(Free Jazz, Free Improvisation) Anthony Braxton - Ninetet (Yoshi's) 1997 Vol.2 ( Composition nr.209 , nr.210 )- 2003, APE (image+.cue) lossless

Anthony Braxton - Ninetet (Yoshi's) 1997 Vol.2 ( Composition nr.209 , nr.210 ) Жанр: Free Jazz, Free Improvisation Страна-производитель диска: U.K. Год издания диска: 2003 Издатель (лейбл): Leo Records Номер по каталогу: LR 382/383 Аудио кодек: APE (*.ape) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 57:49+58:33 Источник (релизер): basa005 Наличие сканов в содержимом раздачи: да Треклист: CD1 Composition nr.209CD2 Composition nr.210  Лог создания рипа  cd1Exact Audio Copy V0.99 prebeta 4 from 23. January 2008EAC extraction logfile from 25. March 2011, 16:10Anthony Braxton / Ninetet (Yoshi's) 1997 vol. 2 - disc 1Used drive : ATAPI DVD A DH16A1L Adapter: 1 ID: 0Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : NoRead offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; StereoTOC of the extracted CDTrack | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 57:47.08 | 0 | 260032Range status and errorsSelected rangeFilename C:\avaxhome\Anthony Braxton - Ninetet (Yoshi's) 1997 vol. 2 - disc 1.wavPeak level 100.0 % Range quality 100.0 % Copy CRC 85EF0BB3 Copy OKNo errors occurredAccurateRip summaryTrack 1 not present in databaseNone of the tracks are present in the AccurateRip databaseEnd of status report  cd2Exact Audio Copy V0.99 prebeta 4 from 23. January 2008EAC extraction logfile from 25. March 2011, 16:30Anthony Braxton / Ninetet (Yoshi's) 1997 vol. 2 - disc 2Used drive : ATAPI DVD A DH16A1L Adapter: 1 ID: 0Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : NoRead offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; StereoTOC of the extracted CDTrack | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 58:31.41 | 0 | 263365Range status and errorsSelected rangeFilename C:\avaxhome\Anthony Braxton - Ninetet (Yoshi's) 1997 vol. 2 - disc 2.wavPeak level 100.0 % Range quality 100.0 % Copy CRC E99E808C Copy OKNo errors occurredAccurateRip summaryTrack 1 not present in databaseNone of the tracks are present in the AccurateRip databaseEnd of status report  Об альбоме (сборнике)Second volume from the now legendary Anthony Braxton's sessions at Yoshi's exploring his concept of "Ghost Trance Music". Two compositions, n. 209 & n. 210, almost hour long each, performed by the same line-up as Vol.1 (A. Braxton, B. Evans, J. Fei, J. Moore, A. Vida, J.D. Parran, K. O'Neil, J. Fonda, K. Norton).Braxton's Ghost Trance Music series ranks among the most difficult music to review. Everyone has his or her personal favorites among the dozens of discs released under this umbrella and, since the general idea underpinning them all and the quality of musicianship remain rather constant, evaluation comes down to highly subjective factors. For instance, one listener might find the first volume in Leo Records' Ninetet (Yoshi's) 1997 series lacking in interest, but would be hard pressed to rationally explain why this second installment, Ninetet (Yoshi's) 1997, Vol. 2 is so much better. The lineup is the same: a barrage of woodwinds (Anthony Braxton, Brandon Evans, James Fei, Jackson Moore, Andre Vidal, and J.D. Parran, all playing multiple saxophones, clarinets, and flutes) accompanied by guitar (Kevin O'Neil), bass (Joe Fonda), and percussion (Kevin Norton), although all nine players rarely perform at the same time. Both "Composition N. 209" and "Composition N. 210" move through a quasi-endless and constantly renewed flow of trios (the latter also uses larger combinations). The music was recorded the day after the first volume, and consists once again of two disc-long pieces. The difference on Vol. 2 is that the group sounds more focused, more willing to trap the listener into the hypnotic patterns of the music and push him to the edge of free improvisation. "Composition N. 210" in particular deploys some mean tricks to make you forget that it is written down. The two pieces develop very different colors. Most noticeable is the fact that Norton (mostly) plays the drum kit in "N. 210," while he sticks to mallet percussion and cymbals in "N. 209." And so, either by design or attraction, "N. 210" displays a certain free jazz mood, prone to a certain frenzy, while "N. 209" slightly evokes contemporary classical music, especially in its delicate finale. Up to this point, the listener may be under the impression that GTM worked better with small groupings, but this set proves otherwise. ~ François Couture, Rovi