(Free Jazz) Gyorgy Szabados - Roscoe Mitchell - Revelation - 1998, FLAC (tracks+.cue) lossless

Gyorgy Szabados - Roscoe Mitchell - Revelation Жанр: Free Jazz Страна-производитель диска: Hungary Год издания диска: 1998 Издатель (лейбл): Fonó Records Номер по каталогу: FA-038-2 Аудио кодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 1:12:42 Источник (релизер): собственный рип с оригинального диска. Наличие сканов в содержимом раздачи: даТреклист: 01. Motiv 02. Revelation 03. Free Music in honour of the Art Ensemble of Chicago  Лог создания рипа Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 9. April 2011, 1:22Szabados Gyorgy - Roscoe Mitchell / RevelationUsed drive : TSSTcorpCDDVDW SH-S222A Adapter: 1 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 768 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Tool\Compress\FLAC\flac.exeAdditional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC V0.99 prebeta 5, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 26:01.04 | 0 | 117078 2 | 26:01.04 | 28:12.56 | 117079 | 244034 3 | 54:13.60 | 18:29.43 | 244035 | 327252Track 1 Filename C:\! UPLOAD\Szabados Gyorgy - Roscoe Mitchell - Revelation (1998) [FLAC] {Fono}\01 - Motiv.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Track quality 99.9 % Test CRC 919D294D Copy CRC 919D294D Track not present in AccurateRip database Copy OKTrack 2 Filename C:\! UPLOAD\Szabados Gyorgy - Roscoe Mitchell - Revelation (1998) [FLAC] {Fono}\02 - Revelation.wav Peak level 99.0 % Track quality 100.0 % Test CRC 2BFB1B58 Copy CRC 2BFB1B58 Track not present in AccurateRip database Copy OKTrack 3 Filename C:\! UPLOAD\Szabados Gyorgy - Roscoe Mitchell - Revelation (1998) [FLAC] {Fono}\03 - Free Music in Honour of the Art Ensemble of Chicago.wav Peak level 100.0 % Track quality 100.0 % Test CRC 44935DB6 Copy CRC 44935DB6 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1998REM DISCID 20110B03REM COMMENT "ExactAudioCopy v0.99pb5"PERFORMER "Szabados Gyorgy - Roscoe Mitchell"TITLE "Revelation"FILE "01 - Motiv.wav" WAVE TRACK 01 AUDIO TITLE "Motiv" PERFORMER "Szabados Gyorgy - Roscoe Mitchell" INDEX 01 00:00:00FILE "02 - Revelation.wav" WAVE TRACK 02 AUDIO TITLE "Revelation" PERFORMER "Szabados Gyorgy - Roscoe Mitchell" INDEX 01 00:00:00FILE "03 - Free Music in Honour of the Art Ensemble of Chicago.wav" WAVE TRACK 03 AUDIO TITLE "Free Music in Honour of the Art Ensemble of Chicago" PERFORMER "Szabados Gyorgy - Roscoe Mitchell" INDEX 01 00:00:00 Доп. информация: Recorded live at Thalia Theater, Budapest, Hungary, October 7th, 1996  Об исполнителе (группе)György Szabados (Born 1939 in Budapest) is a Hungarian jazz pianist, and is sometimes referred to as the "father" or "unofficial king" of the Hungarian free jazz movement since the 1960s.Biography Even though he started performing in 1962, Szabados' rise to fame is generally considered to have started with his quintet winning the renowned San Sebastian Jazz Festival Grand Prize in the free jazz category in 1972. His first album that was recorded with a quartet in 1975 was entitled Wedding. Despite the abstraction of the music, the record was well received in Hungary and abroad, thereby setting the scene for his subsequent albums. International recognition is probably noted by including the album in the Essential Jazz Records compiled by Max Harrison, Eric Thacker and Stuart Nicholson (Volume 2: Modernism to Postmodernism)[1]. Even though he could not record again until 1983, he maintained his status by establishing the Kassák Workshop for Contemporary Music, in which a new generation of musicians acquired a free and intuitive manner of playing jazz, with a distinct Hungarian sound. Generally, his collaborators would make up the next generation of Hungarian jazz, including acclaimed saxophone player Mihály Dresch. Further international recognition followed in the 1980s, through his collaboration with Anthony Braxton on their duo record Szabraxtondos. In Hungary, he proceeded to form MAKUZ, or the Royal Hungarian Court Orchestra, which membership varied, but always consisted of at least nice musicians that were committed to free, improvised music. Subsequently, he still collaborated with Roscoe Mitchell on their 1998 record Jelenés (Revelation) and again with Braxton and Vladimir Tarasov this time for the live recording Triotone.Influences Szabados' work and thinking is distinctly placed in Hungarian culture. Most importantly, a good deal of his music is influenced by Hungarian folk music, mainly from Transsylvania. Apart from direct folk associations, this influenced on Szabados' work was to a great extent mediated through the work of Hungarian composer Béla Bartók (1881-1945), who pioneered the reintegration of folk tradition in classical by his numerous field recordings. As he formulated it himself: 'Apart from the occasional moments, it is difficult to find traces of Bartók's music in our music. Hungarian music has such characteristic features that, when they appear, they are immediately linked to Bartók, whereas the real kinship is not with Bartók but, on a much deeper level, with Hungarian music, a world view, and a special taste'[1] Apart from folk influences in his work, Szabados has always given clear references to other key instances of Hungarian culture. His 1983 record Adyton, for instance, is partially a reference to Hungarian poet Endre Ady, whereas his 1989 album A szarvassá vált fiak (Sons that became deer) was inspired by the Hungarian revolution of 1956. Choosing the word Adyton as a title for his record also shows the Szabados' philosophical thinking about his music.Roscoe Mitchell One of the top saxophonists to come out of Chicago's AACM movement of the mid-'60s, Roscoe Mitchell is a particularly strong and consistently adventurous improviser long associated with the Art Ensemble of Chicago. After getting out of the military, Mitchell led a hard bop sextet in Chicago (1961) which gradually became much freer.He was a member of Muhal Richard Abrams's Experimental Band and a founding member of the AACM in 1965. Mitchell's monumental Sound album (1966) introduced a new way of freely improvising, utilizing silence as well as high energy and "little instruments" as well as conventional horns. Lester Bowie and Malachi Favors were on that date and Mitchell's 1967 follow-up Old/Quartet.With the addition of Joseph Jarman and Philip Wilson (who was later succeeded by Famoudou Don Moye), the Art Ensemble of Chicago was born. The colorful unit was one of the most popular groups in the jazz avant-garde and Mitchell was an integral part of the band. Roscoe Mitchell (who, in addition to his main horns, plays clarinet, flute, piccolo, oboe, baritone and bass saxophones) also was involved in individual projects through the years and has recorded as a leader for Delmark, Nessa, Sackville, Moers Music, 1750 Arch, Black Saint, Cecma and Silkheart in settings ranging from large ensembles to unaccompanied solo concerts.  СоставRoscoe Mitchell - alto sax György Szabados - piano, leader Mihaly, Dudas Dresch - tenor and soprano sax, bass clarinet Ferenc Kovacs - trumpet, violin Robert Benkö - double bass Istvan Balo - drums, percussion Tamas Geröly - drums, percussion