(Free Improvisation, Free Jazz, Modern Free) Peter Brotzmann & Fred Lonberg-Holm - The Brain of the Dog in Section - 2008, FLAC (tracks+.cue), lossless

Peter Brötzmann & Fred Lonberg-Holm - The Brain of the Dog in Section Жанр: Free Improvisation, Free Jazz, Modern Free Год выпуска диска: 2008 Производитель диска: USA Аудио кодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 37:54Трэклист:01. Section 1 13:52 02. Section 2 19:39 03. Section 3 04:22Personnel: Peter Brötzmann - (tarogato, clarinet, alto saxophone, tenor saxophone) Fred Lonberg-Holm - (cello, electronics)  XLD extraction logfile: X Lossless Decoder version 20080926 (93.3)XLD extraction logfile from 2008-11-28 21:24:05 -0800Peter BrГ¶tzmann & Fred Lonberg-Holm / The Brain Of The Dog In SectionUsed drive : MATSHITA DVD-R UJ-85J (revision FCQ5)Use cdparanoia mode : YES (CDParanoia III 10.2 engine)Disable audio cache : OK for the drive with cache less than 2750KBMake use of C2 pointers : NORead offset correction : 102Max retry count : 100TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 13:52:37 | 0 | 62436 2 | 13:52:37 | 19:39:07 | 62437 | 150868 3 | 33:31:44 | 04:22:32 | 150869 | 170550Track 01 Filename : /Users/russellstokke/Desktop/01 Section 1.flac /Users/russellstokke/Desktop/01 Section 1.mp3 CRC32 hash (test run) : AA500AE3 CRC32 hash : AA500AE3 CRC32 hash (skip zero) : 2055691D AccurateRip signature : F8650FB0 ->Track not present in AccurateRip database. Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0Track 02 Filename : /Users/russellstokke/Desktop/02 Section 2.flac /Users/russellstokke/Desktop/02 Section 2.mp3 CRC32 hash (test run) : 0FFCA84C CRC32 hash : 0FFCA84C CRC32 hash (skip zero) : 0BCA35E5 AccurateRip signature : 05CA6FD4 ->Track not present in AccurateRip database. Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0Track 03 Filename : /Users/russellstokke/Desktop/03 Section 3.flac /Users/russellstokke/Desktop/03 Section 3.mp3 CRC32 hash (test run) : F000C7F1 CRC32 hash : F000C7F1 CRC32 hash (skip zero) : AE2210C6 AccurateRip signature : 3D709C4E ->Track not present in AccurateRip database. Statistics Read error : 0 Skipped (treated as error) : 0 Edge jitter error (maybe fixed) : 0 Atom jitter error (maybe fixed) : 0 Drift error (maybe fixed) : 0 Dropped bytes error (maybe fixed) : 0 Duplicated bytes error (maybe fixed) : 0 Inconsistency in error sectors : 0No errors occurredEnd of status report  AMG album info:For those who are familiar with the music of Peter Brötzmann, it should delight you that you already have an idea of what The Brain of the Dog in Section, the improvised duet album with cellist Fred Lonberg-Holm, sounds like. The latter also doubles on sundry electronics on this set, even as Brötzmann employs his trademark tenor, as well as alto saxophones, B flat clarinet, and taragato as well. Two long improvisations, and one very brief one by contrast, showcase a wealth of sonic textures and dynamics. That said, this duo also makes an excellent case for showcasing the importance of listening in free improvisation. In "Section One," the alto and tenor are placed in sharp juxtaposition to drawn out bowed tones, feedback, and very fast arco and fingerwork from Lonberg-Holm. The way electronics move toward the pitch of Brötzmann's horns and playfully engage them, elongating not only flurries and clusters of notes and sounds but also spaces, makes for real delight. The bass clarinet makes its first appearance on "Section Two." While the 19-plus-minute cut does begin with a fire storm, at around the ten-minute mark it transitions into a gorgeous, spacious, droning lull of modal and even lyric melody on each instrument. It's a moving interlude before the intensity, inevitably, ratchets up again. "Section Three" seems to be a study in elongated tones, and subsequent phrases constructed almost entirely from them reach for the scalar heights before moving back into the thick of entwining lines and arpeggios. The sparks on this set fly fast, but never loose. This is a deeply focused affair that gives listeners the best of both players on display at full-bore. downloaded from what.cd thanks a lot to toerag