(Free Improvisation / Avant-Garde Jazz) [CD] Mark Dresser, Ed Harkins, Steven Schick - House of Mirrors - 2008, FLAC (tracks+.cue), lossless

Mark Dresser, Ed Harkins, Steven Schick - House of Mirrors Жанр: Free Improvisation / Avant-Garde Jazz Носитель: CD Страна-производитель диска: Portugal Год издания: 2008 Издатель (лейбл): Clean Feed Номер по каталогу: CF117CD Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:52:16 Источник (релизер): nnm, Джаз Клуб, 24 июня, 2014 / спасибо mishka1981 Наличие сканов в содержимом раздачи: да / *.jpg (300 dpi)Треклист:1. Xonia (11:15) 2. Flumbus (02:38) 3. Scrubble (04:43) 4. Oscula (15:02) 5. Rebus (03:37) 6. Floxy (01:39) 7. Moa (05:47) 8. Scuzzy (07:33)All composition by Mark Dresser and Ed HarkinsДоп. информация:Musicians: Ed Harkins - trumpets (piccolo, reed, 2-bell, slide and modular) and mellophone Mark Dresser - contrabass with "surrealist" pick-up system designed by Kent McLagan Steven Schick - multiple percussionRecorded and mastered in January 2006 at UCSDMark Dresser, Ed Harkins, Steven Schick - House of Mirrors cleanfeed-records.com Mark Dresser, Ed Harkins, Steven Schick - House of Mirrors allaboutjazz.com Mark Dresser Official Site Mark Dresser from Wikipedia, the free encyclopedia Steven Schick from Wikipedia, the free encyclopedia  ... back ...  ... photo ...  ... review ...Being Mark Dresser, the most "classical" of jazz/improvised music bassists today, it is no wonder we find him in the company of two of the most accomplished improvisers coming from the new and classical contemporary fields, Ed Harkins with the trumpet family (piccolo, reed, 2-bell, slide and modular) and Steven Schick on everything percussive, from skins to Chinese temple bells and gongs. But House of Mirrors project isn't similar to the interpretations of Iannis Xenakis, Roger Reynolds or John Luther Adams which the last two musicians are famed for. It was born from Harkins' and Dresser's investigations of complex rhythm, pitch and timbre, enriched by the contribution of Schick in terms of sound and texture. In the end, this is a proposal emerging from the frontier between what we call "jazz" and the experimental lab of the academic music world, combining in defiant and playful ways, under a solid concept, written open scores and structured improvisation. And if you think that the double bass has a limited range when compared to the varied palette of timbres of the trumpeter and the percussionist, think again: in the hands of Mark Dresser the bass is permanently reinvented. He's known for finding unusual ways to amplify his instrument. Here he uses a "surrealist" (not our term: you find it in the technical sheet of the CD) pick-up system designed by Kent McLagan, and sometimes he even prepares the giant fiddle very much like John Cage prepared the piano. In one instrument you have several. The magnification of sounds from the bass and the mutation of the other instruments will cause you to relate to them in surprising ways. The collaborators themselves said in an interview with music critic Bill Shoemaker, that in some passages of this recording they have difficulties recognizing who plays what. That says it all-the difference of roles assumed by the performers of this trio in relation to both conventional jazz and contemporary music is really something else, and undoubtedly superb.~ cleanfeed-records.com* * * House of Mirrors is a remarkable project in collaborative music making. It began in 1999 when bassist Mark Dresser expressed interest in supplying tones to complex rhythmic materials developed experimentally by the composer and trumpeter Ed Harkins. Eventually what began long-distance between the Brooklyn-based Dresser and the Californian Harkins became a regular interaction in 2004 when Dresser joined Harkins on the faculty of University of California at San Diego. A year later percussionist Steven Schick, who has recorded the complete solo percussion music of Iannis Xenakis, made the group a trio. The work is some distance from Dresser's more improvisatory projects, closer to contemporary chamber music, with much of the music through-composed by Harkins and Dresser with spontaneously formed connective tissue.The interest arises in the stunning complexity of Harkins' rhythmic language, from its sudden accelerations to the endlessly unraveling meters and shifting accents, creating a relationship between rhythmic forms of serialism and certain aspects of African polyrhythms. The results are highly unpredictable, pitch and time fused into new, yet seemingly absolute, relationships.Given the level of mathematical complexity of this music, there's a surprising range of moods, from the manic playfulness of "Floxy" to the odd hurry-up-and-wait of the delays and flurries of "Moa." The 15-minute "Oscula" is particularly notable for the complexity of relationships that arise among the various instruments and the sometimes structuring roles of timbre and dynamics, the piece eventually evolving into near silence. Schick has commented that his first entry into the music was timbral rather than rhythmic and there's plenty of that here, his percussion seemingly rubbing the resonance of trumpet and bass as much as it participates rhythmically. "Rebus," with its whistles of cymbal and bass, contains wind sonorities that testify to Harkins' own powers of invention. Investigating a new rhythmic language, the trio also expands its own sonic palette.~ Stuart Broomer ~ allaboutjazz.com  Лог создания рипа Exact Audio Copy V1.0 beta 1 from 15. November 2010EAC extraction logfile from 24. June 2014, 15:45Mark Dresser, Ed Harkins, Steven Schick / House of MirrorsUsed drive : Optiarc DVD RW AD-7710H Adapter: 1 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 896 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j--picture="%i"%j %s -o %dTOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 11:17.01 | 0 | 50775 2 | 11:17.01 | 2:40.34 | 50776 | 62809 3 | 13:57.35 | 4:45.68 | 62810 | 84252 4 | 18:43.28 | 15:04.10 | 84253 | 152062 5 | 33:47.38 | 3:39.24 | 152063 | 168511 6 | 37:26.62 | 1:41.06 | 168512 | 176092 7 | 39:07.68 | 5:49.65 | 176093 | 202332 8 | 44:57.58 | 7:33.09 | 202333 | 236316Track 1 Filename C:\MY RIPS\01 - Xonia.wav Pre-gap length 0:00:02.00 Peak level 96.5 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 87F66AAB Copy CRC 87F66AAB Accurately ripped (confidence 1) [7B18B470] Copy OKTrack 2 Filename C:\MY RIPS\02 - Flumbus.wav Pre-gap length 0:00:02.00 Peak level 35.1 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 0C8CD7FF Copy CRC 0C8CD7FF Accurately ripped (confidence 2) [CC541047] Copy OKTrack 3 Filename C:\MY RIPS\03 - Scrubble.wav Pre-gap length 0:00:02.00 Peak level 68.5 % Extraction speed 3.2 X Track quality 99.9 % Test CRC 59140859 Copy CRC 59140859 Accurately ripped (confidence 2) [9B17F9AC] Copy OKTrack 4 Filename C:\MY RIPS\04 - Oscula.wav Pre-gap length 0:00:02.00 Peak level 82.8 % Extraction speed 4.7 X Track quality 100.0 % Test CRC 48CD4312 Copy CRC 48CD4312 Accurately ripped (confidence 2) [415DB4F3] Copy OKTrack 5 Filename C:\MY RIPS\05 - Rebus.wav Pre-gap length 0:00:02.00 Peak level 49.8 % Extraction speed 4.6 X Track quality 100.0 % Test CRC C538A1D5 Copy CRC C538A1D5 Accurately ripped (confidence 2) [7D46C85B] Copy OKTrack 6 Filename C:\MY RIPS\06 - Floxy.wav Pre-gap length 0:00:02.00 Peak level 53.8 % Extraction speed 4.0 X Track quality 100.0 % Test CRC 7E3CCE21 Copy CRC 7E3CCE21 Accurately ripped (confidence 2) [C7C4B549] Copy OKTrack 7 Filename C:\MY RIPS\07 - Moa.wav Pre-gap length 0:00:02.00 Peak level 64.3 % Extraction speed 5.1 X Track quality 100.0 % Test CRC A78B8E45 Copy CRC A78B8E45 Accurately ripped (confidence 2) [52221E1E] Copy OKTrack 8 Filename C:\MY RIPS\08 - Scuzzy.wav Pre-gap length 0:00:02.00 Peak level 62.4 % Extraction speed 5.5 X Track quality 100.0 % Test CRC 25BB19B7 Copy CRC 25BB19B7 Accurately ripped (confidence 2) [EF1B78A8] Copy OKAll tracks accurately rippedNo errors occurredEnd of status report==== Log checksum 68BDA1462A5FF7855121F3EE51B83C6DB80F996EA0B48670AFB13FB64DF0FC75 ====  Содержание индексной карты (.CUE) REM GENRE AvantgardeREM DATE 2006REM DISCID 7E0C4E08REM COMMENT "ExactAudioCopy v1.0b1"PERFORMER "Mark Dresser, Ed Harkins, Steven Schick"TITLE "House of Mirrors"FILE "01 - Xonia.wav" WAVE TRACK 01 AUDIO TITLE "Xonia" PERFORMER "Mark Dresser, Ed Harkins, Steven Schick" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Flumbus" PERFORMER "Mark Dresser, Ed Harkins, Steven Schick" INDEX 00 11:15:01FILE "02 - Flumbus.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Scrubble" PERFORMER "Mark Dresser, Ed Harkins, Steven Schick" INDEX 00 02:38:34FILE "03 - Scrubble.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Oscula" PERFORMER "Mark Dresser, Ed Harkins, Steven Schick" INDEX 00 04:43:68FILE "04 - Oscula.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Rebus" PERFORMER "Mark Dresser, Ed Harkins, Steven Schick" INDEX 00 15:02:10FILE "05 - Rebus.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Floxy" PERFORMER "Mark Dresser, Ed Harkins, Steven Schick" INDEX 00 03:37:24FILE "06 - Floxy.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Moa" PERFORMER "Mark Dresser, Ed Harkins, Steven Schick" INDEX 00 01:39:06FILE "07 - Moa.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Scuzzy" PERFORMER "Mark Dresser, Ed Harkins, Steven Schick" INDEX 00 05:47:65FILE "08 - Scuzzy.wav" WAVE INDEX 01 00:00:00  auCDtect Task Manager -----------------------DON'T MODIFY THIS FILE-----------------------PERFORMER: auCDtect Task Manager, ver. 1.5.1RC6 build 1.5.1.7Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.orgANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.FILE: 08 - Scuzzy.flac Size: 26123741 Hash: 39E5A81102E2C49A0D6FB8031E6EF8AA Accuracy: -m0 Conclusion: CDDA 100% Signature: FD9EB0425FDE840F9A17C56D67E5C103202195F9FILE: 07 - Moa.flac Size: 18405136 Hash: 323E046B8B104A0715489E57433E294C Accuracy: -m0 Conclusion: CDDA 87% Signature: A04237BB9B8EA13796C30857866A7E7378147ED7FILE: 06 - Floxy.flac Size: 5175499 Hash: 2D3874171E289730D05685618399FA31 Accuracy: -m0 Conclusion: CDDA 100% Signature: 0D25137F97FCB37FC90A543E4F3DD9641093A8BFFILE: 05 - Rebus.flac Size: 12222180 Hash: 7B7FD713FC23E0241AC33EBEF365B3FD Accuracy: -m0 Conclusion: MPEG 90% Signature: 5E0BF2C1EC545913239582930960B187C70F80B0FILE: 04 - Oscula.flac Size: 46682321 Hash: 7F34D171943632200B09BE4A12729F2A Accuracy: -m0 Conclusion: CDDA 100% Signature: D192A2B7881D7EFB022A387138F00B4E02CD1433FILE: 03 - Scrubble.flac Size: 16955416 Hash: C2826DD91512DAC1FDE117E690BBEE52 Accuracy: -m0 Conclusion: CDDA 100% Signature: 63EB56429A7E9A447336F378A69C6FF4A1DE0BA9FILE: 02 - Flumbus.flac Size: 7884723 Hash: 3E150321A9A6281C5253FC52BEE80283 Accuracy: -m0 Conclusion: CDDA 99% Signature: BE6AAAE740C6F82CA8C7755A0D60153B6FDE1E0EFILE: 01 - Xonia.flac Size: 38170468 Hash: 9C8D8EBF53C9734BE802336097590353 Accuracy: -m0 Conclusion: CDDA 100% Signature: B85913412DF497F467DD5E18AE8605F95DA8BFFF ... релизы с участием MARK DRESSER на трекере ...