK_PEAK 0.836121 INDEX 00 07:09:53 FILE "03 - Zulu Stomp.flac" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Extemporaneous Combustion" REM REPLAYGAIN_TRACK_GAIN -1.87 dB REM REPLAYGAIN_TRACK_PEAK 0.810120 INDEX 00 06:17:62 FILE "04 - Extemporaneous Combustion.flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Alodian Mode" REM REPLAYGAIN_TRACK_GAIN -1.49 dB REM REPLAYGAIN_TRACK_PEAK 0.717102 INDEX 00 06:08:25 FILE "05 - Alodian Mode.flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Pressure Point" REM REPLAYGAIN_TRACK_GAIN -2.32 dB REM REPLAYGAIN_TRACK_PEAK 0.731537 INDEX 00 06:52:03 FILE "06 - Pressure Point.flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "The Sixth Sence" REM REPLAYGAIN_TRACK_GAIN -2.23 dB REM REPLAYGAIN_TRACK_PEAK 0.733856 INDEX 00 04:48:15 FILE "07 - The Sixth Sence.flac" WAVE INDEX 01 00:00:00 Отчет CUETools [CUETools log; Date: 20.06.2019 12:19:00; Version: 2.1.6] Pregap length 00:00:32. [CTDB TOCID: 1gd.PI1GGDR.Gt9YRjzEqu0BtxM-] found. Track | CTDB Status 1 | (1/1) Accurately ripped 2 | (1/1) Accurately ripped 3 | (1/1) Accurately ripped 4 | (1/1) Accurately ripped 5 | (1/1) Accurately ripped 6 | (1/1) Accurately ripped 7 | (1/1) Accurately ripped [AccurateRip ID: 000a8ead-00416ef6-4c0a0b07] found. Track [ CRC | V2 ] Status 01 [be5bbaf2|a1c55542] (3+4/7) Accurately ripped 02 [8a11de07|f62cdd06] (3+4/7) Accurately ripped 03 [1fc3ca66|fa7320a7] (3+4/7) Accurately ripped 04 [d76df42b|27167daa] (3+4/7) Accurately ripped 05 [705654fd|6b59fede] (3+4/7) Accurately ripped 06 [78329b00|ae059ec7] (3+4/7) Accurately ripped 07 [0355260d|bb891c6a] (3+4/7) Accurately ripped Track Peak [ CRC32 ] [W/O NULL] -- 83,6 [E5850493] [D867310A] 01 64,0 [7EF96740] [5AFE48A7] 02 71,9 [19018CB7] [42BF9126] 03 83,6 [EC9E93E4] [399EB124] 04 81,0 [3A39DFB4] [3411A4E0] 05 71,7 [BA3F0D06] [46A2EE70] 06 73,1 [517111D7] [F50B7461] 07 73,3 [EED7964B] [E89BA399] AllMusic Review by Vincent Thomas By the time Steve Grossman released this debut, he and percussionist Don Alias had spent several years recording and touring with Miles Davis. Of course this time spent with the vanguard band of jazz fusion and music, in general, had a profound effect on the musicians and, thus, this album. Some Shapes to Come is an album you can stand up against almost any of the jazz fusion standouts of the '70s. No, it can't go toe to toe with that era's seminal landmark albums (Bitches Brew, Multiple, Black Market, Emergency!, etc), but in terms of artistry, musicianship, and ambition it is among the next tier of thoroughly excellent works. Grossman and Alias teamed with bassist Gene Perla (the three would later comprise the Stone Alliance power trio) and keyboardist Jan Hammer for seven tracks of Afro-Cuban tinged gutter funk and seething jazz. It comes from every angle and direction (only the swinging but fiery "Pressure Point" is straight-ahead, and must have been right up Perla's alley, as he was fresh off a stint with Elvin Jones' band). You'll hear touches of Mwandishi ("Alodian Mode) and even McCoy Tyner ("Haresah"), but no sound is aped. Perla may be the understated star of the album, with every track held together by his linchpin bass work, a thump and grind that are as good as the classic grease Dave Holland, Michael Henderson, and Stanley Clarke were churning out at the time. All you have to do is check "The Sixth Sense," the grimiest tune on the album. Here, the rhythm section offers a groove that, decades later, sounds far more current and hip than most of the recent, rehashed, revisionist rhetoric today's young musicians fall victim to. Hammer, who drops chords as heavy and thick as molasses throughout the album, is almost as responsible as Perla for the album's collective, steady groove. You can also see on his "Sixth Sense" solo why he fit in so well with the more rock-leaning Mahavishnu Orchestra, somehow manipulating his Rhodes to sound like a scorching electric guitar. But smell is the one "sense" that really identifies this album. It's the funk, baby. Everything grooves and bounces. "Zulu Stomp" is one of those jazz songs out of the James Brown breakbeat-ready school of fusion-funk and it also exhibits why Alias could arguably stake a claim as his era's greatest percussionist. It all created the perfect canvas for Steve Grossman to get busy. One could argue that through all his hell-bent solos (using the sax so rhythmically, it's almost like a percussion instrument), he didn't blow one wrong note. There are no lowlights on this album, no soft moments. Often overlooked, it is one of the '70s most unheralded jazz gems.