(Fusion, Jazz-Rock, Avant-Garde Jazz) [CD] Miles Davis - In a Silent Way - 1969 (1983 Japan Edition 1st Press), FLAC (tracks+.cue), lossless

Miles Davis - In a Silent Way Жанр: Fusion, Jazz-Rock, Avant-Garde Jazz Носитель: CD Страна-производитель диска: Япония Год издания: 1983 Издатель (лейбл): CBS/Sony Номер по каталогу: 35DP 70 Страна: США Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 38:18 Источник (релизер): wbfx (what) Наличие сканов в содержимом раздачи: даТреклист: 01. Shhh/Peaceful (Davis) - 18:22 02. In a Silent Way (Zawinul)/It's About That Time (Davis) - 19:56Состав: Miles Davis - trumpet Wayne Shorter - tenor saxophone John McLaughlin - guitar Herbie Hancock, Chick Corea - electric piano Joe Zawinul - electric piano, organ Dave Holland - bass Tony Williams - drumsRecorded at CBS 30th Street Studio B, New York on February 18, 1969.  Лог создания рипа X Lossless Decoder version 20130720 (144.0)XLD extraction logfile from 2013-08-10 11:51:13 -0700Miles Davis / In A Silent WayUsed drive : HL-DT-ST DVDRAM GP40LB10 (revision 1.01)Media type : Pressed CDRipper mode : XLD Secure RipperDisable audio cache : OK for the drive with a cache less than 1375KiBMake use of C2 pointers : NORead offset correction : 6Max retry count : 100Gap status : Analyzed, AppendedTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 18:22:00 | 0 | 82649 2 | 18:22:00 | 19:56:00 | 82650 | 172349AccurateRip Summary (DiscID: 0003e418-000a696f-0808fa02) Track 01 : OK (v1, confidence 8/8) Track 02 : OK (v1, confidence 8/8) ->All tracks accurately ripped.All Tracks Album gain : -1.84 dB Peak : 0.735809 Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 01 Filename : /Volumes/FAVES/Miles Davis - In a Silent Way (1983) [FLAC]/01 - Shhh-Peaceful.flac Pre-gap length : 00:02:00 Track gain : -2.56 dB Peak : 0.735809 CRC32 hash (test run) : DFE2199B CRC32 hash : DFE2199B CRC32 hash (skip zero) : 2AC21B7F AccurateRip v1 signature : B346E7A9 AccurateRip v2 signature : 7A291564 ->Accurately ripped (v1, confidence 8/8) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0Track 02 Filename : /Volumes/FAVES/Miles Davis - In a Silent Way (1983) [FLAC]/02 - In A Silent Way-It's About That Time.flac Pre-gap length : 00:03:30 Track gain : -0.76 dB Peak : 0.712189 CRC32 hash (test run) : 4132917D CRC32 hash : 4132917D CRC32 hash (skip zero) : 5BA0BCF5 AccurateRip v1 signature : A17BE1C0 AccurateRip v2 signature : AE9DDE6C ->Accurately ripped (v1, confidence 8/8) Statistics Read error : 0 Jitter error (maybe fixed) : 0 Retry sector count : 0 Damaged sector count : 0No errors occurredEnd of status report-----BEGIN XLD SIGNATURE-----BASCh4L3maol8K_pMKsaHu.AETpJJiQxQfJZa87SZkkPTl8rGftJhURYVfyDSC4QuR2gYLjUVxpeZmdDdffSXqZtsZuw8rFPomVVDRK-----END XLD SIGNATURE-----  Содержание индексной карты (.CUE) TITLE "In a Silent Way"PERFORMER "Miles Davis"REM GENRE "Jazz"REM DATE "1969"REM DISCID 0808FA02REM REPLAYGAIN_ALBUM_GAIN -1.84 dBREM REPLAYGAIN_ALBUM_PEAK 0.735809FILE "01 - Shhh-Peaceful.flac" WAVE TRACK 01 AUDIO TITLE "Shhh/Peaceful" REM REPLAYGAIN_TRACK_GAIN -2.56 dB REM REPLAYGAIN_TRACK_PEAK 0.735809 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "In a Silent Way/It's About That Time" REM REPLAYGAIN_TRACK_GAIN -0.76 dB REM REPLAYGAIN_TRACK_PEAK 0.712189 INDEX 00 18:18:45FILE "02 - In a Silent Way-It's About That Time.flac" WAVE INDEX 01 00:00:00  Отчет CUETools [CUETools log; Date: 09.12.2013 3:08:56; Version: 2.1.4][CTDB TOCID: 2dWmYMRoHJHBVzW._UnhAYLxvZY-] found.Track | CTDB Status 1 | (1/2) Accurately ripped 2 | (1/2) Accurately ripped[AccurateRip ID: 0003e418-000a696f-0808fa02] found.Track [ CRC | V2 ] Status 01 [b346e7a9|7a291564] (8+0/8) Accurately ripped 02 [a17be1c0|ae9dde6c] (8+0/8) Accurately rippedTrack Peak [ CRC32 ] [W/O NULL] -- 73,5 [7CC1F3AD] [4DFFF98D] 01 73,5 [DFE2199B] [2AC21B7F] 02 71,2 [4132917D] [5BA0BCF5]  Review by Thom JurekListening to Miles Davis' originally released version of In a Silent Way in light of the complete sessions released by Sony in 2001 (Columbia Legacy 65362) reveals just how strategic and dramatic a studio construction it was. If one listens to Joe Zawinul's original version of "In a Silent Way," it comes across as almost a folk song with a very pronounced melody. The version Miles Davis and Teo Macero assembled from the recording session in July of 1968 is anything but. There is no melody, not even a melodic frame. There are only vamps and solos, grooves layered on top of other grooves spiraling toward space but ending in silence. But even these don't begin until almost ten minutes into the piece. It's Miles and McLaughlin, sparely breathing and wending their way through a series of seemingly disconnected phrases until the groove monster kicks in. The solos are extended, digging deep into the heart of the ethereal groove, which was dark, smoky, and ashen. McLaughlin and Hancock are particularly brilliant, but Corea's solo on the Fender Rhodes is one of his most articulate and spiraling on the instrument ever. The A-side of the album, "Shhh/Peaceful," is even more so. With Tony Williams shimmering away on the cymbals in double time, Miles comes out slippery and slowly, playing over the top of the vamp, playing ostinato and moving off into more mysterious territory a moment at a time. With Zawinul's organ in the background offering the occasional swell of darkness and dimension, Miles could continue indefinitely. But McLaughlin is hovering, easing in, moving up against the organ and the trills by Hancock and Corea; Wayne Shorter hesitantly winds in and out of the mix on his soprano, filling space until it's his turn to solo. But John McLaughlin, playing solos and fills throughout (the piece is like one long dreamy solo for the guitarist), is what gives it its open quality, like a piece of music with no borders as he turns in and through the commingling keyboards as Holland paces everything along. When the first round of solos ends, Zawinul and McLaughlin and Williams usher it back in with painterly decoration and illumination from Corea and Hancock. Miles picks up on another riff created by Corea and slips in to bring back the ostinato "theme" of the work. He plays glissando right near the very end, which is the only place where the band swells and the tune moves above a whisper before Zawinul's organ fades it into silence. This disc holds up, and perhaps is even stronger because of the issue of the complete sessions. It is, along with Jack Johnson and Bitches Brew, a signature Miles Davis session from the electric era.