(Free Improvisation, Avant-Garde Jazz, Soul Note, Electroacoustic) [CD] Nobu Stowe & Lee Pembleton Project (feat. Perry Robinson, Blaise Siwula, Ross Bonnadonna) - Hommage An Klaus Kinski - 2007, FLAC (tracks+.cue), lossless

Nobu Stowe & Lee Pembleton Project / Hommage An Klaus Kinski Жанр: Free Improvisation, Avant-Garde Jazz, Soul Note, Electroacoustic Носитель: CD Страна-производитель диска: Italy Год издания: 2007 Издатель (лейбл): Soul Note Номер по каталогу: 121337-2 Страна: US Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 75:48 Источник (релизер): свой фирменный диск Наличие сканов в содержимом раздачи: Треклист: 1. Duo I-A 3:17 2. Quintet III 21:12 3. Trio III-B 5:02 4. Duo II-E 4:20 5. Quartet 5:29 6. Trio II 7:09 7. Quintet I-D 12:55 8. Duo II-B 3:54 9. Hommage An Klaus Kinski 5:05 10. 'Round Midnight 7:26  Лог создания рипа Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 14. July 2014, 13:14Nobu Stowe - Lee Pembleton Project / Hommage An Klaus KinskiUsed drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 896 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 3:16.74 | 0 | 14773 2 | 3:16.74 | 21:11.64 | 14774 | 110162 3 | 24:28.63 | 5:01.49 | 110163 | 132786 4 | 29:30.37 | 4:19.39 | 132787 | 152250 5 | 33:50.01 | 5:29.16 | 152251 | 176941 6 | 39:19.17 | 7:09.08 | 176942 | 209124 7 | 46:28.25 | 12:55.03 | 209125 | 267252 8 | 59:23.28 | 3:54.12 | 267253 | 284814 9 | 63:17.40 | 5:05.10 | 284815 | 307699 10 | 68:22.50 | 7:26.01 | 307700 | 341150Track 1 Filename D:\zzz\01 - Duo I-A.wav Pre-gap length 0:00:02.00 Peak level 92.9 % Extraction speed 4.0 X Track quality 100.0 % Test CRC EDF6B05F Copy CRC EDF6B05F Accurately ripped (confidence 1) [5F9FDC73] (AR v2) Copy OKTrack 2 Filename D:\zzz\02 - Quintet III.wav Peak level 97.7 % Extraction speed 4.4 X Track quality 99.9 % Test CRC 23CED3D5 Copy CRC 23CED3D5 Accurately ripped (confidence 1) [A386FC42] (AR v2) Copy OKTrack 3 Filename D:\zzz\03 - Trio III-B.wav Peak level 79.9 % Extraction speed 4.2 X Track quality 100.0 % Test CRC EA1CB32F Copy CRC EA1CB32F Accurately ripped (confidence 1) [AF99411B] (AR v2) Copy OKTrack 4 Filename D:\zzz\04 - Duo II-E.wav Peak level 97.7 % Extraction speed 4.1 X Track quality 100.0 % Test CRC 74A81D9D Copy CRC 74A81D9D Accurately ripped (confidence 1) [6090F31B] (AR v2) Copy OKTrack 5 Filename D:\zzz\05 - Quartet.wav Peak level 93.8 % Extraction speed 4.2 X Track quality 100.0 % Test CRC 30E39D38 Copy CRC 30E39D38 Accurately ripped (confidence 1) [7137EB0C] (AR v2) Copy OKTrack 6 Filename D:\zzz\06 - Trio II.wav Peak level 97.7 % Extraction speed 4.3 X Track quality 100.0 % Test CRC 72BD2629 Copy CRC 72BD2629 Accurately ripped (confidence 1) [48997140] (AR v2) Copy OKTrack 7 Filename D:\zzz\07 - Quintet I-D.wav Peak level 100.0 % Extraction speed 4.5 X Track quality 100.0 % Test CRC 012CDE2C Copy CRC 012CDE2C Accurately ripped (confidence 1) [29DA4692] (AR v2) Copy OKTrack 8 Filename D:\zzz\08 - Duo II-B.wav Peak level 97.7 % Extraction speed 4.1 X Track quality 100.0 % Test CRC 5DA942FF Copy CRC 5DA942FF Accurately ripped (confidence 1) [7887EBC7] (AR v2) Copy OKTrack 9 Filename D:\zzz\09 - Hommage An Klaus Kinski.wav Peak level 97.7 % Extraction speed 3.8 X Track quality 99.9 % Test CRC F69050CF Copy CRC F69050CF Accurately ripped (confidence 1) [D074E3B2] (AR v2) Copy OKTrack 10 Filename D:\zzz\10 - 'Round Midnight.wav Peak level 70.6 % Extraction speed 4.3 X Track quality 100.0 % Test CRC 21E0A540 Copy CRC 21E0A540 Accurately ripped (confidence 1) [2F2EF94E] (AR v2) Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum C56ECA0288082980D4B286C1D5E8F145B2D490BF7BF404DB14B60A4C0CBCEB5C ====  Содержание индексной карты (.CUE) REM GENRE "Avant-Garde Jazz"REM DATE 2007REM DISCID 8E11C40AREM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Nobu Stowe - Lee Pembleton Project"TITLE "Hommage An Klaus Kinski"FILE "01 - Duo I-A.wav" WAVE TRACK 01 AUDIO TITLE "Duo I-A" PERFORMER "Nobu Stowe - Lee Pembleton Project" FLAGS DCP INDEX 01 00:00:00FILE "02 - Quintet III.wav" WAVE TRACK 02 AUDIO TITLE "Quintet III" PERFORMER "Nobu Stowe - Lee Pembleton Project" FLAGS DCP INDEX 01 00:00:00FILE "03 - Trio III-B.wav" WAVE TRACK 03 AUDIO TITLE "Trio III-B" PERFORMER "Nobu Stowe - Lee Pembleton Project" FLAGS DCP INDEX 01 00:00:00FILE "04 - Duo II-E.wav" WAVE TRACK 04 AUDIO TITLE "Duo II-E" PERFORMER "Nobu Stowe - Lee Pembleton Project" FLAGS DCP INDEX 01 00:00:00FILE "05 - Quartet.wav" WAVE TRACK 05 AUDIO TITLE "Quartet" PERFORMER "Nobu Stowe - Lee Pembleton Project" FLAGS DCP INDEX 01 00:00:00FILE "06 - Trio II.wav" WAVE TRACK 06 AUDIO TITLE "Trio II" PERFORMER "Nobu Stowe - Lee Pembleton Project" FLAGS DCP INDEX 01 00:00:00FILE "07 - Quintet I-D.wav" WAVE TRACK 07 AUDIO TITLE "Quintet I-D" PERFORMER "Nobu Stowe - Lee Pembleton Project" FLAGS DCP INDEX 01 00:00:00FILE "08 - Duo II-B.wav" WAVE TRACK 08 AUDIO TITLE "Duo II-B" PERFORMER "Nobu Stowe - Lee Pembleton Project" FLAGS DCP INDEX 01 00:00:00FILE "09 - Hommage An Klaus Kinski.wav" WAVE TRACK 09 AUDIO TITLE "Hommage An Klaus Kinski" PERFORMER "Nobu Stowe - Lee Pembleton Project" FLAGS DCP INDEX 01 00:00:00FILE "10 - 'Round Midnight.wav" WAVE TRACK 10 AUDIO TITLE "'Round Midnight" PERFORMER "Nobu Stowe - Lee Pembleton Project" FLAGS DCP INDEX 01 00:00:00  Лог проверки качества d:\>d:\aucdtect -d/-m0 d:\zzz\*.wavauCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01. Duo I-A.wav]------------------------------------------------------------This track looks like CDDA with probability 42%------------------------------------------------------------Processing file: [02. Quintet III.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [03. Trio III-B.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [04. Duo II-E.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [05. Quartet.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [06. Trio II.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [07. Quintet I-D.wav]------------------------------------------------------------This track looks like CDDA with probability 62%------------------------------------------------------------Processing file: [08. Duo II-B.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [09. Hommage An Klaus Kinski.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Processing file: [10. 'Round Midnight.wav]------------------------------------------------------------This track looks like CDDA with probability 100%------------------------------------------------------------Final Conclusion:------------------------------------------------------------These tracks looks like CDDA with probability 100% Доп. информация:  Album Info & AAJ ReviewAll music was spontaneously composed / improvised by N. Stowe/L. Pembleton with P. Robinson/B. Siwula/J. McLellan (quintets), with P. Robinson/B. Siwula (quartet), with R. Bonadonna (trios / Homage an K.K.) No pre-composed material was used, except 10. composed by T. Monk/C. WilliamsRecorded on May 20th - 21st, 2006 at Wombat Studio, Brooklyn - New York Engineer: Ross Bonadonna Mixed at Green Door Studio, San Francisco - CA Engineer: Lee Pembleton Mastered at Wizard Studio, Merlino - Milano Engineer: Aldo BorrelliProducers: Nobu Stowe & Lee Pembleton Executive producer: Flavio BonandriniFront cover design: Honyo Ohte (Tako Production, Tsukuba, Japan)Liner notes: Art Lange, Chicago, July 2007Dedicated to Florian Fricke (1944-2001)The evocative and haunting Hommage an Klaus Kinski has the subtitle Total-Improvisations on Sonic Canvas, which states the roles of the recording's two main protagonists: pianist Nobu Stowe and sound designer Lee Pembleton. Stowe continues here with the kind of music represented on the Brooklyn Moments and New York Moments (both Konnex, 2006), where he desires his improvisations to be "spontaneous songs" with a tonality and a melody in the manner of his main influence, Keith Jarrett. Pembleton uses his electronics to create sounds (as opposed to discrete notes) which at many times evokes clear imagery while reacting to Stowe in real time. The three duos ("I-A," "II-E" and "II-B") give the clearest idea about their individual sound and musical relationship. Stowe is a full-bodied player who knows how to make the percussive piano sing. He can move between styles, ranging from gospel feints to a very classically modern and atonal sound with ease. Even in the densest, most intricate passage, however, one can always hear a melodic phrase being worked out. Pembleton is in complete control of his electronics, following Stowe as the emotional content of the music demands, although there are times when Stowe appears to follow him. At times, birds and rain can be heard; elsewhere, large space or chaotic whirls are created. Visual images also play a part with Pembleton and Stowe The fact that music by itself can create mental images does not preclude the use of Pembleton's non-musical sonics; however, the synergy between Stowe and Pembleton varies. The trios ("III-B," "II," "Hommage an Klaus Kinski" and "'Round Midnight") add Ross Bonadonna (also the recording's engineer) playing bass clarinet, alto saxophone or guitar. His extra voice allows Stowe to play more of an accompaniment role to the lead voice, the pianist is so strong he ends up leading most of the time, while creating the piece's structure. The title tune is special in its suggestion of a relationship between the music, filmmaker Werner Herzog and actor Klaus Kinski. The connection came to Stowe after the fact, but the floating style that emerges remains something special. Thelonious Monk's "'Round Midnight," is the only track built on pre-composed material, and its unique melodic structure is hinted at well before it is played outright, with Pembleton's supporting soundtrack adding another layer of mystery to this wonderful rendition. The two quintets ("III" and "I-D") are the longest tracks, and include the saxophonist/clarinetist Blaise Siwula from Moments, clarinetist/ocarina player Perry Robinson from Soul In The Mist (Ictus Records, 2007), and drummer John McClellan. The sounds get very dense, especially when Stowe's left hand reaches to the piano's depths and merges with Pembleton's sonics. Siwula and Robinson are both strong players and Stowe can be heard responding more often. While Hommage an Klaus Kinski is not the easiest music to gestalt, it is well worth the repeated effort.  СоставNobu Stowe: piano (Yamaha G-III) Lee Pembleton: sound design Perry Robinson: clarinet, micro-ocarina (2,5,7) Blaise Siwula: tenor saxophone, alto clarinet (2,5,7) John McLellan: drums (2,7) Ross Bonadonna: bass clarinet, alto saxophone, guitar (3,6,9,10)