(Fusion, Post-Bop) [CD] Miles Davis - Miles in the Sky - 1968 (2016 MFSL), FLAC (tracks+.cue), lossless
Miles Davis - Miles in the Sky
Жанр: Fusion, Post-Bop
Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2016
Издатель (лейбл): Mobile Fidelity Sound Lab
Номер по каталогу: UDSACD 2147
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 51:13
Источник (релизер): mclarenspy
Наличие сканов в содержимом раздачи: даТреклист:
01. Stuff (Davis) - 17:05
02. Paraphernalia (Shorter) - 12:44
03. Black Comedy (Williams) - 7:31
04. Country Son (Davis) - 13:53Состав:
Miles Davis - trumpet
Wayne Shorter - tenor saxophone
Herbie Hancock - piano, electric piano
Ron Carter - bass
Tony Williams - drums
George Benson - guitar (#2)Recorded at Columbia Studio B, New York on January 16 - May 17, 1968.
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016EAC extraction logfile from 12. July 2017, 23:28Miles Davis / Miles In The Sky (2016 MFSL)Used drive : PLEXTOR CD-R PREMIUM Adapter: 1 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 30Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 768 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -6 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 17:04.39 | 0 | 76838 2 | 17:04.39 | 12:44.04 | 76839 | 134142 3 | 29:48.43 | 7:31.21 | 134143 | 167988 4 | 37:19.64 | 13:53.27 | 167989 | 230490Track 1 Filename C:\tmp\00_RIPS\01 - Stuff.wav Pre-gap length 0:00:02.00 Peak level 96.3 % Extraction speed 10.0 X Track quality 99.9 % Test CRC D3D88AE1 Copy CRC D3D88AE1 Accurately ripped (confidence 6) [95732891] (AR v2) Copy OKTrack 2 Filename C:\tmp\00_RIPS\02 - Paraphernalia.wav Pre-gap length 0:00:05.01 Peak level 92.9 % Extraction speed 12.9 X Track quality 100.0 % Test CRC 6E8E4DBB Copy CRC 6E8E4DBB Accurately ripped (confidence 6) [DD45D0FB] (AR v2) Copy OKTrack 3 Filename C:\tmp\00_RIPS\03 - Black Comedy.wav Pre-gap length 0:00:04.77 Peak level 93.1 % Extraction speed 14.2 X Track quality 100.0 % Test CRC 7C9583E6 Copy CRC 7C9583E6 Accurately ripped (confidence 6) [FC3D5828] (AR v2) Copy OKTrack 4 Filename C:\tmp\00_RIPS\04 - Country Son.wav Pre-gap length 0:00:04.85 Peak level 96.1 % Extraction speed 15.7 X Track quality 100.0 % Test CRC E1E8FBC3 Copy CRC E1E8FBC3 Accurately ripped (confidence 6) [B1438588] (AR v2) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report---- CUETools DB Plugin V2.1.6[CTDB TOCID: G51AX4odKps1MSLepd4cketvQAI-] foundSubmit result: G51AX4odKps1MSLepd4cketvQAI- has been confirmedTrack | CTDB Status 1 | (8/9) Accurately ripped 2 | (9/9) Accurately ripped 3 | (9/9) Accurately ripped 4 | (8/9) Accurately ripped==== Log checksum 1D9E104EAF7E91EBCE1DA0405B548BD299D96327F687A67B9241303F136F9856 ====
Содержание индексной карты (.CUE)
REM GENRE JazzREM DATE 1968REM DISCID 250C0104REM COMMENT "ExactAudioCopy v1.3"PERFORMER "Miles Davis"TITLE "Miles in the Sky"FILE "01 - Stuff.wav" WAVE TRACK 01 AUDIO TITLE "Stuff" PERFORMER "Miles Davis" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Paraphernalia" PERFORMER "Miles Davis" INDEX 00 16:59:38FILE "02 - Paraphernalia.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Black Comedy" PERFORMER "Miles Davis" INDEX 00 12:39:21FILE "03 - Black Comedy.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Country Son" PERFORMER "Miles Davis" INDEX 00 07:26:32FILE "04 - Country Son.wav" WAVE INDEX 01 00:00:00
Отчет CUETools
[CUETools log; Date: 15.07.2017 18:22:09; Version: 2.1.5][CTDB TOCID: G51AX4odKps1MSLepd4cketvQAI-] found.Track | CTDB Status 1 | (10/11) Accurately ripped 2 | (11/11) Accurately ripped 3 | (11/11) Accurately ripped 4 | (10/11) Accurately ripped[AccurateRip ID: 00094cb6-002452e7-250c0104] found.Track [ CRC | V2 ] Status 01 [43d3222e|95732891] (0+6/6) Accurately ripped 02 [74aa046d|dd45d0fb] (0+6/6) Accurately ripped 03 [038a877d|fc3d5828] (0+6/6) Accurately ripped 04 [0ff74930|b1438588] (0+6/6) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 96,3 [F20A1110] [6C1BE049] 01 96,3 [D3D88AE1] [A910A0C2] CRC32 02 92,9 [6E8E4DBB] [1D55973C] CRC32 03 93,1 [7C9583E6] [6C414911] CRC32 04 96,1 [E1E8FBC3] [7480791D] CRC32
AllMusic Review by Stephen Thomas ErlewineWith the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it's a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano -- one of the very first sounds on the record, as a matter of fact -- and the guest appearance of guitarist George Benson on "Paraphernalia." All of these additions are tangible and identifiable, and they do result in intriguing music, but the form of the music itself is surprisingly direct, playing as extended grooves. This meanders considerable more than Nefertiti, even if it is significantly less elliptical in its form, because it's primarily four long jams. Intriguing, successful jams in many respects, but even with the notable additions of electric instruments, and with the deliberately noisy "Country Son," this is less visionary than its predecessor and feels like a transitional album -- and, like many transitional albums, it's intriguing and frustrating in equal measures.