(Free Jazz, Avant-Garde Jazz) [CD] Rich Halley Quartet (feat. Michael Vlatkovich) - Requiem For A Pit Viper - 2011, FLAC (tracks+.cue), lossless

Rich Halley Quartet / Requiem For A Pit Viper Жанр: Free Jazz, Avant-Garde Jazz Носитель: CD Страна-производитель диска: US Год издания: 2011 Издатель (лейбл): Pine Eagle Records Номер по каталогу: PINE EAGLE 003 Страна: US Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 60:24 Источник (релизер): свой фирменный диск Наличие сканов в содержимом раздачи: Треклист: 1. Requiem For A Pit Viper 7:37 2. Snippet Stop Warp 9:43 3. View From The Underpass 3:30 4. Circumambulation 7:37 5. Purple And Gray 1:42 6. Maj 5:45 7. Wake Up Line 7:57 8. Squeaker 3:46 9. Subterranean Strut 8:50 10. Afternoon In June 3:24  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 30. March 2014, 12:42Rich Halley Quartet / Requiem For A Pit ViperUsed drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 896 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:39.55 | 0 | 34479 2 | 7:39.55 | 9:46.42 | 34480 | 78471 3 | 17:26.22 | 3:34.03 | 78472 | 94524 4 | 21:00.25 | 7:41.12 | 94525 | 129111 5 | 28:41.37 | 1:46.01 | 129112 | 137062 6 | 30:27.38 | 5:49.16 | 137063 | 163253 7 | 36:16.54 | 8:00.18 | 163254 | 199271 8 | 44:16.72 | 3:49.08 | 199272 | 216454 9 | 48:06.05 | 8:53.61 | 216455 | 256490 10 | 56:59.66 | 3:24.53 | 256491 | 271843Track 1 Filename D:\zzz\01 - Requiem For A Pit Viper.wav Pre-gap length 0:00:02.00 Peak level 98.8 % Extraction speed 4.8 X Track quality 100.0 % Test CRC 2478CB1E Copy CRC 2478CB1E Track not present in AccurateRip database Copy OKTrack 2 Filename D:\zzz\02 - Snippet Stop Warp.wav Pre-gap length 0:00:02.44 Peak level 98.8 % Extraction speed 5.8 X Track quality 100.0 % Test CRC 6A64A47A Copy CRC 6A64A47A Track not present in AccurateRip database Copy OKTrack 3 Filename D:\zzz\03 - View From The Underpass.wav Pre-gap length 0:00:03.29 Peak level 98.8 % Extraction speed 5.8 X Track quality 100.0 % Test CRC FC3E918E Copy CRC FC3E918E Track not present in AccurateRip database Copy OKTrack 4 Filename D:\zzz\04 - Circumambulation.wav Pre-gap length 0:00:02.74 Peak level 98.8 % Extraction speed 6.2 X Track quality 99.9 % Test CRC 76BE544D Copy CRC 76BE544D Track not present in AccurateRip database Copy OKTrack 5 Filename D:\zzz\05 - Purple And Gray.wav Pre-gap length 0:00:03.74 Peak level 98.8 % Extraction speed 5.7 X Track quality 100.0 % Test CRC 006058C3 Copy CRC 006058C3 Track not present in AccurateRip database Copy OKTrack 6 Filename D:\zzz\06 - 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Requiem For A Pit Viper.wav" WAVE TRACK 01 AUDIO TITLE "Requiem For A Pit Viper" PERFORMER "Rich Halley Quartet" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Snippet Stop Warp" PERFORMER "Rich Halley Quartet" INDEX 00 07:37:11FILE "02 - Snippet Stop Warp.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "View From The Underpass" PERFORMER "Rich Halley Quartet" INDEX 00 09:43:13FILE "03 - View From The Underpass.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Circumambulation" PERFORMER "Rich Halley Quartet" INDEX 00 03:31:04FILE "04 - Circumambulation.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Purple And Gray" PERFORMER "Rich Halley Quartet" INDEX 00 07:37:13FILE "05 - Purple And Gray.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Maj" PERFORMER "Rich Halley Quartet" INDEX 00 01:43:02FILE "06 - Maj.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Wake Up Line" PERFORMER "Rich Halley Quartet" INDEX 00 05:45:17FILE "07 - Wake Up Line.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Squeaker" PERFORMER "Rich Halley Quartet" INDEX 00 07:57:19FILE "08 - Squeaker.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Subterranean Strut" PERFORMER "Rich Halley Quartet" INDEX 00 03:46:09FILE "09 - Subterranean Strut.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Afternoon In June" PERFORMER "Rich Halley Quartet" INDEX 00 08:50:32FILE "10 - Afternoon In June.wav" WAVE INDEX 01 00:00:00  Лог проверки качества d:\>d:\aucdtect -d/-m0 d:\zzz\*.wavauCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01. Requiem For A Pit Viper.wav]------------------------------------------------------------This track looks like CDDA with probability 99%------------------------------------------------------------Processing file: [02. Snippet Stop Warp.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [03. View From The Underpass.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [04. Circumambulation.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [05. Purple And Gray.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [06. Maj.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [07. Wake Up Line.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [08. Squeaker.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [09. Subterranean Strut.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [10. Afternoon In June.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Final Conclusion:------------------------------------------------------------These tracks looks like CDDA with probability 100% Доп. информация:  Album Info & AAJ ReviewRecorded June 19-20 2010 at GMX Studio, Corvallis, OregonProduced by Rich Halley Engineered, mixed and mastered by Dave Trenkel Layout and design by Brad Winter Photos by Bob Pyle Notes by Dave Wayne Paintings by Tom KramerAll musical compositions by Rich HalleyIt must be difficult for saxophonist Rich Halley to find a collaborative horn man who can keep up with him, who can match his free jazz ferocity and full-throttle momentum. Difficult, but not impossible. In the midst of three fine trio efforts for Louie Records, he offered up one quartet outing in which the saxophonist teamed with cornetist Bobby Bradford—best known perhaps for his work on Ornette Coleman's 1971-recorded The Complete Science Fiction Sessions (Columbia Records, 2000)—to produce 2003's The Blue Rims, his finest outing for the label—a stellar and riotous two horn blow-fest. Rich Halley had met his front line match, with bracing, earth-shaking results. Halley has found another horn man who can keep up with his steroidal attack in trombonist Michael Vlatkovich, on Requiem for a Pit Viper. Like Halley, Vlatkovich is bold and virtuosic and player, and no stranger to the trio concept—unusually, for a trombonist. His superbly freewheeling Queen Dynamo (Origin Records, 2004) placed him front and center with bass and drums, proving that the big horn isn't necessarily a low end harmony tool for larger ensembles. Requiem for a Pit Viper opens with the roaring title track, as Halley and Vlatkovich bounce brash ideas off of each other, creating muscular melodic moments augmented by Clyde Reed's powerful bass and Carson Halley's heavy metal drumming. For free jazz, it is surprisingly catchy; a madcap army march that seems designed to pump up a maniacal troop force for the assault of enemy territory, where the plan is to take absolutely no prisoners. Reed and Carson Halley tighten the sound behind Vlatkovich's contained—relative to the opening salvo—trombone solo, leading into Reed's guitar-like bass turn, before sax and trombone blow back in, brasher than ever. Halley's artistry—in spite of his muscularity and moments of raw, screaming power—can also be quite restrained, in a searing, bebop, too-hot-to-touch-the-horn way. His extended solo on "Snippet Stop Warp" could fit in the middle of a free-swinging version of an up-tempo Great American Songbook standard without sounding too "out there," with some very intricate, even subtle, but always vivid moments. The brief "Maj" sounds particularly feral, with Halley and Vlatkovich giving the impression of a grizzly bear and a badger circling each other in growling, snarling contemplation of a fight to the death, until they call it a standoff and wind down to fight another day. "Wake Up Line" is eight minutes of serious bombast underlain by an implacable rhythm—Reed rock solid, Carson Halley doing an energetic rattle and roll. The music's appeal is its unusual and engaging mixture of structure and freedom—sometimes very wild freedom. More than a decade into an always gripping effort to perfect his singular, adventurous, often torrid free bop small ensemble sound, Rich Halley sounds supremely-inspired by the company he is keeping, and he may have made his best CD to date with Requiem for a Pit Viper.  СоставRich Halley: tenor saxophone, percussion Michael Vlatkovich: trombone, percussion, squeak toys Clyde Reed: bass Carson Halley: drums, percussion