(Free Improvisation, Electroacoustic, Auf Abwegen) [CD] Rhodri Davies & Gregory Buttner - 3 Harp Treatments - 2009, FLAC (tracks+.cue), lossless

Rhodri Davies & Gregory Buttner / 3 Harp Treatments Жанр: Free Improvisation, Electroacoustic, Auf Abwegen Носитель: CD Страна-производитель диска (релиза): Germany Год издания: 2009 Издатель (лейбл): Anthropometrics / Aufabwegen Номер по каталогу: anthro 3 Страна исполнителя (группы): UK, Germany Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:40:50 Источник (релизер): свой фирменный диск Наличие сканов в содержимом раздачи: Треклист: 1. Glas 10:21 2. Plok 12:57 3. Bow 16:48  Лог создания рипа Exact Audio Copy V1.1 from 23. June 2015EAC extraction logfile from 20. December 2015, 14:17Rhodri Davies & Gregory Buttner / 3 Harp TreatmentsUsed drive : PIONEER DVD-RW DVR-221L Adapter: 3 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 768 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\FLAC\flac.exeAdditional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 10:37.09 | 0 | 47783 2 | 10:37.09 | 13:11.00 | 47784 | 107108 3 | 23:48.09 | 17:01.30 | 107109 | 183713Track 1 Filename D:\zzz\01 - Glas.wav Pre-gap length 0:00:02.00 Peak level 87.1 % Extraction speed 3.6 X Track quality 99.9 % Test CRC 1351A4B8 Copy CRC 1351A4B8 Track not present in AccurateRip database Copy OKTrack 2 Filename D:\zzz\02 - Plok.wav Pre-gap length 0:00:07.00 Peak level 100.0 % Extraction speed 5.0 X Track quality 100.0 % Test CRC AFA4C76F Copy CRC AFA4C76F Track not present in AccurateRip database Copy OKTrack 3 Filename D:\zzz\03 - Bow.wav Pre-gap length 0:00:07.00 Peak level 23.6 % Extraction speed 6.0 X Track quality 100.0 % Test CRC 9753AC95 Copy CRC 9753AC95 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report---- AcoustID Plugin V1.2.0Total fingerprints: 3==== Log checksum 039D5F94F90055F362A6C266B66636AA216B68DE7585242CC33E9C0FBCF22E3D ====  Содержание индексной карты (.CUE) REM GENRE "Free Improvisation, Electroacoustic"REM DATE 2009REM DISCID 1C099103REM COMMENT "ExactAudioCopy v1.1"PERFORMER "Rhodri Davies & Gregory Buttner"TITLE "3 Harp Treatments"FILE "01 - Glas.wav" WAVE TRACK 01 AUDIO TITLE "Glas" PERFORMER "Rhodri Davies & Gregory Buttner" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Plok" PERFORMER "Rhodri Davies & Gregory Buttner" INDEX 00 10:30:09FILE "02 - Plok.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Bow" PERFORMER "Rhodri Davies & Gregory Buttner" INDEX 00 13:04:00FILE "03 - Bow.wav" WAVE INDEX 01 00:00:00 Доп. информация:  Album Info & ReviewsGregory Buttner and Rhodri Davies met in Hamburg in April 2006 and decided to collaborate. The basis of this recording is a ten minute harp improvisation by Davies. On his return to London, Davies sent his piece to Buttner, who digitally processed and edited it to three different tracks.Pictures: Katrin Bethge Design: Gregory ButtnerThanks to Till KniolaLimited edition of 300 copiesIt was Derek Bailey and Han Bennink who defied the cardinal real-time, real-presence rule of Improv by posting one another cassettes of solo performances and then overdubbing them. They then compounded the horror by calling one of the eventual releases Air Mail Special, as if it was a set of old swing covers. The most remarkable aspect of Rhodri Davies's collaboration with sound artist Gregory Büttner is that it never for a moment sounds like a sequence of ex post facto treatments, but alive, fresh and endlessly responsive. Büttner is still perhaps best known for his Für Diesen Abend duo with Stefan Funck and their extended work with Overheadprojections artist Katrin Bethge, who provides the visuals here as well. For this project, Büttner digitally processes and edits three new works out of a single ten minute harp improvisation by Davies. The first piece, "Glas", alternates gamelan-like effects and waterphone sounds with periods of shimmering near-silence. As the title suggests, "Plok" finds tiny, percussive effects in the source material. One has a sense of hearing faint decays, delivered without the original attack (whatever form it took), rigidly gated to produce a spare, uncompromisingly spacious performance that is far more dramatically busy than its actual sound would suggest was possible. "Bow" opens on a tense, unsteady drone and moves with eerie slowness for more than a quarter of an hour. At just over 40 minutes in total, there might have been room to include Davies's original improvisation. But since this is a collaboration, and a highly unified one at that, the inclusion might have created a false impression of track-plus-mixes rather than, as they should be considered, three original and free-standing works. - Brian Morton, The Wire 308Renowned Welsh-born improvisor and experimental harpist Rhodri Davies joins forces with Hamburg-based electronic musician Gregory Buttner for this venture, finding new, abstracted ways of presenting and transforming the natural timbral range of the harp. Far from being a conventional instrumentalist, Davies' body of work reveals an artist with a keen ear for breaking down conventional notions of performance, and so this was never going to be one of those interactive electroacoustic records in which a straight solo recital gets sliced and diced by a laptop for the mere sake of it. Instead, these two artists have a synergetic approach to their craft, with both acoustic and digital aspects searching out the path least travelled. On 'Glas' we're struck by a flurry of metallic textures of various shapes and sizes, starting with a hailstorm of nuts and bolts early on only to flirt with deeper, more resonant tones. Sounding less mechanical, 'Plok' deals in more diffuse noises, from sporadically percussive, high frequency jangles to industrial clanks. Different again, 'Bow' opts for slow, sustaining drones as its central concern, its title possibly alluding to the use of an Ebow in eliciting these continuous strips of tone from the harp's strings. Three strong pieces with three distinct identities, these electroacoustic improvisations demand your fullest attention but reward amply in return. - boomkat.com