(Free Jazz, Free Improvisation) [CD] Paul Dunmall (John Adams, Philip Gibbs, Mark Sanders) - EastWestNorthSouth - 2000, FLAC (image+.cue), lossless

Paul Dunmall / EastWestNorthSouth Жанр: Free Jazz, Free Improvisation Носитель: CD Страна-производитель диска: UK Год издания: 2000 Издатель (лейбл): FMR Records Номер по каталогу: FMRCD72-0900 Аудиокодек: FLAC (*.flac) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 64:30 Источник (релизер): CD Наличие сканов в содержимом раздачи: нет Треклист: 1. East (18:31) 2. West (18:40) 3. North (14:08) 4. South (13:17)  Лог создания рипа Exact Audio Copy V1.0 beta 2 from 29. April 2011EAC extraction logfile from 7. March 2014, 13:27Paul Dunmall / EastWestNorthSouthUsed drive : Optiarc DVD RW AD-7170A Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Used output format : User Defined EncoderSelected bitrate : 320 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 18:31.36 | 0 | 83360 2 | 18:31.36 | 18:40.66 | 83361 | 167426 3 | 37:12.27 | 14:07.40 | 167427 | 230991 4 | 51:19.67 | 13:10.42 | 230992 | 290283Range status and errorsSelected range Filename K:\ЕАС\Paul Dunmall - EastWestNorthSouth.wav Peak level 100.0 % Extraction speed 2.0 X Range quality 99.9 % Test CRC 4761FEF7 Copy CRC 4761FEF7 Copy OKNo errors occurredAccurateRip summaryTrack 1 not present in databaseTrack 2 not present in databaseTrack 3 not present in databaseTrack 4 not present in databaseNone of the tracks are present in the AccurateRip databaseEnd of status report==== Log checksum 28F09705E46F0678C7223D204561BB206711DD3B014128C87CD878A19351B0C6 ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 2000REM DISCID 1F0F1E04REM COMMENT "ExactAudioCopy v1.0b2"PERFORMER "Paul Dunmall"TITLE "EastWestNorthSouth"FILE "Paul Dunmall - EastWestNorthSouth.flac" WAVE TRACK 01 AUDIO TITLE "East" PERFORMER "Paul Dunmall" ISRC 000000000000 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "West" PERFORMER "Paul Dunmall" ISRC 000000000000 INDEX 00 18:29:36 INDEX 01 18:31:36 TRACK 03 AUDIO TITLE "North" PERFORMER "Paul Dunmall" ISRC 000000000000 INDEX 00 37:10:27 INDEX 01 37:12:27 TRACK 04 AUDIO TITLE "South" PERFORMER "Paul Dunmall" ISRC 000000000000 INDEX 00 51:17:67 INDEX 01 51:19:67 Доп. информация: Recorded at Victoria Rooms, Bristol, United Kingdom, 2000-06-08  Об альбоме (сборнике)Paul Dunmall had made an increasingly strong reputation for himself as a member of such forward-looking ensembles as Keith Tippetts' Mujician and Barry Guy's London Jazz Composer's Orchestra when he began to issue recordings under his own name, leading groups ranging in size from trio to octet. EastWestNorthSouth is a follow-up to the highly successful hatOLOGY album Ghostly Thoughts with the sax/guitar/drums lineup expanded to a quartet by the addition of a second guitar. On that prior disc, John Adams showed an unusual and enjoyable approach, with a dry, percussive style of guitar playing more befitting a rhythm instrument in a larger ensemble than a featured one in a trio. He remains in that role here (including some fine work on an acoustic guitar adapted to sonically resemble an African doussn'gouni), with new guitarist Phillip Gibbs lending a more traditional sound to the group. Despite his past expositions of a robust and ferocious approach to the tenor sax, the solidest tracks here are the two on which he plays soprano ("West" and "South"). These evolve from small kernels of improvisatory antenna-wagging into bubbling cascades of inventiveness, Dunmall never wanting for ideas and the explosive drummer Mark Sanders keeping the heat turned way up. On the other hand, the two pieces with Dunmall on tenor never quite get off the ground as the group spends the duration probing and searching but unearthing little of great value. Dunmall fans will want to hear this and the two shining tracks make it worth a purchase, but he's heard to better effect on the hatOLOGY release and as a high-energy soloist with Tippetts or Guy.  СоставDrums – Mark Sanders Electric Guitar – Philip Gibbs Electric Guitar, Acoustic Guitar – John Adams Tenor Saxophone, Soprano Saxophone, Bagpipes – Paul Dunmall