(Free Jazz, Contemporary Jazz, Free Improvisation) Jon Lloyd (Marcio Mattos, Stan Adler, Paul Clarvis) - Four And Five - 1999, FLAC (image+.cue), lossless

Jon Lloyd / Four And Five Жанр: Free Jazz, Contemporary Jazz, Free Improvisation Страна-производитель диска: Switzerland Год издания: 1999 Издатель (лейбл): hatOLOGY Номер по каталогу: 537 Аудиокодек: FLAC (*.flac) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 55:44 Источник (релизер): cd Наличие сканов в содержимом раздачи: нет Треклист: 1. Jump 7:33 2. Four And Five 11:32 3. Zilch, Zero, Zed 7:57 4. Blues For 10:53 5. Method 7:53 6. Xis 4:30 7. Take The Coltrane 5:26  Лог создания рипа Exact Audio Copy V1.0 beta 2 from 29. April 2011EAC extraction logfile from 4. November 2013, 12:49Jon Lloyd / Four and FiveUsed drive : Optiarc DVD RW AD-7170A Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Used output format : User Defined EncoderSelected bitrate : 320 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:33.62 | 0 | 34036 2 | 7:33.62 | 11:32.00 | 34037 | 85936 3 | 19:05.62 | 7:57.00 | 85937 | 121711 4 | 27:02.62 | 10:53.00 | 121712 | 170686 5 | 37:55.62 | 7:53.00 | 170687 | 206161 6 | 45:48.62 | 4:30.00 | 206162 | 226411 7 | 50:18.62 | 5:26.13 | 226412 | 250874Range status and errorsSelected range Filename K:\ЕАС\Jon Lloyd - Four and Five.wav Peak level 92.7 % Extraction speed 1.9 X Range quality 100.0 % Test CRC D31088DA Copy CRC D31088DA Copy OKNo errors occurredAccurateRip summaryTrack 1 accurately ripped (confidence 6) [F5EB2D08] (AR v1)Track 2 accurately ripped (confidence 6) [802D4768] (AR v1)Track 3 accurately ripped (confidence 6) [7D25D638] (AR v1)Track 4 accurately ripped (confidence 6) [DF3B35A3] (AR v1)Track 5 accurately ripped (confidence 6) [2AE0DEB1] (AR v1)Track 6 accurately ripped (confidence 6) [FD440B76] (AR v1)Track 7 accurately ripped (confidence 5) [482AB98D] (AR v1)All tracks accurately rippedEnd of status report==== Log checksum 3230D5FBBD54B0B8821B50CC667C5D30DC59C4CBE23E97E1C2E7AAB59B0D89D7 ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1999REM DISCID 4F0D1107REM COMMENT "ExactAudioCopy v1.0b2"CATALOG 0000000000000PERFORMER "Jon Lloyd"TITLE "Four and Five"FILE "Jon Lloyd - Four and Five.flac" WAVE TRACK 01 AUDIO TITLE "Jump" PERFORMER "Jon Lloyd" ISRC CH1319900098 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Four And Five" PERFORMER "Jon Lloyd" ISRC CH1319900099 INDEX 01 07:33:62 TRACK 03 AUDIO TITLE "Zilch, Zero, Zed" PERFORMER "Jon Lloyd" ISRC CH1319900100 INDEX 01 19:05:62 TRACK 04 AUDIO TITLE "Blues For" PERFORMER "Jon Lloyd" ISRC CH1319900101 INDEX 01 27:02:62 TRACK 05 AUDIO TITLE "Method" PERFORMER "Jon Lloyd" ISRC CH1319900102 INDEX 01 37:55:62 TRACK 06 AUDIO TITLE "Xis" PERFORMER "Jon Lloyd" ISRC CH1319900103 INDEX 01 45:48:62 TRACK 07 AUDIO TITLE "Take The Coltrane" PERFORMER "Jon Lloyd" ISRC CH1319900104 INDEX 01 50:18:62 Доп. информация: Recorded 30th December 1998 at Gateway Studio, Kingston Hill Centre, Surrey.  Об альбоме (сборнике)John Lloyd's new quartet, sans the pianistic invention of John Law, is an earful to behold. Gone are the strange punch-drunk duels between the two, and that's not because Lloyd wanted to make his own voice predominant -- far from it, by adding an entirely new lineup save for Marcio Mattos, with Stan Adler on cello and Paul Clarvis on percussion. The astounding bang in the first five seconds of this record is both the acknowledgement of passage and the entrance into the new. Lloyd, who has previously taken his jazz cues from Anthony Braxton and Steve Lacy has shifted his sources of information: While Lacy remains an influence, the conical soprano investigations of Evan Parker are heard in Lloyd's work for the first time, as is the compositional methodology of Ornette Coleman. Where it seemed on previous recordings that Lloyd's primary concern was to dismiss any approximation of melodic invention, here, that very sensibility is at play -- not only as a way for the quartet to jump off into improvisation, but as a way of holding a particular composition's sway over its length and not to become mired within the free flow of ideas between band members ("Zilch, Zero, Zed"). Using Adler and Mattos is ingenious. It's really two cello players in that Mattos plays that instrument primarily. His interaction with Adler then is symbiotic particularly when overtone studies are called for within improvisation; the textural qualities and choices become enormous for both Lloyd and Clarvis to choose from. Improvisation moves deeper into microtonal investigation and the distance between instruments lessens while widening it in sonic terms ("Four and Five"). In a sound world where texture plays the same role as melody and harmony balance offers a kind of freedom to roam that would never be extended otherwise, such as on the flamenco-tinged "Blues For." After five recordings, the artist seems to have finally found his compositional voice -- his solo voice was well established more than a decade ago -- and his authority as a bandleader is more forceful because he is so much less autodidactic. Four and Five is his finest moment yet; it reveals a new Jon Lloyd: a jazz force to be reckoned with and learned from.  СоставAlto Saxophone, Soprano Saxophone – Jon Lloyd Bass – Marcio Mattos Cello – Stan Adler Drums, Percussion – Paul Clarvis