(Free Improvisation) [CD] Abdelhai Bennani Trio (Benjamin Duboc, Edward Perraud) - There Starts The Future - 2009, FLAC (tracks+.cue), lossless

Abdelhaï Bennani Trio / There Starts The Future Жанр: Free Improvisation Носитель: CD Страна-производитель диска (релиза): Sweden Год издания: 2009 Издатель (лейбл): Ayler Records Номер по каталогу: aylCD-083 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 61:33 Источник (релизер): cd Наличие сканов в содержимом раздачи: нет Треклист: 1. In The Beginning Was The Night (29:28) 2. I Had A Dream (32:03)  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 2. February 2015, 12:05Abdelhai Bennani Trio / There Starts The FutureUsed drive : ASUS DRW-24F1ST a Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 320 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : D:\Programs\Exact Audio Copy\Flac\flac.exeAdditional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 29:30.14 | 0 | 132763 2 | 29:30.14 | 32:03.42 | 132764 | 277030Track 1 Filename D:\EAC\01 In The Beginning Was The Night.wav Pre-gap length 0:00:02.00 Peak level 98.8 % Extraction speed 6.3 X Track quality 99.9 % Test CRC C39A6F4D Copy CRC C39A6F4D Copy OKTrack 2 Filename D:\EAC\02 I Had A Dream.wav Pre-gap length 0:00:02.00 Peak level 98.8 % Extraction speed 9.0 X Track quality 100.0 % Test CRC 2AB4EE95 Copy CRC 2AB4EE95 Copy OKNo errors occurredEnd of status report==== Log checksum E56540C67EE89CE2F3404844C3D50FA7B3EF0F75C56950B6E55D2D683AFC866B ====  Содержание индексной карты (.CUE) REM GENRE JazzREM DATE 2009REM DISCID 130E6D02REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Abdelhai Bennani Trio"TITLE "There Starts The Future"FILE "01 In The Beginning Was The Night.wav" WAVE TRACK 01 AUDIO TITLE "In The Beginning Was The Night" PERFORMER "Abdelhai Bennani Trio" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "I Had A Dream" PERFORMER "Abdelhai Bennani Trio" INDEX 00 29:28:14FILE "02 I Had A Dream.wav" WAVE INDEX 01 00:00:00 Доп. информация: Recorded on 6 June 2007 Les Instants Chavirés, Montreuil  Об альбоме (сборнике)"Born in Fes in Morocco in 1950, Abdelhaï Bennani studied in Marseilles [..] then moved to Paris, when he has been affiliated with players as distinctive as bassist Alan Silva, guitarist Camel Zekri and drummer Makoto Sato.[...] Bennani's drummer is Edward Perraud, part of the microtonal band Hubbub as well as backing such disparate saxophonists as Jean-Luc Guionnet and Arthur Doyle. Bassist Benjamin Duboc is even more versatile. His list of associates takes in Sato, Guionnet, trumpeter Roy Campbell and saxophonists Michel Doneda and Oliver Lake. [...] In turns discursive, distracted and distanced in his soloing [...] Bennani's mid-tempo performance is one of examination not assertion. Self-focused curvaceous trills, wispy breaths and strangled cries are his most common stratagems. Altissimo shrills, reed splintering and whistling are sometimes used for emphasis, but as abruptly as these explosions occur, they vanish - to be replaced by further plaintive mutterings and taut overtone ruminations.Responding in an admirable fashion, Duboc and Perraud use almost every tactic available to the non-idiomatic instrumentalists to maintain rhythmic flow on the two overlong improvisations. Bennani's repetitive split tones and striated cries are met by double-stopping thumps and string scrapes from the bassist and ratcheting reverb plus beat fastening from the drummer. If the saxophonist confines himself to excavating timbres within his horn's body tube, cork and reed, Duboc enlivens those responses with harsh friction, sul ponticello runs and stops high up near the bass scroll. Meanwhile Perraud contributes paradiddles played with mallets on top of drum heads plus cymbal scratches and pings.Rendering his parts with suppressed ferocity that suggest Edward Munch's "The Scream", the saxman's mercurial output occasionally initiates billowing, shredded reed tones as if Perraud's ratamacues and Duboc's power strokes threaten to reduce him to further silence. Nonetheless, the bassist's and drummer's self-discipline is commendable when they resort to hand slaps on drum tops and positioned taps on the bass's belly and ribs to enliven Bennani's indolent lowing without masking it. Miraculously tonal fragmentation is masticated into a recapping of the initial head by Bennani during the second tune's penultimate moments. Rounding the circle with Duboc's staccato rumbles and Perraud's rim-shot knocks, the piece concludes disconcertedly, when the saxman literally stops making sounds. [...]"- Ken Waxman, www.jazzword.com  СоставBass – Benjamin Duboc Drums – Edward Perraud Tenor Saxophone – Abdelhaï Bennani