(Free Jazz) Art Ensemble of Chicago with Fontella Bass - Art Ensemble of Chicago with Fontella Bass (1970) {America Records #03 (067 865 -2), EU} - 2004, APE (image+.cue) lossless
Art Ensemble of Chicago with Fontella Bass - Art Ensemble of Chicago with Fontella Bass
Жанр: Free Jazz
Страна-производитель диска: France ("Made in the EU")
Год издания диска: 2004 (1971)
Издатель (лейбл): Universal Music S.A.S. France / America Records
Номер по каталогу: #03 (067 865 -2)
Страна исполнителей: USAАудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:41:42
Источник (релизер): barin99
Наличие сканов в содержимом раздачи: даТреклист:1. Pt. 1: How Strange / Pt. 2: Ole Jed 22:03
2. Horn Webb 19:39Recorded:August 1970
Paris, FrancePersonnel:Fontella Bass — VocalsDon Moye — Percussion, Drums, Bells, Temple Blocks, Bass Marimba
Lester Bowie — Trumpet, Drums (Bass), Flugelhorn, Horn, Multi Instruments, Animal Sounds
Malachi Favors — Banjo, Bass, Percussion, Bass (Electric), Kazoo, Multi Instruments, Double Bass, Log Drums
Joseph Jarman — Clarinet, Flute, Guitar, Percussion, Conga, Drums, Gong, Marimba, Oboe, Saxophone, Sax (Alto), Sax (Soprano), Whistle (Human), Multi Instruments, Bells, Vibraphone, Siren
Roscoe Mitchell — Clarinet, Flute, Percussion, Conga, Cymbals, Gong, Sax (Alto), Sax (Bass), Sax (Soprano), Whistle (Human), Drums (Steel), Multi Instruments, Whistle (Instrument), Bells, Logs, Siren
Лог создания рипа (EAC Log)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 29. September 2010, 20:17Art Ensemble of Chicago / With Fontella BassUsed drive : TSSTcorpDVD+-RW TS-U633A Adapter: 0 ID: 1Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Used output format : Internal WAV RoutinesSample format : 44.100 Hz; 16 Bit; StereoTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 22:03.18 | 0 | 99242 2 | 22:03.18 | 19:39.51 | 99243 | 187718Range status and errorsSelected range Filename C:\_Arc\EAC_Out\Art Ensemble of Chicago - With Fontella Bass\Art Ensemble of Chicago - With Fontella Bass.wav Peak level 97.6 % Range quality 100.0 % Copy CRC 49398925 Copy OKNo errors occurredAccurateRip summaryTrack 1 not present in databaseTrack 2 not present in databaseNone of the tracks are present in the AccurateRip databaseEnd of status report
Содержание индексной карты (.CUE)
REM DATE 1971REM DISCID 0D09C602REM COMMENT "ExactAudioCopy v0.99pb5"PERFORMER "Art Ensemble of Chicago"TITLE "With Fontella Bass"FILE "Art Ensemble of Chicago - With Fontella Bass.ape" WAVE TRACK 01 AUDIO TITLE "Part One: How Strange; Part Two: Ole Jed" PERFORMER "Art Ensemble of Chicago" FLAGS DCP INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Horn Webb" PERFORMER "Art Ensemble of Chicago" FLAGS DCP INDEX 00 21:57:33 INDEX 01 22:03:18
AMG"The Art Ensemble of Chicago with Fontella Bass was recorded in a Paris studio in 1970. The band had been gigging regularly in the city and this session offered an intimate view of the live material including 'How Strange' which appeared later on Live in Paris. 'How Strange' is part of a suite with 'Ole Jed,' comprising nearly 22 minutes. Bass, an R&B and gospel singer by trade and Lester Bowie's wife at the time, adds a wonderful theatrical and sonic dimension to the Art Ensemble's creative juggernaut. 'How Strange' begins with an African chant by Joseph Jarman and Bass. As the instruments enter in earnest, one can hear traces of 'Round Midnight' waft through the background and then the musical reality play is off an running. Bass sings, roars, growls, chants and spits poetry, becoming another fiery instrument in the band's arsenal. On 'Horn, Webb,' Don Moye kicks it with a trap drum solo. For nearly four minutes before the tack comes to a standstill and the horns of Jarman, Bowie and Roscoe Mitchell come in, blaring in unison before the work becomes a long, spacious textural study with many dynamic and colorful shifts along the way. Thirty-six years later, this piece still sounds fresh, new, full of inquiry and excitement. This set stands the test of time beautifully."
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