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(Free Improvisation, Avant-Garde Jazz, Piano) Irene Schweizer - Chicago Piano Solo (2000) {Intakt Records Intakt CD 065, Switzerland} - 2011, APE (image+.cue) lossless

Irène Schweizer - Chicago Piano Solo Жанр: Free Improvisation, Avant-Garde Jazz, Piano Страна-производитель диска: Switzerland Год издания диска: 2011 Издатель (лейбл): Intakt Records Номер по каталогу: Intakt CD 065 Аудио кодек: APE (*.ape) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 00:50:57 Источник (релизер): basa005 Наличие сканов в содержимом раздачи: даТреклист:1. So Oder So 2. To the Bottle 3. Heilige Johanna (For B. B.) 4. Togetherness One (First Movement) 5. Stringfever 6. Circle 7. Hüben Ohne Drüben 8. Rag 9. RootsRecorded February 16, 2000, at the Empty Bottle, ChicagoPersonnel:Irène Schweizer - Piano  Лог создания рипа (EAC Log) Exact Audio Copy V1.0 beta 2 from 29. April 2011EAC extraction logfile from 9. November 2011, 15:10Irene Schweizer / chicago piano soloUsed drive : TSSTcorpCDDVDW SE-S204N Adapter: 2 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : NoUsed interface : Native Win32 interface for Win NT & 2000Used output format : Internal WAV RoutinesSample format : 44.100 Hz; 16 Bit; StereoTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:07.62 | 0 | 23086 2 | 5:07.62 | 4:22.00 | 23087 | 42736 3 | 9:29.62 | 9:16.00 | 42737 | 84436 4 | 18:45.62 | 4:41.00 | 84437 | 105511 5 | 23:26.62 | 6:51.00 | 105512 | 136336 6 | 30:17.62 | 7:57.00 | 136337 | 172111 7 | 38:14.62 | 4:19.00 | 172112 | 191536 8 | 42:33.62 | 2:57.00 | 191537 | 204811 9 | 45:30.62 | 5:27.13 | 204812 | 229349Range status and errorsSelected range Filename C:\avaxhome\Irene Schweizer - chicago piano solo.wav Peak level 98.9 % Extraction speed 6.8 X Range quality 100.0 % Copy CRC 0EF30813 Copy OKNo errors occurredAccurateRip summaryTrack 1 accurately ripped (confidence 3) [831E9D63] (AR v1)Track 2 accurately ripped (confidence 3) [D4C52D43] (AR v1)Track 3 accurately ripped (confidence 3) [51CCCC2F] (AR v1)Track 4 accurately ripped (confidence 3) [6A04AEC3] (AR v1)Track 5 accurately ripped (confidence 3) [0003715E] (AR v1)Track 6 accurately ripped (confidence 3) [5E4457AD] (AR v1)Track 7 accurately ripped (confidence 3) [3BAE4151] (AR v1)Track 8 accurately ripped (confidence 3) [8A1E90E1] (AR v1)Track 9 accurately ripped (confidence 3) [D4D502E4] (AR v1)All tracks accurately rippedEnd of status report==== Log checksum 960276891E5BAE8F651BD4ECA4291CF47201574F7E5EADE7764754E1D5D51E69 ====  Содержание индексной карты (.CUE) REM GENRE "Jazz Piano"REM DATE 2000REM DISCID 780BF209REM COMMENT "ExactAudioCopy v1.0b2"PERFORMER "Irene Schweizer"TITLE "Chicago Piano Solo"FILE "Irene Schweizer - Chicago Piano Solo.APE" WAVE TRACK 01 AUDIO TITLE "So oder so" PERFORMER "Irene Schweizer" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "To the Bottle" PERFORMER "Irene Schweizer" INDEX 00 05:07:56 INDEX 01 05:07:62 TRACK 03 AUDIO TITLE "Heilige Johanna (for B. B.)" PERFORMER "Irene Schweizer" INDEX 01 09:29:62 TRACK 04 AUDIO TITLE "Togetherness One (First Movement)" PERFORMER "Irene Schweizer" INDEX 01 18:45:62 TRACK 05 AUDIO TITLE "Stringfever" PERFORMER "Irene Schweizer" INDEX 01 23:26:62 TRACK 06 AUDIO TITLE "Circle" PERFORMER "Irene Schweizer" INDEX 01 30:17:62 TRACK 07 AUDIO TITLE "Huben ohne Druben" PERFORMER "Irene Schweizer" INDEX 01 38:14:62 TRACK 08 AUDIO TITLE "Rag" PERFORMER "Irene Schweizer" INDEX 01 42:33:62 TRACK 09 AUDIO TITLE "Roots" PERFORMER "Irene Schweizer" INDEX 01 45:30:62  Об альбомеWith a impeccable white grand piano and a packed house, the stage was set for a concert hot enough to warm the cold February air. No disappointments, of course. Schweizer played two sets, dense with consideration and bristling with cyclical rhythms, but not overly long. An ideal musical event - the audience was absolutely won over by her and late that night the bar was filled with the kind of afterglow that always indicates something deep has transpired. As an expert improvisor, Schweizer knows that the tricky part is figuring out how these ma-terials, influences and innovations fit together. Like Ellington said, it's a matter of connecting the devices, of finding a way to make the music meaningful by imbuing it with thought. Every phrase Irène played that night seemed to be steered by that kind of intellect, that guiding spirit. Everything working together. Technically, that's the meaning of the word «concert.» Agreement in design or plan. It was one such concert, and for times like that we count our lucky stars.-- John Corbett, Chicago  Back
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