(Fusion, Free Jazz, Contemporary) [WEB] Roots Magic - Hoodoo Blues - 2015, FLAC (tracks), lossless

' ' HOODOO ' BLUES & ' ROOTS ' MAGIC Жанр: Fusion, Free Jazz, Contemporary Год издания: 2015 Издатель (лейбл): Clean Feed Номер по каталогу: CF337 Страна исполнителя (группы): Italy Аудиокодек: FLAC (*.flac) Тип рипа: tracks Битрейт аудио: lossless Продолжительность: 54:49 Источник (релизер): WEB (спасибо sagerj) Наличие сканов: нетТреклист: 01. The Hard Blues 02. Unity 03. The Sunday Afternoon Jazz and Blues Society 04. Blues for Amiri B. 05. Dark Was the Night 06. A Call for All Demons 07. Poor Me 08. The Joint Is Jumping 09. I Can't Wait Till I Get Home 10. The Sunday Afternoon Jazz and Blues Society (alt. take)  Лог проверки качества -----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 10 The Sunday Afternoon Jazz and Blues Society (Alternative Take).flac Size: 42172350 Hash: E84D9EE0963896BAA4D13A8E68261554 Accuracy: -m0 Conclusion: MPEG 100% Signature: 74E97E214A620EAEEBB5D59A5054847F14E7F33FFILE: 09 I Can't Wait Till I Get Home.flac Size: 28467360 Hash: 9EC1424F520C8A067D352F9754200273 Accuracy: -m0 Conclusion: MPEG 99% Signature: 9D00AFD41FF547288588F716B86165C40474E96FFILE: 08 The Joint Is Jumping.flac Size: 40253015 Hash: 61E98DF7130B6026F4203DF3168A316A Accuracy: -m0 Conclusion: MPEG 73% Signature: FB37D08E2F7D896CFC8279F9B9145EE077964C23FILE: 07 Poor Me.flac Size: 32617981 Hash: A96CC6F91AAAED98FE44B67B08DB4B53 Accuracy: -m0 Conclusion: MPEG 100% Signature: FF9F71B713A7908A90E0C71500B1F541550A1323FILE: 06 A Call for All Demons.flac Size: 34014129 Hash: E925188A494EEFB129F3F49B53B6F7B9 Accuracy: -m0 Conclusion: MPEG 91% Signature: 470092A94EE779519D169A950CBFA87A8F3F6350FILE: 05 Dark Was the Night.flac Size: 39763979 Hash: E27EFDCE3FDE6C8DD4A9C23F1386B3A0 Accuracy: -m0 Conclusion: MPEG 100% Signature: 05CF4EA8FCCEBB84169FC58A6ED20A5E9DF4487DFILE: 04 Blues for Amiri B..flac Size: 34587740 Hash: D4A9EA310FEB927427278101C92B5EE9 Accuracy: -m0 Conclusion: MPEG 79% Signature: 297648ACE75C5ACD9AF3751B30AA08F1671DFB8DFILE: 03 The Sunday Afternoon Jazz and Blues Society.flac Size: 40413575 Hash: 6023CF5CCAE2DAFC56C4284C0DD733AD Accuracy: -m0 Conclusion: MPEG 97% Signature: E5848437D0A6F2D14A3A88AB989938E70DE464E9FILE: 02 Unity.flac Size: 34067406 Hash: C3BADADFB4B0E711B9A9E8184D11726E Accuracy: -m0 Conclusion: MPEG 99% Signature: 36C89B7E549B2321B51E521B55E82C9DA20BE57CFILE: 01 The Hard Blues.flac Size: 44292098 Hash: E78230DC949A62021BE4AA6C5BB4CC26 Accuracy: -m0 Conclusion: MPEG 98% Signature: 0E8825E8BFF1D708B654749F7033BB7C29EBB991  Скриншоты спектра частот  Об альбомеLike Mary Halvorson’s recently reviewed Meltframe or Raphael Rogiński’s African Mystic Music, the Italian quartet Roots Magic brings us an album dedicated (mostly) to interpretations of other people’s music. The group consists of Alberto Popolla on clarinets, Errico DeFabritiis on alto sax, Gianfranco Tedeschi on double bass, Fabrizio Spera on drums, and as a guest, Luca Venitucci on organ, melodica, and amplified zither. On this fun, approachable album they prove themselves more than up to the task of rendering some well-chosen, time-tested avant-blues with equal parts gusto and precision.The group dives into the album with a back-to-back-to-back assault of soulful tunes, beginning with Julius Hemphill’s “The Hard Blues.” Here we see the qualities that will characterize the project more generally: faithful “covers” delivered with assurance and intention, very cleanly recorded; muscular but fluidly lyrical clarinet and sax solos (and double-solos), modestly/tastefully contained by the compositions’ structures; and a supple, steady rhythm section. Phil Cohran’s indelibly catchy “Unity” keeps things moving with a deep-in-the-pocket cowbell groove and horn lines that snake in and out of Venitucci’s melodica ostinato. Third in line, John Carter’s “The Sunday Afternoon Jazz and Blues Society” gives the group a chance to loosen up with a bit of controlled chaos, especially Spera’s rowdy drum-work under the tune’s bouncing Ornette-ish melody but also in the burning double-solo towards the middle.Beyond the two other pieces drawn from the jazz lineage (Sun Ra’s “A Call for Demons” and Olu Dara’s “I Can’t Wait Till I Get Home”) and two original compositions—quite competent but somewhat overshadowed by their unbeatable company—a highlight for Delta and gospel blues fans are the group’s takes on Blind Willie Johnson’s “Dark Was The Night” and Charley Patton’s “Poor Me.” On the former, perhaps the track I find myself revisiting the most, Tedeschi hands the melodic line off to DeFabritiis before bringing out the bow, and the song swells above the sea storm of Spera’s cymbals and mallets. Here group not only captures the haunting mood of the 1927 original but uses it as a point of departure for what develops into such a personal, organic, and emotional musical experience that it makes us wish they had allowed themselves more opportunities for exploration and discovery elsewhere. They do what they can to recreate some of this magic in the middle section of “Poor Me,” but it’s less convincing and a bit awkward sandwiched between the relatively humdrum melodic choruses, suggesting the potential limitations of this kind of obligation to source material. (Eric McDowell, freejazzblog.org)  Состав Alberto Popolla - clarinets Errico DeFabritiis - alto sax Gianfranco Tedeschi - double bass Fabrizio Spera - drums guest: Luca Venitucci - organ, melodica, amplified zither Мне показалось cлишком эклектичным, чтобы выкладывать куда-то еще.