(Fusion, Jazz-Funk) [CD] Miles Davis - On the Corner - 1972 (2000), FLAC (image+.cue), lossless

Miles Davis - On the Corner Жанр: Fusion, Jazz-Funk Носитель: CD Страна-производитель диска (релиза): EU Год издания: 2000 Издатель (лейбл): Columbia/Legacy Номер по каталогу: CK 63980 Страна исполнителя (группы): США Аудиокодек: FLAC (*.flac) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 54:47 Источник (релизер): yurry1 Наличие сканов в содержимом раздачи: даТреклист: 01. On the Corner/New York Girl/Thinkin' of One Thing and Doin' Another/Vote for Miles (Davis) - 19:59 02. Black Satin (Davis) - 5:20 03. One and One (Davis) - 6:09 04. Helen Butte/Mr. Freedom X (Davis) - 23:18  Лог создания рипа Exact Audio Copy V0.99 prebeta 1 from 25. May 2007Отчёт EAC об извлечении, выполненном 7. мая 2008, 11:12Miles Davis / On The CornerДисковод: TSSTcorpDVD+-RW TS-L632D Adapter: 3 ID: 0Режим чтения : ДостоверностьИспользование точного потока : ДаОтключение кэша аудио : ДаИспользование указателей C2 : НетКоррекция смещения при чтении : 6Способность читать области Lead-in и Lead-out : НетЗаполнение пропущенных сэмплов тишиной : ДаУдаление блоков с тишиной в начале и конце : НетИнтерфейс : Встроенный Win32-интерфейс для Win NT/2000Выходной формат : Внутренние WAV-операцииФормат сэмплов : 44.100 Гц; 16 бит; стереоTOC извлечённого CD Трек | Старт | Длительность | Начальный сектор | Конечный сектор --------------------------------------------------------------------- 1 | 0:00.00 | 19:59.15 | 0 | 89939 2 | 19:59.15 | 5:20.35 | 89940 | 113974 3 | 25:19.50 | 6:09.12 | 113975 | 141661 4 | 31:28.62 | 23:18.29 | 141662 | 246540Характеристики диапазона извлечения и сообщения об ошибкахВыбранный диапазон Имя файла C:\Documents and Settings\Ultra Electronic\Мои документы\Azureus Downloads\Miles Davis - On The Corner.wav Пиковый уровень 100.0 % Качество диапазона 100.0 % CRC теста DE31460D CRC копии DE31460D Копирование... OKОшибок не произошлоКонец отчёта  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1972REM DISCID 210CD704REM COMMENT "ExactAudioCopy v0.99pb1"PERFORMER "Miles Davis"TITLE "On the Corner"FILE "Miles Davis - On the Corner.wav" WAVE TRACK 01 AUDIO TITLE "On the Corner/New York Girl/Thinkin' of One Thing and Doin' Another/Vote for Miles" PERFORMER "Miles Davis" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Black Satin" PERFORMER "Miles Davis" INDEX 01 19:59:15 TRACK 03 AUDIO TITLE "One and One" PERFORMER "Miles Davis" INDEX 01 25:19:50 TRACK 04 AUDIO TITLE "Helen Butte/Mr. Freedom X" PERFORMER "Miles Davis" INDEX 01 31:28:62  Отчет CUETools [CUETools log; Date: 20.08.2016 14:07:44; Version: 2.1.5][CTDB TOCID: 39dSI1lpeHlCdKPXYKGjxN0QbFc-] disk not present in database.[AccurateRip ID: 000908f6-00236b07-210cd704] found.Track [ CRC | V2 ] Status 01 [2b5c3005|c226606f] (0+0/1) No match 02 [47ceaffc|01c15eff] (0+0/1) No match 03 [d34960a9|196b0b91] (0+0/1) No match 04 [0c8d2475|195153b8] (0+0/1) No matchOffsetted by -18: 01 [8880d8b2] (0/1) No match (V2 was not tested) 02 [d4fbfff0] (0/1) No match (V2 was not tested) 03 [eb4b0270] (0/1) No match (V2 was not tested) 04 [8185cdcb] (0/1) No match (V2 was not tested)Track Peak [ CRC32 ] [W/O NULL] [ LOG ] -- 100,0 [DE31460D] [D925F33F] CRC32 01 98,9 [3DC22B88] [78332871] 02 100,0 [01A12268] [6B16F916] 03 100,0 [EC271557] [F6F78EC2] 04 100,0 [DC145E89] [7D1E7A3E]  AllMusic Review by Thom JurekCould there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the first track from On the Corner? Before the trumpet even enters the story has been broken off in the middle -- deep street music melding with a secret language exchanged by the band and those who can actually hear it as music. Here are killer groove riffs that barely hold on as bleating trumpet and soprano sax lines (courtesy of Dave Liebman on track one) interact with John McLaughlin's distortion-box frenzy. Michael Henderson's bass keeps the basic so basic it hypnotizes; keyboards slowly enter the picture, a pair of them handled by Herbie Hancock and Chick Corea, as well as Ivory Williams' synthesizer. Finally, Colin Walcott jumps in with an electric sitar and there are no less than five drummers -- three kits (Al Foster, Billy Hart, and Jack DeJohnette), a tabla player, and Mtume. It's a four-tune suite, On the Corner is, but the separations hardly matter, just the shifts in groove that alter the time/space continuum. After 20 minutes, the set feels over and a form of Miles' strange lyricism returns in "Black Satin." Though a tabla kicks the tune off, there's a recognizable eight-note melody that runs throughout. Carlos Garnett and Bennie Maupin replace Liebman, Dave Creamer replaces McLaughlin, and the groove rides a bit easier -- except for those hand bells shimmering in the background off the beat just enough to make the squares crazy. The respite is short-lived, however. Davis and band move the music way over to the funk side of the street -- though the street funkers thought these cats were too weird with their stranded time signatures and modal fugues that begin and end nowhere and live for the way the riff breaks down into emptiness. "One and One" begins the new tale, so jazz breaks down and gets polished off and resurrected as a far blacker, deeper-than-blue character in the form of "Helen Butte/Mr. Freedom X," where guitars and horns careen off Henderson's cracking bass and Foster's skittering hi-hats. It may sound weird even today, but On the Corner is the most street record ever recorded by a jazz musician. And it still kicks.  СоставMiles Davis - trumpet David Liebman - soprano saxophone (#1) Carlos Garnett - soprano saxophone (#2), tenor saxophone (#4) Bennie Maupin - bass clarinet (#2) John McLaughlin (#1), David Creamer (#2-4) - guitar Herbie Hancock - Fender Rhodes, synthesizer Chick Corea - Fender Rhodes Harold "Ivory" Williams - organ, synthesizer Michael Henderson - bass Colin Walcott (#1,3,4), Khalil Balakrishna (#2) - electric sitar Billy Hart, Jack DeJohnette, Al Foster - drums Badal Roy - tablaRecorded in New York on June 1-7, 1972.