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(Free Jazz) another INTERface - Live at the BIM - 1997, FLAC (tracks+.cue) lossless

another INTERface - Live at the BIM Жанр: Free Jazz Страна-производитель диска: USA Год издания диска: 1997 Издатель (лейбл): ReEntry Records Номер по каталогу: CD 017 Страна: USA Аудио кодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 1:11:43 Источник (релизер): собственный рип с оригинального диска Наличие сканов в содержимом раздачи: да Треклист:01. What If? (Fischer, Interface , Morris ) 7:10 02. Proposition (Fischer) 10:20 03. Fast as Heck (Rythamathing) (Monk) 5:51 04. MM Blues (Fischer) 7:13 05. Amsterdam Polka (Fischer) 6:15 06. Foggy (Fischer) 7:18 07. Tolls Fantasy (Fischer) 5:42 08. Fast as Heck #2 (Fischer) 4:21 09. Jitterbug Waltz (Maltby, Waller) 5:00 10. Deep Blue Lake (Fischer) 4:24 11. Don't Get Around Much Anymore (Ellington, Russell) 3:43 12. The Man I Love (Gershwin) 2:29  Лог создания рипа Exact Audio Copy V0.99 prebeta 5 from 4. May 2009EAC extraction logfile from 17. October 2010, 20:39another INTERface / Live at the BIMUsed drive : TSSTcorpCDDVDW SH-S222A Adapter: 1 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 768 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\tool\Audio\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -V -8 -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "TRACKNUMBER=%n" -T "GENRE=%m" %sTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 7:10.62 | 0 | 32311 2 | 7:10.62 | 10:20.48 | 32312 | 78859 3 | 17:31.35 | 5:51.00 | 78860 | 105184 4 | 23:22.35 | 7:13.37 | 105185 | 137696 5 | 30:35.72 | 6:15.60 | 137697 | 165881 6 | 36:51.57 | 7:18.58 | 165882 | 198789 7 | 44:10.40 | 5:42.52 | 198790 | 224491 8 | 49:53.17 | 4:21.68 | 224492 | 244134 9 | 54:15.10 | 5:00.02 | 244135 | 266636 10 | 59:15.12 | 4:24.13 | 266637 | 286449 11 | 63:39.25 | 3:43.45 | 286450 | 303219 12 | 67:22.70 | 2:29.45 | 303220 | 314439Track 1 Filename C:\! 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RUTRACKER\ru up\another INTERface\12 - The Man I Love.wav Pre-gap length 0:00:04.00 Peak level 99.6 % Track quality 100.0 % Test CRC 1F15B905 Copy CRC 1F15B905 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report  Содержание индексной карты (.CUE) REM GENRE "Free Jazz"REM DATE 1996REM DISCID 9F10600CREM COMMENT "ExactAudioCopy v0.99pb5"CATALOG 0000000000000PERFORMER "another INTERface"TITLE "Live at the BIM"FILE "01 - What if.wav" WAVE TRACK 01 AUDIO TITLE "What if" PERFORMER "another INTERface" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Proposition" PERFORMER "another INTERface" INDEX 00 07:05:52FILE "02 - Proposition.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Fast as Heck (Rythamathing)" PERFORMER "another INTERface" INDEX 00 10:15:40FILE "03 - Fast as Heck (Rythamathing).wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Mm Blues" PERFORMER "another INTERface" INDEX 00 05:45:30FILE "04 - Mm Blues.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Amsterdam Polka" PERFORMER "another INTERface" INDEX 00 07:08:72FILE "05 - Amsterdam Polka.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Foggy" PERFORMER "another INTERface" INDEX 00 06:09:18FILE "06 - Foggy.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Tolls Fantasy" PERFORMER "another INTERface" INDEX 00 07:13:70FILE "07 - Tolls Fantasy.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Fast as Heck # 2" PERFORMER "another INTERface" INDEX 00 05:38:40FILE "08 - Fast as Heck # 2.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Jitterburg Waltz" PERFORMER "another INTERface" INDEX 00 04:18:53FILE "09 - Jitterburg Waltz.wav" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "Deep Blue Lake" PERFORMER "another INTERface" INDEX 00 04:56:52FILE "10 - Deep Blue Lake.wav" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "Don't Get Around Much Anymore" PERFORMER "another INTERface" INDEX 00 04:20:55FILE "11 - Don't Get Around Much Anymore.wav" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "The Man I Love" PERFORMER "another INTERface" INDEX 00 03:39:45FILE "12 - The Man I Love.wav" WAVE INDEX 01 00:00:00 Доп. информация: Recorded Live at BIMHuis, Amsterdam, Holland, October 1st, 1996 by VPRO Radio."Interface is the point where things come together and communicate or coexist on the same plane."  Об альбоме (сборнике)Recorded in 1996 in Amsterdam, this curious and mysterious solo and trio recording was apparently a one-off. Led by pianist John Fischer (who is a dead ringer for Albert Einstein), this set was recorded at the 20th anniversary of the Bimhuis in Amsterdam, where Fischer got his jazz start, and it features some of the pianist's best-known compositions and reinventions of others. The set opens with "What If?," a pointillistic piece that is both knotty and modal in its execution, and Arthur Blythe plays gorgeously in the intervallic shifts (Fischer has a compositional system called the Quad System where all interval relationships are broken down to four notes) by moving through with a series of thirds and ninths that blur the edges of the piano's angles. Next up is a near classical piece by Fischer performed solo, and deeply influenced by Ravel. The trio reengages with a radical reworking of Monk's "Rhythm-A-Ning" that is not unpleasant so much as it's far too afield to still be called Monk's. Why? Because it has no funk; it's an egghead version. Fischer also brings back "Mm Blues," with his four-note system that completely restructures an eight-bar blues and turns it into something Keith Jarrett might play. There are also readings of Fats Waller here that are faithful and lovely, as well as devastatingly original harmonic architectures in "Tolls Fantasy" and "Deep Blue Lake." The encores to these sets are surprising, though, in that they are very faithful readings of Ellington and Gershwin, a surprise for fans of Fischer's more outside work. They fit here, though, as this concert blends all of Fischer's influences, angles, inventions, and conceptions together into a startling whole, one that is original, vital, and demonstrably warm.  СоставArthur Blythe - alto sax Wilber Morris - bass John Fischer - piano
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