(Free Jazz, CIMP) Vinny Golia & Ken Filiano - The Art Of Negotiation - 1996, FLAC (tracks+.cue), lossless

Vinny Golia & Ken Filiano - The Art Of Negotiation Жанр: Free Jazz, CIMP Страна-производитель диска: USA Год издания: 1996 Издатель (лейбл): CIMP Номер по каталогу: #111 Страна: USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 1:07:49 Источник (релизер): собственный рип Наличие сканов в содержимом раздачи: да1 The First in his Field 2 Lido 3 How can he still be selling cars on TV? 4 Dynamic for Wilimena Fergerson 5 Three Nite Exit 6 Neon AppointmentRecorded at The Spirit Room, Rossie, NY, March 8 & 9, 1996.  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 28. October 2012, 11:07Vinny Golia & Ken Filiano / The Art Of NegotiationUsed drive : SlimtypeDVD A DS8A5SH Adapter: 0 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 128 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exeAdditional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:01.00 | 9:32.14 | 75 | 42988 2 | 9:33.14 | 8:59.66 | 42989 | 83479 3 | 18:33.05 | 14:28.66 | 83480 | 148645 4 | 33:01.71 | 9:52.64 | 148646 | 193109 5 | 42:54.60 | 13:56.53 | 193110 | 255862 6 | 56:51.38 | 11:02.24 | 255863 | 305536Track 1 Filename D:\Musak 2\Vinny Golia\The Art Of Negotiation (1996)\01. The First in his Field.wav Pre-gap length 0:00:03.00 Peak level 77.7 % Extraction speed 2.2 X Track quality 100.0 % Test CRC 84EAF3AA Copy CRC 84EAF3AA Copy OKTrack 2 Filename D:\Musak 2\Vinny Golia\The Art Of Negotiation (1996)\02. Lido.wav Pre-gap length 0:00:02.60 Peak level 60.0 % Extraction speed 2.6 X Track quality 100.0 % Test CRC 6272AD51 Copy CRC 6272AD51 Copy OKTrack 3 Filename D:\Musak 2\Vinny Golia\The Art Of Negotiation (1996)\03. How can he still be selling cars on TV.wav Pre-gap length 0:00:02.60 Peak level 60.1 % Extraction speed 3.1 X Track quality 100.0 % Test CRC 8EF7C53C Copy CRC 8EF7C53C Copy OKTrack 4 Filename D:\Musak 2\Vinny Golia\The Art Of Negotiation (1996)\04. Dynamic for Wilimena Fergerson.wav Pre-gap length 0:00:02.60 Peak level 89.0 % Extraction speed 3.4 X Track quality 100.0 % Test CRC 2DF3B058 Copy CRC 2DF3B058 Copy OKTrack 5 Filename D:\Musak 2\Vinny Golia\The Art Of Negotiation (1996)\05. Three Nite Exit.wav Pre-gap length 0:00:02.60 Peak level 78.2 % Extraction speed 3.9 X Track quality 100.0 % Test CRC 3FBB32AF Copy CRC 3FBB32AF Copy OKTrack 6 Filename D:\Musak 2\Vinny Golia\The Art Of Negotiation (1996)\06. Neon Appointment.wav Pre-gap length 0:00:02.60 Peak level 52.9 % Extraction speed 3.9 X Track quality 99.9 % Test CRC B7D9C228 Copy CRC B7D9C228 Copy OKNo errors occurredEnd of status report==== Log checksum 59896501BE82C26DDC158D3B583FFB21D82F08EEEA8A11D33A86FC568AF3659E ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 1996REM DISCID 500FE806REM COMMENT "ExactAudioCopy v1.0b3"CATALOG 0000000000111PERFORMER "Vinny Golia & Ken Filiano"TITLE "The Art Of Negotiation"FILE "01. The First in his Field.wav" WAVE TRACK 01 AUDIO TITLE "The First in his Field" PERFORMER "Vinny Golia & Ken Filiano" FLAGS DCP PREGAP 00:01:00 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Lido" PERFORMER "Vinny Golia & Ken Filiano" FLAGS DCP INDEX 00 09:29:29FILE "02. Lido.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "How can he still be selling cars on TV?" PERFORMER "Vinny Golia & Ken Filiano" FLAGS DCP INDEX 00 08:57:06FILE "03. How can he still be selling cars on TV.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Dynamic for Wilimena Fergerson" PERFORMER "Vinny Golia & Ken Filiano" FLAGS DCP INDEX 00 14:26:06FILE "04. Dynamic for Wilimena Fergerson.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Three Nite Exit" PERFORMER "Vinny Golia & Ken Filiano" FLAGS DCP INDEX 00 09:50:04FILE "05. Three Nite Exit.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Neon Appointment" PERFORMER "Vinny Golia & Ken Filiano" FLAGS DCP INDEX 00 13:53:68FILE "06. Neon Appointment.wav" WAVE INDEX 01 00:00:00  Об альбомеThese gentlemen are longtime friends and collaborators, besides being individually two of the finest exponents of contemporary free jazz, so it would figure that an album of their duets would electrify. This does to a significant degree, but it is almost done in by the severe, non-reverberant recorded sound. The limitations of CIMP's recording techniques cannot be overstated. Producer Bob Rusch and his engineer son Marc take great pride in presenting the music unadorned, without altering or manipulating the sound in any way. Their technique is actually an anti-technique -- they simply set up a pair of top-quality microphones cabled into their digital recording equipment and let the musicians play. In theory, this should work, but the flat, practice-room ambience of Rusch's living room (where most CIMPs are recorded), combined with the extreme brittleness of the digital medium and poor balance between players, results in recordings that are occasionally all but unlistenable. This doesn't fall into that category -- due wholly to the brilliance of the musicians -- but the typical problems with balance and flatness prevail. Golia plays sopranino sax for a good portion of this album; the recording exaggerates the inherent harshness of the horn, and the differences in volume between the two instruments render Filiano almost inaudible (a bit of compression in the mastering process would mitigate this problem, but CIMP either doesn't allow it or doesn't know how to use it). That said, the music made by the two is often stunning, particularly when Golia picks up his bass clarinet. The two instruments operate in similar ranges, so neither becomes dominant in the mix. At such times the remarkable rapport between the two shines through. The sense of cooperation and shared direction is palpable. Bass clarinet just might be Golia's most expressive vehicle. His sound is warm and vocalic, and while his facility is considerable, one gets the feeling that the somewhat cumbersome horn slows Golia down a bit, causing him to be a bit more swinging and melodic than when he's playing the sopranino. Filiano is a bassist for all seasons. He's got both that big, woody pizzicato sound and a tremendous arco technique; his use of upper-harmonics is imaginative and purposeful. They work together hand-in-glove, finishing each other's sentences and providing mutual support for whatever chances one or the other might take. Were it not for the ugliness of the recorded sound, this might very well be a five-star album.by Chris Kelsey  СоставVinny Golia - Sopranino Saxophone, Clarinet, Bass Clarinet Ken Filiano - Bass, Bass Prepared