(Hard Bop) [CD] Wes Montgomery - Full House - 1962 (1997 DCC 24 Karat Gold CD), FLAC (tracks+.cue), lossless
Wes Montgomery - Full House
Жанр: Hard Bop
Носитель: CD
Страна-производитель диска: США
Год издания: 1997
Издатель (лейбл): Riverside/DCC (24 Karat Gold CD)
Номер по каталогу: GZS-1109
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 64:58
Источник (релизер): moonlapse (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Full House (Montgomery) - 9:22
02. I've Grown Accustomed to Her Face (Lerner-Loewe) - 3:39
03. Blue 'n' Boogie (Gillespie-Paparelli) - 10:12
04. Cariba (Montgomery) - 9:47
05. Come Rain or Come Shine (Mercer-Arlen) - 7:05
06. S.O.S. (Montgomery) - 5:18
07. Come Rain or Come Shine (take 1) (Mercer-Arlen) - 7:20
08. S.O.S. (take 2) (Montgomery) - 4:51
09. Born to Be Blue (Torme-Wells) - 7:24
Состав:
Wes Montgomery - electric guitar
Johnny Griffin - tenor saxophone
Wynton Kelly - piano
Paul Chambers - bass
Jimmy Cobb - drums
Recorded live at Tsubo, Berkeley, CA on June 25, 1962.
Mastered for this compact disc by Steve Hoffman.
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 1. April 2012, 2:36
Wes Montgomery / Full House (DCC Gold)
Used drive : TSSTcorpDVDWBD SH-B123L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 9:21.72 | 0 | 42146
2 | 9:21.72 | 3:39.08 | 42147 | 58579
3 | 13:01.05 | 10:12.17 | 58580 | 104496
4 | 23:13.22 | 9:47.35 | 104497 | 148556
5 | 33:00.57 | 7:05.08 | 148557 | 180439
6 | 40:05.65 | 5:18.37 | 180440 | 204326
7 | 45:24.27 | 7:20.00 | 204327 | 237326
8 | 52:44.27 | 4:51.13 | 237327 | 259164
9 | 57:35.40 | 7:23.67 | 259165 | 292456
Track 1
Filename E:\EAC\Wes Montgomery - 1962 - Full House (DCC Gold)\01 - Full House.wav
Pre-gap length 0:00:02.00
Peak level 93.1 %
Extraction speed 5.5 X
Track quality 100.0 %
Test CRC 0695B3A9
Copy CRC 0695B3A9
Accurately ripped (confidence 5) [4E60C812] (AR v1)
Copy OK
Track 2
Filename E:\EAC\Wes Montgomery - 1962 - Full House (DCC Gold)\02 - I've Grown Accustomed to Her Face.wav
Pre-gap length 0:00:06.76
Peak level 50.8 %
Extraction speed 4.2 X
Track quality 99.9 %
Test CRC 7E1B9B96
Copy CRC 7E1B9B96
Accurately ripped (confidence 5) [3336415D] (AR v1)
Copy OK
Track 3
Filename E:\EAC\Wes Montgomery - 1962 - Full House (DCC Gold)\03 - Blue 'n' Boogie.wav
Pre-gap length 0:00:05.04
Peak level 92.2 %
Extraction speed 7.1 X
Track quality 100.0 %
Test CRC 491A4402
Copy CRC 491A4402
Accurately ripped (confidence 5) [8820EAAD] (AR v1)
Copy OK
Track 4
Filename E:\EAC\Wes Montgomery - 1962 - Full House (DCC Gold)\04 - Cariba.wav
Pre-gap length 0:00:05.36
Peak level 87.0 %
Extraction speed 8.0 X
Track quality 100.0 %
Test CRC 61C06302
Copy CRC 61C06302
Accurately ripped (confidence 5) [6EB69243] (AR v1)
Copy OK
Track 5
Filename E:\EAC\Wes Montgomery - 1962 - Full House (DCC Gold)\05 - Come Rain or Come Shine.wav
Pre-gap length 0:00:05.62
Peak level 97.3 %
Extraction speed 8.5 X
Track quality 100.0 %
Test CRC BFD839DD
Copy CRC BFD839DD
Accurately ripped (confidence 5) [86B4E202] (AR v1)
Copy OK
Track 6
Filename E:\EAC\Wes Montgomery - 1962 - Full House (DCC Gold)\06 - S.O.S..wav
Pre-gap length 0:00:06.64
Peak level 100.0 %
Extraction speed 8.8 X
Track quality 100.0 %
Test CRC C9E2E3F8
Copy CRC C9E2E3F8
Accurately ripped (confidence 5) [57394572] (AR v1)
Copy OK
Track 7
Filename E:\EAC\Wes Montgomery - 1962 - Full House (DCC Gold)\07 - Come Rain or Come Shine (take 1).wav
Pre-gap length 0:00:12.06
Peak level 81.8 %
Extraction speed 9.4 X
Track quality 100.0 %
Test CRC C111C122
Copy CRC C111C122
Accurately ripped (confidence 5) [C3C6A0C5] (AR v1)
Copy OK
Track 8
Filename E:\EAC\Wes Montgomery - 1962 - Full House (DCC Gold)\08 - S.O.S. (take 2).wav
Pre-gap length 0:00:02.96
Peak level 96.4 %
Extraction speed 7.1 X
Track quality 99.9 %
Test CRC 00A72E17
Copy CRC 00A72E17
Accurately ripped (confidence 5) [D5FDFED9] (AR v1)
Copy OK
Track 9
Filename E:\EAC\Wes Montgomery - 1962 - Full House (DCC Gold)\09 - Born to Be Blue.wav
Pre-gap length 0:00:03.80
Peak level 91.5 %
Extraction speed 8.3 X
Track quality 99.9 %
Test CRC 53434F95
Copy CRC 53434F95
Accurately ripped (confidence 5) [8C1D1FF6] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
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==== Log checksum 9CA5158BD6B50DD150523A70785980C4D985BE432F0C6FCAABA2E3FD558A9624 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1962
REM DISCID 890F3B09
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Wes Montgomery"
TITLE "Full House"
FILE "01 - Full House.wav" WAVE
TRACK 01 AUDIO
TITLE "Full House"
PERFORMER "Wes Montgomery"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "I've Grown Accustomed to Her Face"
PERFORMER "Wes Montgomery"
INDEX 00 09:15:15
FILE "02 - I've Grown Accustomed to Her Face.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Blue 'n' Boogie"
PERFORMER "Wes Montgomery"
INDEX 00 03:34:05
FILE "03 - Blue 'n' Boogie.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Cariba"
PERFORMER "Wes Montgomery"
INDEX 00 10:06:65
FILE "04 - Cariba.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Come Rain or Come Shine"
PERFORMER "Wes Montgomery"
INDEX 00 09:41:63
FILE "05 - Come Rain or Come Shine.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "S.O.S."
PERFORMER "Wes Montgomery"
INDEX 00 06:58:35
FILE "06 - S.O.S..wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Come Rain or Come Shine (take 1)"
PERFORMER "Wes Montgomery"
INDEX 00 05:06:32
FILE "07 - Come Rain or Come Shine (take 1).wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "S.O.S. (take 2)"
PERFORMER "Wes Montgomery"
INDEX 00 07:17:03
FILE "08 - S.O.S. (take 2).wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Born to Be Blue"
PERFORMER "Wes Montgomery"
INDEX 00 04:47:28
FILE "09 - Born to Be Blue.wav" WAVE
INDEX 01 00:00:00
Отчет CUETools
[CUETools log; Date: 21.03.2014 19:33:49; Version: 2.1.4]
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Track | CTDB Status
1 | (7/7) Accurately ripped
2 | (7/7) Accurately ripped
3 | (7/7) Accurately ripped
4 | (7/7) Accurately ripped
5 | (7/7) Accurately ripped
6 | (7/7) Accurately ripped
7 | (7/7) Accurately ripped
8 | (7/7) Accurately ripped
9 | (7/7) Accurately ripped
[AccurateRip ID: 00174ec9-00a93600-890f3b09] found.
Track [ CRC | V2 ] Status
01 [4e60c812|50859094] (5+3/8) Accurately ripped
02 [3336415d|4716e72c] (5+3/8) Accurately ripped
03 [8820eaad|7135c3cf] (5+3/8) Accurately ripped
04 [6eb69243|7edcaaa3] (5+2/7) Accurately ripped
05 [86b4e202|067e91b8] (5+2/7) Accurately ripped
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Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
-- 100,0 [1D285D99] [1DED0D0A]
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08 96,4 [00A72E17] [E8476555] CRC32
09 91,5 [53434F95] [F681804A] CRC32
Review by Todd Warnke
Wes Montgomery is the most influential jazz guitarist of all time. Make your case for Charlie Christian as the originator, or for John McLaughlin based on his unearthly skill (or my own fave, Kenny Burrell, for his sheer class), but from the mid '50s to the mid '60s, Wes was jazz guitar. And this was in spite of his final, commercial-oriented Verve and A&M albums, which, if not jazz successes, did much to elevate the consciousness of jazz. Fortunately, Full House comes not from that era, but from right before, when Montgomery was at the top of his game. And even better, being a live album, it captures him in his element -- the creation of spontaneous beauty.
For this set, Montgomery, known for his smooth, sweet sound, was working with the Miles Davis rhythm section: Wynton Kelly on piano, Paul Chambers on bass and Jimmy Cobb on drums -- a group that could swing harder than any other three people on the planet. And to fill out the front line, Wes brought in the world's fastest tenor, Johnny Griffin. Taken separately, this one-off combo shouldn’t work, but like chocolate, peanuts, and salt, it does. Montgomery plays with a tartness that often escaped him in the studio, the rhythm section absolutely cooks, and Griffin shows a sweetness in addition to his usual toughness.
The set list has a touch of everything, from the bop classic "Blue ‘N’ Boogie," to the soft Caribbean feel of the appropriately titled "Cariba," and a couple of classic Lerner-Loewe and Mercer-Arlen ballads. Besides the Montgomery-penned "Cariba," the leader contributes the title track and "S.O.S.," the highlight of the set. This reissue, in addition to the original six tunes, adds the Mel Tormé tune "Born To Be Blue" as well as alternate versions "Come Rain Or Come Shine" and "S.O.S." In all, Full House is a near-perfect album, and the one I recommend to friends looking to start either their Montgomery or jazz-guitar collections.
Now, for the real reason for this review, the sound. Full House is available on Original Jazz Classics in both standard-issue CD and vinyl. Being a card-carrying geek, I have both. The CD is pretty darn good; tonally clean, if a bit thin, it has nice dynamics and above-average live sound. The vinyl is even better than the OJC CD, with a bit more richness and a greater sense of detail.
But -- and here is the genius of Steve Hoffman, working from the same sources as OJC -- the DCC gold disc is better still. It has richer bass, cleaner treble and greater harmonic accuracy. The stage is both wider and deeper, as well more detailed. Dynamics are modestly boosted, as is the overall sense of detail. But best of all -- that special sense of real players in real space and in real time listening to each other, feeding off each other, and playing together is taken to new heights. The difference is compelling, involving and adds greatly to the illusion of being there. All of this means, at least in my book, that the DCC disc is the only way to go.