(Free Jazz, Free Improvisation) Keith Tippett - Mujician I & II - 1998, MP3 (tracks), VBR 219-267 kbps

Keith Tippett - Mujician I & II Жанр: Free Jazz, Free Improvisation Год выпуска диска: 1998 Производитель диска: UK Аудио кодек: MP3 Тип рипа: tracks Битрейт аудио: VBR 219-267 kbps Продолжительность: 68:49 Трэклист: 1 All Time, All Time 10:48 2 I've Got the Map, I'm Coming Home 10:19 3 Dan Sing Music - First Part 20:09 4 Dan Sing Music -Second Part 10:44 5 I Hear Your Voice Again 16:49 Доп. информация:   Album Info All music composed by Keith Tippett Recorded on December 3 & 4, 1981 (tracks # 1, 2, 5) and on June 13, 1986 (tracks # 3, 4) in Berlin by Jost Gebers. Produced by Jost Gebers Photos: Dagmar Gebers Liner notes:Steve Day First published in August 1998 Excerpt from the booklet: ... This man is an originator, (...) a pianist with wings. A better term was given to him by his daughter Inca - MUJICIAN. KEITH GRAHAME TIPPETT was brought up in Southmead, a suburban community of red brick housing to the north of Bristol in the West of England. 1967 became the pivotal year. Aged twenty and already a pianist with something to say, he was awarded a scholarship to the Barry Summer School Jazz Course in Wales. It changed everything. He met Elton Dean, Nick Evans and Marc Charig who were to play a crucial role in helping to shape TIPPETTґs music. Within three years the 50 piece orchestra Centipede had been formed and took to the road with the massive work Septober Energy(RCA). Other large ensemble pieces have followed over the years. In 1978 KEITH TIPPETTs Ark, consisting of 22 members, structured as a series of doubles, produced (ЃE Frames (Ogun). The 90s have seen his crucial involvement with the Dedication Orchestra honouring both the birth of a new Sout Africa and Blue Notes, exiled at the height of apartheid. In 1997 KEITH TIPPETT formed Tapestry, another large orchestra. The three MUJICIANS recorded for FMP (FMP CD 012, 095) represent an oeuvre that has begun to increase to the point where KEITH TIPPETT s discography now includes solo recordings from Germany, England, Canada and Japan. The re-releasing of the two original MUJICIANS is important. They document part of the start of KEITH TIPPETT as the solo orchestra, or as he describes it elsewhere, "the unlonely raindancer". Ideally the three MUJICIANS should be heard as one thematic work. Fear of flying? I don t think so. Steve Day