(Free Jazz) [CD] The Vandermark 5 (Ken Vandermark, Dave Rempis, Kent Kessler, Fred Lonberg-Holm, Tim Daisy) - A Discontinuous Line - 2006, FLAC (tracks+.cue), lossless

The Vandermark 5 / A Discontinuous Line Жанр: Free Jazz Носитель: CD Страна-производитель диска (релиза): US Год издания: 2006 Издатель (лейбл): Atavistic Номер по каталогу: ALP173CD Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 68:58 Источник (релизер): cd Наличие сканов в содержимом раздачи: нет Треклист: 1. Convertible, Version One (For Charles Eames) 8:39 2. Reciprocal (For Santiago Calatrava) 7:40 3. La Dernier Cri (For Elliot Carter) 7:48 4. Some Not All (For Phillip Wilson) 13:46 5. Aperture (For Walker Evans) 6:45 6. Morricone (For Sergio Leone) 7:00 7. Convertible, Version Two (For Ray Eames) 6:26 8. The Ladder (For Giorgio De Chirico) 10:50  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 11. February 2015, 13:00Vandermark 5 / A Discontinuous LineUsed drive : ASUS DRW-24F1ST a Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 320 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : D:\Programs\Exact Audio Copy\Flac\flac.exeAdditional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 8:39.31 | 0 | 38955 2 | 8:39.31 | 7:40.53 | 38956 | 73508 3 | 16:20.09 | 7:48.32 | 73509 | 108640 4 | 24:08.41 | 13:46.60 | 108641 | 170650 5 | 37:55.26 | 6:45.20 | 170651 | 201045 6 | 44:40.46 | 7:00.50 | 201046 | 232595 7 | 51:41.21 | 6:26.57 | 232596 | 261602 8 | 58:08.03 | 10:50.25 | 261603 | 310377Track 1 Filename D:\EAC\01 Convertible, Version One (For Charles Eames).wav Pre-gap length 0:00:02.00 Peak level 98.8 % Extraction speed 5.0 X Track quality 100.0 % Test CRC 03137743 Copy CRC 03137743 Copy OKTrack 2 Filename D:\EAC\02 Reciprocal (For Saniago Calatrava).wav Peak level 98.8 % Extraction speed 5.8 X Track quality 100.0 % Test CRC B9098EBA Copy CRC B9098EBA Copy OKTrack 3 Filename D:\EAC\03 La Dernier Cri (For Elliot Carter).wav Peak level 98.8 % Extraction speed 6.0 X Track quality 99.9 % Test CRC E2BA8230 Copy CRC E2BA8230 Copy OKTrack 4 Filename D:\EAC\04 Some Not All (For Phillip Wilson).wav Peak level 98.8 % Extraction speed 7.5 X Track quality 100.0 % Test CRC 32B463D3 Copy CRC 32B463D3 Copy OKTrack 5 Filename D:\EAC\05 Aperture (For Walker Evans).wav Peak level 98.8 % Extraction speed 7.8 X Track quality 100.0 % Test CRC FC99D43A Copy CRC FC99D43A Copy OKTrack 6 Filename D:\EAC\06 Morricone (For Sergio Leone).wav Peak level 98.8 % Extraction speed 8.2 X Track quality 100.0 % Test CRC 27D06B1A Copy CRC 27D06B1A Copy OKTrack 7 Filename D:\EAC\07 Convertible, Version Two (For Ray Eames).wav Peak level 98.8 % Extraction speed 7.8 X Track quality 99.9 % Test CRC EB79052F Copy CRC EB79052F Copy OKTrack 8 Filename D:\EAC\08 The Ladder (For Giorgio De Chirico).wav Peak level 98.8 % Extraction speed 9.3 X Track quality 100.0 % Test CRC BE13B70B Copy CRC BE13B70B Copy OKNo errors occurredEnd of status report==== Log checksum B55679384067D1C4AFAFD4EBBC2B893E937278BAC6574E0277E6B7F36A43E7B4 ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 2006REM DISCID 62102A08REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Vandermark 5"TITLE "A Discontinuous Line"FILE "01 Convertible, Version One (For Charles Eames).wav" WAVE TRACK 01 AUDIO TITLE "Convertible, Version One (For Charles Eames)" PERFORMER "Vandermark 5" INDEX 01 00:00:00FILE "02 Reciprocal (For Saniago Calatrava).wav" WAVE TRACK 02 AUDIO TITLE "Reciprocal (For Saniago Calatrava)" PERFORMER "Vandermark 5" INDEX 01 00:00:00FILE "03 La Dernier Cri (For Elliot Carter).wav" WAVE TRACK 03 AUDIO TITLE "La Dernier Cri (For Elliot Carter)" PERFORMER "Vandermark 5" INDEX 01 00:00:00FILE "04 Some Not All (For Phillip Wilson).wav" WAVE TRACK 04 AUDIO TITLE "Some Not All (For Phillip Wilson)" PERFORMER "Vandermark 5" INDEX 01 00:00:00FILE "05 Aperture (For Walker Evans).wav" WAVE TRACK 05 AUDIO TITLE "Aperture (For Walker Evans)" PERFORMER "Vandermark 5" INDEX 01 00:00:00FILE "06 Morricone (For Sergio Leone).wav" WAVE TRACK 06 AUDIO TITLE "Morricone (For Sergio Leone)" PERFORMER "Vandermark 5" INDEX 01 00:00:00FILE "07 Convertible, Version Two (For Ray Eames).wav" WAVE TRACK 07 AUDIO TITLE "Convertible, Version Two (For Ray Eames)" PERFORMER "Vandermark 5" INDEX 01 00:00:00FILE "08 The Ladder (For Giorgio De Chirico).wav" WAVE TRACK 08 AUDIO TITLE "The Ladder (For Giorgio De Chirico)" PERFORMER "Vandermark 5" INDEX 01 00:00:00 Доп. информация: Recorded: 15 & 16 December 2005 at Semaphore, Chicago  Об альбоме (сборнике)Woodwind multi-instrumentalist Ken Vandermark has seen a number of personnel changes in his decade-old flagship group, the Vandermark 5. But when charter member Jeb Bishop left last year, Vandermark made the decision not to replace him with another trombonist. The Color of Memory (Atavistic, 2005) stands, as a result, as a high point and watershed mark of the "old Vandermark 5. A Discontinuous Line marks a significant shift with the recruitment of cellist Fred Lonberg-Holm, himself no stranger to the Chicago avant-garde scene. By adding an instrument that has the capacity for chordal support, Vandermark has reinvigorated his writing for the quintet. Not that it needed any in the first place.Blasphemy it may be to suggest such a thing, but the new lineup may well be a more balanced one. With two horns, two strings and percussion, there's plenty of texture available. But the replacement of Bishop's always expressive trombone has created a sound that, while also capable of aggressive extremes as ever, enables a greater delicacy—beauty, even.On "La Dernier Cri, Tim Daisy's soft tympani-like mallet work on the toms creates a persistent undercurrent of rhythm. The piece starts with cued chords built amongst Vandermark, Lonberg-Holm, saxophonist Dave Rempis and bassist Kent Kessler. Were it not for Daisy, the piece would feel very Ligeti-like, although when it shifts into collective improvisation which treats space as an equal component, the reference dissolves. The beauty of Vandermark's writing, however, is the purposeful direction of such free improvisation: small, clearly constructed figures emerge and disappear, never to be heard from again. By the time Lonberg-Holm's brief solo is over, the group reunites for a coda related to the intro, but not any kind of restatement.The new Vandermark 5 hasn't lost its edge. Lonberg-Holm lends ardent chordal support beneath Rempis' outré solo on "Convertible, Version One. In tandem with Kessler's arco bass, he builds a solo conception that's completely new to the group. Vandermark's cathartic baritone solo is driven in ways that would not have been possible with the old lineup, finally returning to the tune's repetitive 5/4 motif alongside Rempis, while Lonberg-Holm, Kessler and Daisy end the piece on a maelstrom-like note.Vandermark pushes the envelope, but the swinging swagger on "Some Not All refers to the jazz tradition, despite a chamber-like intro that's equally informed by contemporary classicism. Lonberg-Holm's solo of reckless abandon, over which Vandermark and Rempis ultimately enter to signal a return to the lead-in figure, shifts to a rock-ish solo section for Rempis, where Lonberg-Holm's repeated 5/4 figure seamlessly segues into a 7/4 pattern. Complexity never felt this natural or inevitable.Vandermark's biggest strength as a writer is his ability to create compositions that mesh challenging and sometimes long-form structure with freewheeling improvisation. The Color of Memory may have been a high-water mark for the original V5 lineup, but A Discontinuous Line signals a shift for a group that's just as compelling.  СоставAlto Saxophone, Tenor Saxophone – Dave Rempis Baritone Saxophone, Bass Clarinet, Clarinet [Bb], Composed By – Ken Vandermark Bass – Kent Kessler Cello – Fred Lonberg-Holm Drums – Tim Daisy