(Free Jazz, Post-Bop) Sonny Fortune - Monk's Mood - 1993, FLAC (tracks), lossless
Sonny Fortune - Monk's Mood
Жанр: Free Jazz, Post-Bop
Страна-производитель диска: Германия
Год издания: 1993
Издатель (лейбл): Konnex
Номер по каталогу: KCD 5048
Страна: США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 57:34
Источник (релизер): igor
Наличие сканов в содержимом раздачи: да
Треклист:
01. Little Rootie Tootie (Monk) - 6:56
02. Nutty (Monk) - 8:50
03. Monk's Mood (Monk) - 6:34
04. In Walked Bud (Monk) - 6:41
05. Misterioso (Monk) - 8:08
06. I Mean You (Monk) - 5:21
07. Ruby My Dear (Monk) - 9:07
08. Off Minor (Monk) - 5:57
Состав:
Sonny Fortune - alto saxophone
Kirk Lightsey - piano
David Williams - bass
Joe Chambers - drums
Recorded at Baby Monster Studios, New York City on January 25-26, 1993.
Лог проверки качества
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01 - Little Rootie Tootie.wav]
Detected average hi-boundary frequency: 2.014919e+004 Hz
Detected average lo-boundary frequency: 1.300798e+004 Hz
Detected average hi-cut frequency: 2.176640e+004 Hz
Detected average lo-cut frequency: 1.082355e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.362500e-001
First order smothness: 3.433843e-001
Second order smothness: 6.416198e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02 - Nutty.wav]
Detected average hi-boundary frequency: 2.014958e+004 Hz
Detected average lo-boundary frequency: 1.309289e+004 Hz
Detected average hi-cut frequency: 2.164028e+004 Hz
Detected average lo-cut frequency: 1.054174e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 7.401308e-001
First order smothness: 3.438436e-001
Second order smothness: 6.313843e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03 - Monk's Mood.wav]
Detected average hi-boundary frequency: 2.017886e+004 Hz
Detected average lo-boundary frequency: 1.311375e+004 Hz
Detected average hi-cut frequency: 2.142003e+004 Hz
Detected average lo-cut frequency: 1.049925e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.008881e-001
First order smothness: 3.364974e-001
Second order smothness: 7.152349e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04 - In Walked Bud.wav]
Detected average hi-boundary frequency: 2.016531e+004 Hz
Detected average lo-boundary frequency: 1.323772e+004 Hz
Detected average hi-cut frequency: 2.163181e+004 Hz
Detected average lo-cut frequency: 1.078143e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.089872e-001
First order smothness: 3.660756e-001
Second order smothness: 6.598227e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05 - Misterioso.wav]
Detected average hi-boundary frequency: 2.011672e+004 Hz
Detected average lo-boundary frequency: 1.285196e+004 Hz
Detected average hi-cut frequency: 2.146058e+004 Hz
Detected average lo-cut frequency: 1.067357e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.653492e-001
First order smothness: 3.548325e-001
Second order smothness: 7.090909e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06 - I Mean You.wav]
Detected average hi-boundary frequency: 2.026263e+004 Hz
Detected average lo-boundary frequency: 1.364435e+004 Hz
Detected average hi-cut frequency: 2.170550e+004 Hz
Detected average lo-cut frequency: 1.092069e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.686204e-001
First order smothness: 3.505395e-001
Second order smothness: 6.558763e-001
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [07 - Ruby My Dear.wav]
Detected average hi-boundary frequency: 2.015121e+004 Hz
Detected average lo-boundary frequency: 1.279265e+004 Hz
Detected average hi-cut frequency: 2.150727e+004 Hz
Detected average lo-cut frequency: 9.841967e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.031241e-001
First order smothness: 3.198975e-001
Second order smothness: 7.195559e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08 - Off Minor.wav]
Detected average hi-boundary frequency: 2.018252e+004 Hz
Detected average lo-boundary frequency: 1.336224e+004 Hz
Detected average hi-cut frequency: 2.166449e+004 Hz
Detected average lo-cut frequency: 1.204873e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 7.102326e-002
First order smothness: 3.750000e-001
Second order smothness: 6.623275e-001
------------------------------------------------------------
This track looks like CDDA with probability 99%
Review by Thom Jurek
Alto saxophonist Sonny Fortune has played in so many settings over the decades, it's difficult to keep them straight. Through them all, however, he has kept his reedy tone, sharp angular mode of attack, and on-the-spot sense of timing and phraseology. On this program Fortune teams with drummer Billy Hart, the late pianist Kirk Lightsey, bassist David Williams, and drummer Joe Chambers for an all Monk program. There would be nothing unusual in this, except that Fortune is one of those horn players who works exceptionally well with pianists, and in Lightsey he has found the closest stylist to Monk he has ever worked with. Lightsey is perfectly suited for Monk's more dialogic harmonic sense. Check out the interplay between them on "Little Rootie Tootie," "Mysterioso," "Off Minor," and "Nutty." Lightsey lays out Monk's extrapolated harmonics with a like minded percussive, rhythmic edge, and offers a large middle range in between his two hands for Fortune to work his magic. And, like Charlie Rouse, Fortune has the canny sense of phrase to hit the accents on the falling edge each and every time. But in Fortune's playing there is no round off or softening; he's always looking to move it to something more complex and knotty. The rhythm section here, especially Joe Chambers, feels the differences between Monk's blues-oriented swing with the off-kilter rhythmic edge and the post-bop interpretation that's being offered. The program moves seamlessly from one track to the next with an ever-engaging lyric sense and virtuoso interaction between the principals. There are lots and lots and lots of Monk programs, but few of them live up to the promise of the composer. This is one that does.