(Free Jazz, Contemporary Jazz) [CD] Steam (Jim Baker, Kent Kessler, Tim Mulvenna, Ken Vandermark) - Real Time - 2000, FLAC (tracks+.cue), lossless
Steam / Real Time
Жанр: Free Jazz, Contemporary Jazz
Носитель: CD
Страна-производитель диска (релиза): US
Год издания: 2000
Издатель (лейбл): Atavistic
Номер по каталогу: ALP118CD
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 62:47
Источник (релизер): cd
Наличие сканов в содержимом раздачи: нет
Треклист:
1. No Go (dedicated to Dexter Gordon) 5:53
2. Non - Confirmation 6:24
3. Situation Travesty 9:26
4. Explosive Motor (dedicated to Jimmy Lyons) 7:00
5. A Memory Of No Thoughts (dedicated to Terri Kapsalis) 5:59
6. Chump Change (dedicated to Herbie Nichols) 6:40
7. Correlative Amnesia 7:19
8. Telleferro (dedicated to Booker Ervin) 7:02
9. Tableau Shot (dedicated to Peter Greenaway) 7:08
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 27. October 2016, 11:42Steam / Real TimeUsed drive : ASUS DRW-24F1ST a Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 320 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : D:\Programs\Exact Audio Copy\Flac\flac.exeAdditional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:52.45 | 0 | 26444 2 | 5:52.45 | 6:23.65 | 26445 | 55234 3 | 12:16.35 | 9:25.42 | 55235 | 97651 4 | 21:42.02 | 7:00.08 | 97652 | 129159 5 | 28:42.10 | 5:58.40 | 129160 | 156049 6 | 34:40.50 | 6:39.17 | 156050 | 185991 7 | 41:19.67 | 7:18.30 | 185992 | 218871 8 | 48:38.22 | 7:01.30 | 218872 | 250476 9 | 55:39.52 | 7:08.08 | 250477 | 282584Track 1 Filename D:\EAC\01 No Go.wav Pre-gap length 0:00:02.00 Peak level 97.5 % Extraction speed 4.6 X Track quality 100.0 % Test CRC 425C36FC Copy CRC 425C36FC Accurately ripped (confidence 3) [ED81E964] (AR v1) Copy OKTrack 2 Filename D:\EAC\02 Non-Confirmation.wav Pre-gap length 0:00:02.10 Peak level 98.2 % Extraction speed 5.4 X Track quality 100.0 % Test CRC E068669B Copy CRC E068669B Accurately ripped (confidence 3) [5B363A59] (AR v1) Copy OKTrack 3 Filename D:\EAC\03 Situation Travesty.wav Pre-gap length 0:00:01.38 Peak level 98.2 % Extraction speed 6.4 X Track quality 100.0 % Test CRC 22266C45 Copy CRC 22266C45 Accurately ripped (confidence 3) [023EA4E2] (AR v1) Copy OKTrack 4 Filename D:\EAC\04 Explosive Motor.wav Pre-gap length 0:00:02.25 Peak level 99.8 % Extraction speed 7.0 X Track quality 100.0 % Test CRC DD5F3563 Copy CRC DD5F3563 Accurately ripped (confidence 3) [826DF6CC] (AR v1) Copy OKTrack 5 Filename D:\EAC\05 A Memory Of No Thoughts.wav Pre-gap length 0:00:02.40 Peak level 53.4 % Extraction speed 6.8 X Track quality 99.9 % Test CRC 9E2B863C Copy CRC 9E2B863C Accurately ripped (confidence 3) [9C904FE6] (AR v1) Copy OKTrack 6 Filename D:\EAC\06 Chump Change.wav Pre-gap length 0:00:02.55 Peak level 97.3 % Extraction speed 7.8 X Track quality 100.0 % Test CRC 707D7470 Copy CRC 707D7470 Accurately ripped (confidence 3) [08B5EEE2] (AR v1) Copy OKTrack 7 Filename D:\EAC\07 Correlative Amnesia.wav Pre-gap length 0:00:02.07 Peak level 97.7 % Extraction speed 8.4 X Track quality 100.0 % Test CRC 50791548 Copy CRC 50791548 Accurately ripped (confidence 3) [B4FAFA78] (AR v1) Copy OKTrack 8 Filename D:\EAC\08 Telleferro.wav Pre-gap length 0:00:02.12 Peak level 100.0 % Extraction speed 8.8 X Track quality 100.0 % Test CRC 1AF89919 Copy CRC 1AF89919 Accurately ripped (confidence 3) [EAA3AC60] (AR v1) Copy OKTrack 9 Filename D:\EAC\09 Tableau Shot.wav Pre-gap length 0:00:02.15 Peak level 91.6 % Extraction speed 9.2 X Track quality 100.0 % Test CRC 15AAD400 Copy CRC 15AAD400 Accurately ripped (confidence 3) [C96F4265] (AR v1) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum 8962FDEFBDBF104419A36AF0DDE4400D7185D7A338E05886C6A50BBC92E71626 ====
Содержание индексной карты (.CUE)
REM GENRE JazzREM DATE 2000REM DISCID 690EB709REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Steam"TITLE "Real Time"FILE "01 No Go.wav" WAVE TRACK 01 AUDIO TITLE "No Go" PERFORMER "Steam" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Non-Confirmation" PERFORMER "Steam" INDEX 00 05:50:35FILE "02 Non-Confirmation.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Situation Travesty" PERFORMER "Steam" INDEX 00 06:22:27FILE "03 Situation Travesty.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Explosive Motor" PERFORMER "Steam" INDEX 00 09:23:17FILE "04 Explosive Motor.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "A Memory Of No Thoughts" PERFORMER "Steam" INDEX 00 06:57:43FILE "05 A Memory Of No Thoughts.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Chump Change" PERFORMER "Steam" INDEX 00 05:55:60FILE "06 Chump Change.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Correlative Amnesia" PERFORMER "Steam" INDEX 00 06:37:10FILE "07 Correlative Amnesia.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Telleferro" PERFORMER "Steam" INDEX 00 07:16:18FILE "08 Telleferro.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Tableau Shot" PERFORMER "Steam" INDEX 00 06:59:15FILE "09 Tableau Shot.wav" WAVE INDEX 01 00:00:00
Доп. информация: Recording Date: 4/5-6 1996
Об альбоме (сборнике)Reissuing a Ken Vandermark album may seem like a curious endeavor. The highly prolific reed player has only been recording professionally for roughly a decade, hardly enough time for recent portions of his catalog to go out of print. But when you consider that like many of his peers the bulk of Vandermark’s work is on small independent labels the reason behind the demise of some his titles becomes less elusive. Fortunately Atavistic has chosen to reissue this excellent date from a mere three years ago (originally issued on Eigth Day Music), a quartet affair featuring Vandermark in the company of three fellow Chicagoans, two of whom are members of his most high profile group the Vandermark 5.Vandermark isn’t shy about professing the influence of Eric Dolphy on his style and in his playing. At a recent trio concert I was fortunate enough to attend he cycled through a program of pieces, half of which were Dolphy penned. This disc, more than any I’ve heard captures the subtle (and sometimes not so subtle) Dolphyisms in his sound. The melodic jumps and twists, the keening, whimsical urgency and the gorgeously bent tones; all of these echo the spirit of Dolphy and Vandermark never fails to use them to imaginative and captivating advantage. On the opening “No Go” dedicated to Dexter Gordon he crafts a solo that straddles ‘inside’ melodic runs with spiraling upper register squeals and guttural low register honks. Baker, Kessler and Mulvenna stoke a solid rhythmic fire underneath giving the saxophonist the space to stretch out. There’s a chamber-like formality to Vandermark’s opening strains with bass clarinet on “Non-Confirmation,” but soon the familiar harmonic leaps crop up in a solo that incorporates a broad range of the instrument’s unique sonorities.Baker is kind of a tough player to gauge. Throughout parts of the program he strikes an uneasy balance between straight and skewed playing that fits well with the group, but leaves the impression that he’s somewhat unsure of where to stand particularly during the ensemble sections. Kessler and Mulvenna are less tenuous, perhaps because of their heightened familiarity with one another, though all three men hatch upon a consistently challenging rhythmic structure for Vandermark to scale. One of the best examples is on the frenetically deployed “Explosive Motor,” a piece dedicated to Jimmy Lyons, where Kessler’s rubber band bass string snaps and Baker’s cascading chords underlie Vandermark’s emphatic tenor blowing. Mulvenna’s drums are a model of firmness and finesse, painting an effulgent spectrum of percussive colors.With such a diverse number of projects to his name Vandermark’s output can be kind of intimidating. Proper points of ingress into his work are highly subjective and dependent on what side of Vandermark’s multifarious personality you want to explore. Few if any of his releases capture all of his interests, but this one comes close to showing off all of his major traits as a player and it does so in a highly accessible setting.
СоставJim Baker: Piano
Kent Kessler: Bass
Tim Mulvenna: Drums
Ken Vandermark: Reeds