(Free Jazz, Free Improvisation) [CD] Kaoru Abe (阿部薫) - Sombre Dimanche (暗い日曜日) - 1971, FLAC (tracks+.cue), lossless

Kaoru Abe (阿部薫) - Sombre Dimanche (暗い日曜日) 1971Жанр: Free Jazz, Free Improvisation Носитель: CD Страна-производитель диска: Japan Год издания: 2003 Издатель (лейбл): Polystar Jazz Library Номер по каталогу: MTCJ-5514 Страна: Japan Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:59:32 Источник (релизер): рип мой. диск тоже. Наличие сканов в содержимом раздачи: да, фотоТреклист:01. After The Acacia Rain (9:18) 02. Alto Saxophone Solo Improvisation (17:40) 03. Bass Clarinet Solo Improvisation (16:20) 04. Sombre Dimanche (16:15)  Лог создания рипа Exact Audio Copy V1.0 beta 1 from 15. November 2010EAC extraction logfile from 16. March 2014, 20:08Kaoru Abe / Sombre DimancheUsed drive : Optiarc DVD RW AD-7200A Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 768 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 9:17.67 | 0 | 41841 2 | 9:17.67 | 17:39.43 | 41842 | 121309 3 | 26:57.35 | 16:19.57 | 121310 | 194791 4 | 43:17.17 | 16:15.08 | 194792 | 267924Track 1 Filename D:\Kaoru Abe - Sombre Dimanche (1971) [FLAC]\01 - After The Acacia Rain.wav Pre-gap length 0:00:02.00 Peak level 97.9 % Extraction speed 15.2 X Track quality 100.0 % Test CRC 67A4B8B1 Copy CRC 67A4B8B1 Accurately ripped (confidence 1) [2A10E49C] Copy OKTrack 2 Filename D:\Kaoru Abe - Sombre Dimanche (1971) [FLAC]\02 - Alto Saxophone Solo Improvisation.wav Pre-gap length 0:00:01.40 Peak level 97.9 % Extraction speed 20.1 X Track quality 100.0 % Test CRC EC72B5BA Copy CRC EC72B5BA Accurately ripped (confidence 2) [506BAF57] Copy OKTrack 3 Filename D:\Kaoru Abe - Sombre Dimanche (1971) [FLAC]\03 - Bass Clarinet Solo Improvisation.wav Peak level 97.9 % Extraction speed 24.7 X Track quality 100.0 % Test CRC 63E2D0BF Copy CRC 63E2D0BF Accurately ripped (confidence 1) [424B58A5] Copy OKTrack 4 Filename D:\Kaoru Abe - Sombre Dimanche (1971) [FLAC]\04 - Sombre Dimanche.wav Pre-gap length 0:00:04.65 Peak level 97.5 % Extraction speed 28.3 X Track quality 100.0 % Test CRC 59B077D4 Copy CRC 59B077D4 Accurately ripped (confidence 2) [61D5FF63] Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum 672F99D64085A17BB335A0AB7C21FAA5423F44D8AC7E2C0AD4D57BD1EFA05E9B ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1971REM DISCID 3F0DF404REM COMMENT "ExactAudioCopy v1.0b1"PERFORMER "Kaoru Abe"TITLE "Sombre Dimanche"FILE "01 - After The Acacia Rain.wav" WAVE TRACK 01 AUDIO TITLE "After The Acacia Rain" PERFORMER "Kaoru Abe" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Alto Saxophone Solo Improvisation" PERFORMER "Kaoru Abe" INDEX 00 09:16:27FILE "02 - Alto Saxophone Solo Improvisation.wav" WAVE INDEX 01 00:00:00FILE "03 - Bass Clarinet Solo Improvisation.wav" WAVE TRACK 03 AUDIO TITLE "Bass Clarinet Solo Improvisation" PERFORMER "Kaoru Abe" INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Sombre Dimanche" PERFORMER "Kaoru Abe" INDEX 00 16:14:67FILE "04 - Sombre Dimanche.wav" WAVE INDEX 01 00:00:00  Об альбоме (сборнике)KAORU ABE Kurai Nichiyobi CD [Tokuma] Kurai Nichiyobi (Sombre Dimanche or Dark Sunday) collects material from two shows, the first on December 4 (1971) at the Akita University Festival, the other two days later at a jazz coffee shop. From the earlier is drawn one track, a sensational version of 'After The Acacia Rain'. A radically different to that on Acacia No Ame Ga Yamu Toki (performed only five weeks earlier), this is classic Abe. He pays scant regard to the original, contemptuously intoning its basic tune before proceeding to completely tear it to shit. The one track which illustrates Abe at a massive early career peak, it's an unbelievably frenetic, jumpy, and deliberately rough-around-the-edges performance, and also the one on which an Ayler influence is easily detectable (not just because of its audible 'Ghosts' rip) - an almost comically brassy reference to the original, followed by a vicious, breakneck flight into the ether, with 'Sombre Dimanche' later given the same kind of treatment. It's followed by an equally impressive alto improvisation ('Alto Saxophone Solo Improvisation') which, though not as heart-shakingly intense, demonstrates more technical strings to Abe's bow. Sort of a demonstration of technique, it amplifies at length a series of his favourite tricks with the instrument: short, brutally blown tones, abruptly gushed out one on top of another in a staircase of sound, and periods of overblowing so harsh as to resemble a form of electronic distortion, speedily juxtaposed with playful melodic cadences. Here Abe is all over the saxophone's range, leaping from one end of the spectrum to the other with astonishing skill and dazzling pace. Also included is a bass clarinet improvisation, which further argues the point made by the PSF CDs - that Abe's work on the bass clarinet is fundamentally different to his work on the alto saxophone, beyond any blandly obvious contrast in basic sound between the two instruments. Though certainly not afraid to abuse the bass clarinet in his typically frantic manner, Abe was seemingly enamoured of the muted, sombre palette it could project. Hearing a piece as restrained comes as a relief shock after the two preceding alto screams, and no doubt it provided some relief for those who witnessed the performance. It's fairly typical of Abe's bass clarinet excursions :cautious tinkering with pretty, melodic note structures interspersed with tones drawn out and slowly faded - though this is hardly 'soundscaping'. -Nick (http://mysite.verizon.net/spin17/kaoru.html) Доп. информация:Track 1 Recorded at Akita University Festival, 4 December 1971. Tracks 2-4 Recorded at Basie, Ichinoseki, 6 December 1971. Track 4 is a version of Gloomy Sunday/Sombre Dimanche.